EarMaster Cloud-Tipps für Lehrkräfte

 

 

Mit der Cloud verbinden

Wie soll ich vorgehen?

Sobald der EarMaster cloud-Administrator an deiner Schule/Bildungs­einrichtung deinen Account ange­legt hat, erhältst du eine E‑Mail mit deinen persön­lichen Zugangs­daten. Mit diesen Zugangs­daten kannst du dich auf deinem Windows-PC, Mac, Chrome­book, iPad, iPhone oder Android-Gerät in die EarMaster Cloud einloggen. 

Deine EarMaster-Cloud-Zugangs­daten bestehen aus:

  • dem Namen des Schulkontos*
  • deinem Benutzernamen
  • deinem Passwort

* Wenn du ein indivi­duelles EarMaster-Abo abge­schlossen hast und selbst für den EarMaster Cloud-Zugang bezahlst, dann lässt du dieses Feld einfach leer.

cloud login ipadPhone, Tablet und Chromebook (nur Schüler)

  1. Lade die dir kosten­freie EarMaster-App aus dem AppStore (iOS) oder bei Google Play (Android oder Chromebook) herunter.
  2. Tippe auf das Cloud-Icon, das du auf dem Start­bild­schirm links oben findest. Anschließend gibst du deine Zugangs­daten ein und tippst auf "Anmelden". 

Windows-PC und Mac (Schüler und Lehrkräfte)

  1. Lade dir EarMaster für PC oder Mac über den Link herunter, den du in der E‑Mail von EarMaster Cloud erhalten hast. 
  2. Klicke auf das Cloud-Icon, das du auf dem Start­bild­schirm links oben findest. Anschließend gibst du deine Zugangs­daten ein und klickst auf "Anmelden". 

Als Lehrkraft kannst du über die Buttons unten zwischen 2 verschie­denen Ansichten wählen:

  • In der Teacher-Ansicht hast du Zugriff auf die 4 zusätz­lichen Lehrer-Tools von EarMaster: Schüler-Ergebnis­übersicht, Zuordnungs­manager, Kurseditor und Musik­bibliothek.
  • Die Normale Ansicht zeigt dir den Standard-Start­bild­schirm, so wie ihn auch deine Schüler bzw. Studenten sehen.

Zugangsdaten vergessen?

Keine Panik. Rufe diese Webseite und gib die E‑Mail­adresse ein, die beim Anlegen deines EarMaster Cloud-Benutzer­kontos verwendet wurde. Du erhältst darauf­hin eine E‑Mail mit neuen Zugangs­daten.

Kein Internet?

Kein Problem. Du kannst die EarMaster-App für einen Zeit­raum von 7 Tagen offline nutzen. Deine erzielten Ergeb­nisse und Lern­fort­schritte werden lokal gespeichert und beim nächsten EarMaster-Start mit Internet­verbin­dung in die Cloud hochge­laden.

Übersicht: Tools für den Unterricht

Wenn du dich als Lehr­kraft auf einem Windows-PC oder Macintosh-Rechner in EarMaster einloggst, siehst du auf dem Start­bild­schirm 4 große Buttons, mit denen du die verfüg­baren EarMaster Cloud-Tools für Lehr­kräfte auf­rufen kannst:

EarMaster: Tools für Lehrkräfte

  • Schüler-Ergebnis­übersicht - Ergeb­nisse und Aus­wertung des Lern­ver­haltens aller deiner Schüler bzw. Studierenden.
  • Zuordnungsmanager - der Bereich, in dem du selbst erstellte "Arbeits­bücher" (Kurse, Übungen, Lektionen) einzelnen Schülern/Studie­renden oder ganzen Klassen zuweisen kannst.
  • Kurseditor - der Editor zum Erstellen eigener Lern­inhalte, die dann lokal auf dem Computer gespeichert werden.
  • Musikbibliothek - mit einer voll­ständigen Übersicht über alle Elemente, die dir für deinen Unterricht in EarMaster zur Verfü­gung stehen (Melodien, Akkorde, Skalen etc.).

Wie soll ich vorgehen?

  1. Erstelle mit dem Kurseditor einen eigenen Lern­inhalt (Arbeits­buch, Kurs, Lektion) und speichere diesen auf deinem Computer.
  2. Öffne den Zuordnungsmanager, wähle in der linken Spalte einen Einzel­benutzer (Schüler/Student) oder eine Klasse und klicke auf "Zuordnung hinzu­fügen", um z. B. ein lokal gespei­chertes Arbeits­buch dem Benutzer oder der Klasse via Cloud zuzu­weisen.
  3. Haben die Schüler/Studie­renden die zuge­wiesenen Auf­gaben absol­viert, kannst du deren Ergeb­nisse im Bereich Schüler-Ergebnis­übersicht prüfen.

Schaue dir das Video unten (in Englisch) sowie die weiteren Themen­blöcke auf dieser Seite an, um mehr über die soeben beschrie­benen Schritte zu erfahren. 

Video-Tutorial (Englisch): EarMaster Cloud-Workflow für Lehrkräfte

Zuordnungen erstellen

Öffne den Kurseditor

Zuordnungen für deine Schüler und Studenten kannst du im Kurseditor erstellen. Unter Zuord­nungen versteht man also Arbeits­bücher, Kurse, eigene Übungen u. s. w., die du mit den Lehrer-Tools von EarMaster selbst zusammen­stellst und dann einzelnen Schülern oder ganzen Klassen via EarMaster-Cloud zuweist. Wenn du dich als Lehr­kraft einge­loggt hast, findest du den Kurseditor auf dem Start­bild­schirm von EarMaster

EarMaster-Lehrer-Tool-Kurseditor

Aufbau eines Arbeitsbuchs (Kurs)

Jedes EarMaster-Arbeitsbuch besteht aus zwei Ebenen: Module und Übungen.

EarMaster-Lehrer-Tools: Arbeitsbuchg-Aufbau

Ein Modul stellt quasi die "Schub­lade" dar, in der die einzelnen Übungen ent­halten sind. Die Bezeich­nung eines Moduls ist zugleich die Über­schrift für das Set an ent­hal­tenen Übungen. Die Unter­teilung des Arbeits­buchs in verschie­dene Module ist sinnvoll, um Übungen z. B. nach Themen, Schwierig­keits­stufen oder nach dem eigenen Lehr­plan organi­sieren zu können.

Die Übungen inner­halb des Moduls stellen das eigent­liche "Schulungs­material" dar. Eine Übung kann ent­weder eine inter­aktive Auf­gabe, eine Text­erörte­rung mit Audio- und Bild­bei­spielen oder eine Mischung aus beidem sein.

Eine gängige Art, ein Arbeits­buch zu struktu­rieren, besteht darin, in jedem Modul ein Set von Übungen zusammen­zu­stellen, die Varia­tionen zum selben Thema dar­stellen. Dabei kann es sich z. B. um die­selben Inter­valle, Melodien oder Akkorde handeln, die aber jeweils anders ausge­führt oder z. B. in einer anderen Tonart oder in einem anderen Tempo gespielt werden. Die Anfor­de­rungen, die zum Über­gang zur nächsten Übung erfüllt werden müssen, sollten sehr niedrig ange­setzt werden (sogar auf 0 %), damit das Training für die Schüler abwechs­lungs­reich bleibt. Die jeweils letzte Übung eines Moduls kann hin­gegen ein Test mit strengeren Anfor­de­rungen sein, die zum Bestehen erreicht werden müssen. So kann z. B. bei den Übungs­eigen­schaften bei Falls nicht geschafft, gehe zu fest­ge­legt werden, dass der Schüler bei Nicht­bestehen das gesamte Modul wiederholen muss.

Benenne und beschreibe das Arbeitsbuch

Du kannst deinem Arbeits­buch einen Titel und eine Beschrei­bung hinzu­fügen, indem du ob auf die Text­zeile Unbenanntes Arbeits­buch klickst.

EarMaster-Lehrer-Tools: Titel und Beschreibung für Arbeitsbuch

Füge Module hinzu

Um ein weiteres Modul hinzu­zu­fügen, klickst du in der Modul-Tool­leiste oben auf das +-Icon. 

Füge Übungen hinzu

Willst du eine Übung in einem Modul hin­zufügen, klicke auf das +-Icon in der Toolleiste für Übungen. Wähle dann den Typ der Übung im Lektionen-Setup aus. Das Lektionen-Setup findest du rechts im unteren Bereich des Fensters.

Je nachdem, welche Lern­aktivi­tät du ausge­wählt hast, findest du verschie­dene Optionen zur Konfi­gu­ration deiner Übung.

Übungen aus einem bestehenden Arbeitsbuch importieren

Du kannst Übungen nicht nur von Grund auf neu konfi­gu­rieren, sondern solche auch aus einem bereits vor­han­denen Arbeits­buch impor­tieren. Um dies zu tun, öffne zunächst das Menü Optionen und wähle den Befehl Übungen aus Arbeits­buch impor­tieren. Sollte das gesuchte Arbeits­buch nicht aufge­listet werden, klicke auf Suchen, um es auf deinem Computer zu lokalisieren.

EarMaster-Lehrer-Tools: Arbeitsbuch importieren

 
Sobald du das Arbeits­buch, aus dem du Übungen impor­tieren möchtest, ausge­wält und aufge­rufen hast, siehst du eine Liste mit allen darin ent­hal­tenen Modulen und Übungen (bei den allge­meinen und den Jazz-Work­shops von EarMaster auch Work­shops). Wähle den zu impor­tie­renden Inhalt an und klicke auf OK, um die Module/Übungen/Work­shops in dein eigenes Arbeits­buch zu impor­tieren.

 EarMaster-Lehrer-Tools: Arbeitsbuchinhalte importieren

Speichere dein Arbeitsbuch

Um dein Arbeitsbuch lokal auf deinem Computer zu speichern, wähle Datei > Kurs speichern oder Datei > Kurs speichern unter.

Arbeitsbücher können generell nur lokal gespeichert werden. Nach dem Speichern können sie natür­lich in die EarMaster-Cloud hoch­ge­laden und deinen Schülern und Studenten zuge­wiesen werden.

Bitte beachte, dass Arbeits­bücher in der Cloud nicht modifi­ziert werden können. Wenn du Ände­rungen an einem bestehen­den Arbeits­buch vor­nehmen willst, dann bear­beite zunächst die lokal gespei­cherte Version und lade das modifi­zierte Arbeits­buch dann als neue Zuord­nung wieder in die EarMaster-Cloud. Ist das Arbeits­buch bereits Schülern oder Klassen zuge­wiesen, musst du diese Zuord­nung zunächst auf­heben, bevor du die über­arbei­tete Version des Arbeits­buch hoch­lädst, um ver­schie­dene Version der­selben Zuord­nung zu vermeiden. Das modifi­zierte Arbeits­buch wird auch inner­halb der Schüler-Ergebnis­über­sicht als neue Zurdnung behandelt, da sich Inhalt und Struktur von altem und über­arbei­tetem Arbeits­buch i. d. R. unter­scheiden werden.

Teste dein Arbeitsbuch

Willst du dein Arbeits­buch vor dem Cloud-Upload und vor der Zuwei­sung an die Schüler oder Studenten erst einmal testen, dann lade es in dein EarMaster-Programm. Wähle dazu den Menü­befehl Datei > Kurs öfnnen. Suche das Arbeits­buch auf deinem lokalen Computer, wähle es an und klicke auf Öffnen. Das Arbeits­buch wird nun auf dem Start­bild­schirm von EarMaster (in der Normalen Ansicht) ange­zeigt. Bei jeder Ände­rung, die du an deinem Arbeits­buch im Kurs­editor vornimmst und dort speicherst, wird diese lokal verwendete Version des Arbeits­buchs in EarMaster aktuali­siert.

Verteile dein Arbeitsbuch als Zuordnung

Mithilfe des Zuordnungs­managers kannst du nun dein eigenes Arbeits­buch mit indivi­duell zusammen­ge­stellten Modulen und Übungen sowohl einer ganzen Klasse (als Klassen-Zuordnung) als auch nur einzelnen Schülern (als persönliche Zuordnung) via Cloud zuweisen. Detail­lierte Infor­ma­tionen dazu findest du auf der Seite Zuordnungen verteilen.

Zuordnungen verteilen

In EarMaster Cloud ist unter dem Begriff "Zuord­nung" ein Arbeits­buch (Kurs, Set mit Übungen) zu verstehen, das zunächst mit dem Kurs­editor erstellt und dann einzelnen Benutzern (Schülern/Studie­renden) oder auch einer ganzen Klasse mit­hilfe des Zuord­nungs­managers zuge­wiesen wurde.

EarMaster-Lehrer-Tools: Zuordnungen

Der Zuordnungsmanager

Um also "Zuord­nungen" an Benutzer zu ver­teilen, öffnest du den Zuord­nungs­manager. Diesen findest du am PC oder Mac auf dem EarMaster-Start­bild­schirm, sofern du dich als Lehr­kraft (Teacher-Account) ange­meldet hast.

In der linken Spalte des Zuord­nungs­managers siehst du zunächst alle Klassen, denen du als Lehr­kraft vom Adminis­trator des EarMaster Cloud-Schul­accounts hinzu­gefügt wurdest. Solltest du deine Klasse(n) im Augen­blick nicht sehen, klicke ober­halb der Liste auf das Erneuern-Icon und halte dabei die ALT-Taste auf der Computer­tastatur gedrückt. Sollte deine Klasse trotz­dem nicht in der List erscheinen, bitte den Admin des EarMaster Cloud-Schul­accounts darum, dich als Lehr­kraft der Klasse hinzu­zu­fügen.

In EarMaster Cloud kannst du gleich­zeitig eine Klassen­zuord­nung pro Klasse und eine persön­liche Zuord­nung pro Schüler/Student vor­nehmen. Wenn der Schüler/Student oder die Klasse mit einem neuen Arbeits­buch (= Zuord­nung) arbeiten soll, dann kannst du die jeweils aktive Zuord­nung einfach durch eine neue ersetzen.

Ein Arbeitsbuch einer Klasse zuweisen

Wähle in der linken Spalte des Zuord­nungs­managers eine Klasse aus und klicke dann rechts auf die Taste Zuord­nung hinzu­fügen. Es öffnet sich eine Liste mit allen verfüg­baren und bereits in die Cloud hochge­ladenen Arbeits­bücher. Ist die gewünschte Zuord­nung noch nicht online, klicke auf die Taste Arbeits­buch uploaden, um es von deinem lokalen Computer in die Cloud zu laden und anschließend einer Klasse oder einem einzelnen Benutzer zuzu­weisen.

EarMaster-Lehrer-Tools: Arbeitsbuch zuweisen

Alle Schüler/Studenten, die als Mit­glied dieser Klasse defi­niert wurden, sehen nun nach dem Start ihrer EarMaster-Soft­ware oder ‑App einen neuen Eintrag in der Liste der Übungs­inhalte (Start­bild­schirm). Die Bezeich­nung der neuen Zuord­nung folgt dabei dem Muster [Klasse­nname] Titel des Arbeits­buchs.

Eine bestehende Zuordnung durch eine neue ersetzen

Sollen deine Schüler/Studenten mit einem neuen Arbeits­buch arbeiten, kannst du die beste­hende Zuord­nung ein­fach ent­fernen. Klicke dazu auf das X-Icon rechts neben der aktiven Zuord­nung. Anschlie­ßend kannst du wieder auf Zuord­nung hinzufügen klicken und ein anderes Arbeits­buch zuweisen.

EarMaster-Lehrer-Tools: Zuordnung entfernen

Beim nächsten Start Ihrer EarMaster-Soft­ware oder ‑App sehen die Schüler/Studenten dann die neue Zuord­nung auf ihren Start­bild­schirmen und können mit dem neu zuge­wie­senen Arbeits­buch sofort starten.

Eine Zuordnung entfernen

Wenn du im Zuord­nungs­manager eine Arbeits­buch-Zuord­nung zu einem Schüler/Student oder eine Klasse ent­fernst, ver­schwindet das Arbeits­buch als Lern­inhalt vom Start­bild­schirm der Benutzer. Um also die Zuord­nung zu ent­fernen, klicke ein­fach auf das X-Icon rechts neben dem Namen der Zuord­nung, so wie es im Screen­shot oben gezeigt wird.

Mehrere Zuordnungen zu einer Klasse

Gegenwärtig ist es in EarMaster nicht mög­lich, gleich­zeitig mehrere Arbeits­bücher einer Klasse zuzu­weisen. Es ist eben­falls nicht mög­lich, mehrere Zuwei­sungen in eine Art Warte­schlange zu stellen. Aber wie fast immer gibt es einen Work­around:

Willst du den Schülern deiner Klasse 3 verschie­dene Arbeits­bücher gleich­zeitig zu­weisen, dann erstelle im EarMaster Cloud-Admin-Portal 3 verschie­dene Klassen, die alle aus den gleichen Schülern bestehen. Nun kannst du jeder dieser 3 Klassen ein anderes Arbeits­buch zuordnen. Da der einzelne Schüler/Student Teil aller 3 (iden­tischen) Klassen ist, wird er beim Start seiner EarMaster-Soft­ware bzw. ‑App auch alle drei Arbeits­bücher auf dem Start­bild­schirm und in der Liste der verfüg­baren Lern­inhalte sehen.

Nachteil: Betreust da als Lehr­kraft bereits zahl­reiche Klassen, besteht bei mehr­fachem Dupli­zieren von Klassen schnell die zusätz­liche Gefahr, den Über­blick zu verlieren.

Deshalb empfiehlt es sich, die Klassen — z. B. orien­tiert am Lehr­plan — unter­schied­lich zu benennen:

- Woche 1
- Woche 2
- Woche 3

oder 

- Harmonielehre
- Vom-Blatt-Singen
- Rhythmus

Included courses

Courses and workshops available in EarMaster

Click on a course or workshop title to view its full content.

Notice that the availability of the courses and workshops listed below depends on the license that you purchased. For more information, please refer to this Version comparison.

 Beginner's Course


1: Welcome to the Beginner's Course

1.1 Introduction to the course

2: Pitch

2.1 Musical Pitch
2.2 Pitch Matching: One Note (any note in range)
2.3 Introduction to Pitch Intervals
2.4 More Pitch Intervals
2.5 Pitch Interval Names
2.6 Pitch Matching: Two Notes (C, D)
2.7 Module Recap

3: Pulse

3.1 Beat (Pulse)
3.2 Tapping with the Metronome
3.3 Skipping Beats
3.4 Introduction to Beat Notation
3.5 Beat Error Detections
3.6 Beat Dictation
3.7 Module Recap

4: Pitch Notation

4.1 Pitch Sight-Singing
4.2 Pitch Dictation with 2 notes
4.3 Pitch Dictation with 3 notes
4.4 Pitch Dictation with 4 notes
4.5 Melodic Dictation
4.6 Module Recap

5: Duration

5.1 Rhythmic Duration
5.2 Performing Note Onsets and Offsets
5.3 Rhythm Error Detection
5.4 Rhythm Sight-Reading
5.5 Rhythm Dictation
5.6 Clapping Back Rhythms with Half Rests
5.7 Half Rest Error Detection
5.8 Sight-Reading Rhythms with Half Rests
5.9 Rhythmic Dictation with Half Rests
5.10 Module Recap

6: Tonality

6.1 Tonality
6.2 Pitch Matching
6.3 Three Melodic Intervals
6.4 Interval Identification
6.5 Interval Singing
6.6 Tonal Threads (3 notes)
6.7 Pitch Dictation
6.8 Singing Melodic Fragments by ear
6.9 Singing Melodic Fragments by sight
6.10 Melodic Dictation
6.11 Singing a Tune: Tchaikovsky's 1812 Overture
6.12 Module Recap

7: Measures

7.1 Whole Notes & Rests
7.2 Whole notes & whole rests
7.3 Whole Note Error Detection
7.4 Whole Note Sight-Reading
7.5 Whole Note Rhythmic Dictation
7.6 Two Beat Measures: Clapback
7.7 Two Beat Measures: Error detection
7.8 Two Beat Measures: Sight-Reading
7.9 Two Beat Measures: Dictation
7.10 Singing a Tune
7.11 Module Recap

8: The Sub-dominant

8.1 The Sub-dominant Scale Degree
8.2 Interval Learning (Perfect 4th)
8.3 Melodic Interval Identification
8.4 Singing within the Major Scale
8.5 Tonal Threads (3 notes)
8.6 Pitch Dictation (4 notes)
8.7 Singing Melodic Fragments (by ear)
8.8 Singing Melodic Fragments (by sight)
8.9 Dictating Melodies
8.10 Singing A Tune
8.11 Module Recap

9: Dotted Half Note Rhythms

9.1 Dotted Rhythms
9.2 Dotted Half Notes & Dotted Half Rests
9.3 Dotted Half Note Error Detection
9.4 Dotted Half Note Sight-Reading
9.5 Dotted Half Note Rhythmic Dictation
9.6 Three Beat Measures: Clapback
9.7 Three Beat Measures: Error Detection
9.8 Three Beat Measures: Sight-Reading
9.9 Three Beat Measures: Dictation
9.10 Module Recap

10: The Dominant

10.1 The Dominant
10.2 The Perfect 5th
10.3 Interval Identification
10.4 Interval Singing
10.5 Tonal Threads (3 notes)
10.6 Pitch Dictation (4 notes)
10.7 Pitch Dictation (5 notes)
10.8 Singing Melodic Fragments (by ear)
10.9 Singing Melodic Fragments (by sight)
10.10 Dictating Melodies
10.11 Singing A Tune: Frère Jacques
10.12 Module Recap

11: Consonance & Dissonance

11.1 Hearing Harmonically
11.2 Dissonance & Consonance
11.3 Dissonance & Consonance
11.4 Consonant & Dissonant Chords
11.5 Chords in context
11.6 Chords in context (3 chord progressions)
11.7 Singing a Tune: Beethoven's Ode to Joy
11.8 Module Recap

12: Simple Subdivisions

12.1 Subdivisions of the Beat
12.2 Constant Subdivisions
12.3 Eighth Note Clapback
12.4 Eighth Note Error Detection
12.5 Eighth Note Sight-Reading
12.6 Eighth Note Rhythmic Dictation
12.7 Rhythmic Dictation: Joy to the World
12.8 Singing a Tune: Simple Gifts
12.9 Module Recap

13: The Leading Tone

13.1 The Leading Tone
13.2 Interval Comparison
13.3 Interval Identification
13.4 Interval Singing
13.5 Tonal Threads (3 notes)
13.6 Pitch Dictation (4 notes)
13.7 Pitch Dictation (5 notes)
13.8 Singing Melodic Fragments (by ear)
13.9 Singing Melodic Fragments (by sight)
13.10 Transcribing Melodies
13.11 Singing a Tune: Haydn's Surprise Symphony
13.12 Module Recap

14: Triads

14.1 Triads
14.2 Ascending Melodic Thirds
14.3 Ascending Melodic Thirds: Identification
14.4 Ascending Melodic Triads
14.5 Descending Melodic Thirds: Learning
14.6 Descending Melodic Thirds: Identification
14.7 Descending Melodic Triads: Identification
14.8 Harmonic Thirds: Learning
14.9 Harmonic Thirds: Identification
14.10 Harmonic Triads: Identification
14.11 Singing A Tune: Rossini's William Tell Overture
14.12 Module Recap

15: Syncopation

15.1 Syncopation
15.2 Basic Syncopated Rhythms
15.3 Syncopation Clapback
15.4 Syncopation Error Detection
15.5 Syncopation Error Detection (2)
15.6 Syncopated Sight-Reading
15.7 Syncopation Rhythmic Dictation
15.8 Tapping a Tune: Panama
15.9 Singing A Tune: Mozart's Eine Kleine Nachtmusik
15.10 Module Recap

16: The Submediant

16.1 The Submediant
16.2 The Submediant Scale Degree
16.3 Interval Identification
16.4 Interval Singing
16.5 Tonal Threads (3 notes)
16.6 Pitch Dictation (4 notes)
16.7 Pitch Dictation (5 notes)
16.8 Singing Melodic Fragments (by ear)
16.9 Singing Melodic Fragments (by sight)
16.10 Transcribing Melodies
16.11 Singing a Tune: Twinkle, Twinkle Little Star
16.12 Module Recap

17: Other Triad Types

17.1 Augmented and Diminished Triads
17.2 Review of Ascending Thirds
17.3 The Four Triads (ascending)
17.4 Review of Descending Thirds
17.5 The Four Triads (descending)
17.6 Review of Harmonic Thirds
17.7 The Four Triads (harmonic)
17.8 Review of thirds (mixed)
17.9 The Four Triad types (mixed)
17.10 Singing a Tune: Home on the Range
17.11 Module Recap

18: Ties

18.1 Rhythmic Ties
18.2 Clapping Back Rhythms with Ties
18.3 Clapping Back Rhythms with Ties (2)
18.4 Detecting Errors in Rhythms with Ties
18.5 Detecting Errors in Rhythms with Ties (2)
18.6 Sight-Reading Rhythms with Ties
18.7 Transcribing Rhythms with Ties
18.8 Tapping a Tune: All the Girls Go Crazy
18.9 Singing a Tune: Rock-A My Soul
18.10 Module Recap

19: Harmonic Progressions

19.1 Introduction to Harmonic Progressions
19.2 Singing Bass Patterns
19.3 Bass Pattern Dictation
19.4 Singing a Tune: Pachabel's Canon in D
19.5 Chord Quality Review (Major & Minor)
19.6 Chord Progressions (I, ii, V)
19.7 Chord Progressions (I, ii, V)
19.8 Subdominant Bass Patterns
19.9 Subdominant Bass Pattern Dictation
19.10 Two-Chord Progressions (I, ii, IV, V)
19.11 Chord Progressions (I, ii, IV, V)
19.12 Module Recap

20: Compound Subdivisions

20.1 Compound Beat Subdivisions
20.2 Introduction to Compound Beat Subdivisions
20.3 Clapping Back Compound Beat Subdivisions
20.4 Detecting Errors in Compound Beat Subdivisions
20.5 Detecting Errors in Compound Beat Subdivisions (2)
20.6 Sight-Reading Rhythms with Compound Subdivisions
20.7 Transcribing Rhythms with Compound Subdivisions
20.8 Tapping a Tune: Courenta dei Butei
20.9 Singing a Tune: Bach's Jesu, Joy of Man's Desiring
20.10 Module Recap

21: The Complete Major Scale

21.1 The Complete Major Scale
21.2 Interval Comparison
21.3 Interval Identification
21.4 Interval Singing
21.5 Tonal Threads (3 notes)
21.6 Pitch Dictation (4 notes)
21.7 Pitch Dictation (5 Notes)
21.8 Singing Melodic Fragments (by ear)
21.9 Singing Melodic Fragments (by sight)
21.10 Transcribing Melodies
21.11 Singing a Tune: Row, Row, Row Your Boat
21.12 Module Recap

22: Course Mastery Tests

22.1 The Mastery Module
22.2 Interval Comparison Mastery
22.3 Interval Identification Mastery
22.4 Triad Identification Mastery
22.5 Chord Progression Mastery
22.6 Rhythmic Sight-reading Mastery
22.7 Rhythmic Dictation Mastery
22.8 Pitch Sight-Singing Mastery
22.9 Pitch Dictation Mastery
22.10 Melodic Sight-Reading Mastery
22.11 Melodic Dictation Mastery
22.12 Tapping a Tune: Mastery
22.13 Learning A Tune: Mastery
22.14 Course Completion

 Vocal Trainer


1: Foreword

1.1 Welcome

2: Level 1: Technical Exercises

2.1 Technical Exercise 1 (preparatory lesson)
2.2 Technical Exercise 1
2.3 Technical Exercise 2 (preparatory lesson)
2.4 Technical Exercise 2
2.5 Technical Exercise 3 (preparatory lesson)
2.6 Technical Exercise 3
2.7 Technical Exercises 1–3 (preparatory lesson)
2.8 Technical exercises 1–3

3: Level 1: Clapback

3.1 2/4 Rhythms: one measure, no syncopation
3.2 2/4 Rhythms: one measure, with syncopation
3.3 2/4 Rhythms: three measures, no syncopation
3.4 2/4 Rhythms: three measures, with syncopation
3.5 2/4 Melodies: four measures
3.6 3/4 Rhythms: one measure
3.7 3/4 Melodies: two measures
3.8 3/4 Melodies: three measures
3.9 2/4 and 3/4 melodies

4: Level 1: Intervals

4.1 Ascending Intervals: major 3rd, perfect 5th, perfect octave
4.2 Ascending Interval: major 3rd
4.3 Ascending Interval: major 3rd
4.4 Ascending Interval: perfect 5th
4.5 Ascending Interval: perfect 5th
4.6 Ascending Interval: perfect octave
4.7 Ascending Interval: perfect octave
4.8 Ascending intervals: all intervals
4.9 Ascending Intervals: all intervals
4.10 Descending intervals: minor 3rd, perfect 4th, perfect octave
4.11 Descending Interval: minor 3rd
4.12 Descending Interval: minor 3rd
4.13 Descending Interval: perfect 4th
4.14 Descending Interval: perfect 4th
4.15 Descending Interval: perfect octave
4.16 Descending Interval: perfect octave
4.17 Descending Intervals: all intervals
4.18 Descending Intervals: all intervals
4.19 All intervals
4.20 All intervals

5: Level 1: Sight Singing

5.1 2/4 Melodies: three measures
5.2 2/4 Melodies: four measures
5.3 3/4 Melodies: three measures
5.4 2/4 and 3/4 melodies

6: Level 1: Final Step

6.1 Technical Exercises
6.2 Clapback
6.3 Intervals
6.4 Sight Singing

7: Level 2: Technical Exercises

7.1 Technical Exercise 1 (preparatory lesson)
7.2 Technical Exercise 1
7.3 Technical Exercise 2 (preparatory lesson)
7.4 Technical Exercise 2
7.5 Technical Exercise 3 (preparatory lesson)
7.6 Technical Exercise 3
7.7 Technical Exercise 4 (preparatory lesson)
7.8 Technical Exercise 4
7.9 Technical Exercises 1–4 (preparatory lesson)
7.10 Technical exercises 1–4

8: Level 2: Clapback

8.1 2/4 Melodies (review)
8.2 2/4 Rhythms
8.3 2/4 Melodies
8.4 3/4 Melodies (review)
8.5 3/4 Rhythms
8.6 3/4 Melodies
8.7 2/4 and 3/4 melodies

9: Level 2: Intervals

9.1 Ascending intervals: major 2nd, major 3rd
9.2 Ascending Interval: major 3rd (review)
9.3 Ascending Interval: major 2nd
9.4 Ascending Interval: major 2nd
9.5 Ascending intervals: perfect 4th, perfect 5th, perfect octave
9.6 Ascending Interval: perfect 5th (review)
9.7 Ascending Interval: perfect octave (review)
9.8 Ascending Interval: perfect 4th
9.9 Ascending Interval: perfect 4th
9.10 Ascending Intervals: all intervals
9.11 Ascending Intervals: all intervals
9.12 Descending intervals: minor 3rd, perfect 4th, perfect octave (review)
9.13 Descending Interval: minor 3rd (review)
9.14 Descending Interval: perfect 4th (review)
9.15 Descending Interval: perfect octave (review)
9.16 Descending Intervals: all intervals
9.17 Descending Intervals: all intervals
9.18 All intervals
9.19 All intervals

10: Level 2: Sight Singing

10.1 2/4 Melodies (review)
10.2 2/4 Melodies
10.3 3/4 Melodies (review)
10.4 3/4 Melodies
10.5 2/4 and 3/4 melodies

11: Level 2: Final Step

11.1 Technical Exercises
11.2 Clapback
11.3 Intervals
11.4 Sight Singing

12: Level 3: Technical Exercises

12.1 Technical Exercise 1 (preparatory lesson)
12.2 Technical Exercise 1
12.3 Technical Exercise 2 (preparatory lesson)
12.4 Technical Exercise 2
12.5 Technical Exercise 3 (preparatory lesson)
12.6 Technical Exercise 3
12.7 Technical Exercise 4 (preparatory lesson)
12.8 Technical Exercise 4
12.9 Technical Exercise 5 (preparatory lesson)
12.10 Technical Exercise 5
12.11 Technical Exercises 1–5 (preparatory lesson)
12.12 Technical exercises 1–5

13: Level 3: Clapback

13.1 2/4 Melodies (review)
13.2 2/4 Rhythms
13.3 2/4 Melodies
13.4 3/4 Melodies (review)
13.5 3/4 Rhythms
13.6 3/4 Melodies
13.7 2/4 and 3/4 melodies

14: Level 3: Intervals

14.1 Ascending intervals: major 2nd, major 3rd, major 6th
14.2 Ascending Interval: major 2nd (review)
14.3 Ascending Interval: major 3rd (review)
14.4 Ascending Interval: major 6th
14.5 Ascending Interval: major 6th
14.6 Ascending intervals: perfect 4th, perfect 5th, perfect octave (review)
14.7 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review)
14.8 Ascending Intervals: all intervals
14.9 Ascending Intervals: all intervals
14.10 Descending intervals: perfect 4th, perfect 5th
14.11 Descending intervals: all intervals
14.12 Descending Interval: minor 3rd (review)
14.13 Descending Interval: perfect 4th (review)
14.14 Descending Interval: perfect 5th
14.15 Descending Interval: perfect 5th
14.16 Descending Interval: perfect octave (review)
14.17 Descending Intervals: all intervals
14.18 Descending Intervals: all intervals
14.19 All intervals
14.20 All intervals

15: Level 3: Sight Singing

15.1 2/4 Melodies (review)
15.2 3/4 Melodies (review)
15.3 4/4 Melodies: two measures
15.4 Final Step: 4/4 Melodies: four measures

16: Level 3: Final Step

16.1 Technical Exercises
16.2 Clapback
16.3 Intervals
16.4 Sight Singing

17: Level 4: Technical Exercises

17.1 Technical Exercise 1 (preparatory lesson)
17.2 Technical Exercise 1
17.3 Technical Exercise 2 (preparatory lesson)
17.4 Technical Exercise 2
17.5 Technical Exercise 3 (preparatory lesson)
17.6 Technical Exercise 3
17.7 Technical Exercise 4 (preparatory lesson)
17.8 Technical Exercise 4
17.9 Technical Exercise 5 (preparatory lesson)
17.10 Technical Exercise 5
17.11 Technical Exercises 1–5 (preparatory lesson)
17.12 Technical exercises 1–5

18: Level 4: Clapback

18.1 2/4 Melodies (review)
18.2 2/4 Rhythms
18.3 2/4 Melodies
18.4 6/8 Rhythms
18.5 6/8 Melodies
18.6 2/4 and 6/8 melodies

19: Level 4: Intervals

19.1 Ascending Intervals: minor and major 3rds
19.2 Ascending Interval: major 2nd (review)
19.3 Ascending Interval: major 3rd (review)
19.4 Ascending Interval: minor 3rd
19.5 Ascending Interval: minor 3rd
19.6 Ascending Interval: major 6th (review)
19.7 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review)
19.8 Ascending Intervals: all intervals
19.9 Ascending Intervals: all intervals
19.10 Ascending Intervals: all intervals
19.11 Descending intervals: perfect 5th, minor 6th
19.12 Descending Interval: minor 3rd (review)
19.13 Descending Interval: minor 6th
19.14 Descending Interval: minor 6th
19.15 Descending Interval: perfect 4th, perfect 5th, perfect octave (review)
19.16 Descending intervals: all intervals
19.17 Descending Intervals: all intervals
19.18 Descending Intervals: all intervals
19.19 All intervals
19.20 All intervals

20: Level 4: Sight Singing

20.1 6/8 Melodies: two measures
20.2 Final Step: 6/8 Melodies: four measures

21: Level 4: Final Step

21.1 Technical Exercises
21.2 Clapback
21.3 Intervals
21.4 Sight Singing

22: Level 5: Technical Exercises

22.1 Technical Exercise 1 (preparatory lesson)
22.2 Technical Exercise 1
22.3 Technical Exercise 2 (preparatory lesson)
22.4 Technical Exercise 2
22.5 Technical Exercise 3 (preparatory lesson)
22.6 Technical Exercise 3
22.7 Technical Exercise 4 (preparatory lesson)
22.8 Technical Exercise 4
22.9 Technical Exercise 5 (preparatory lesson)
22.10 Technical Exercise 5
22.11 Technical Exercises 1–5 (preparatory lesson)
22.12 Technical exercises 1–5

23: Level 5: Singback

23.1 6/8 Melodies
23.2 3/4 Melodies
23.3 6/8 and 3/4 melodies

24: Level 5: Intervals

24.1 Ascending Intervals: minor and major 6ths
24.2 Ascending Interval: major 2nd (review)
24.3 Ascending Interval: minor and major 3rds (review)
24.4 Ascending Interval: major 6th (review)
24.5 Ascending Interval: minor 6th
24.6 Ascending Interval: minor 6th
24.7 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review)
24.8 Ascending intervals: all intervals
24.9 Ascending Intervals: all intervals
24.10 Ascending Intervals: all intervals
24.11 Descending intervals: minor and major 3rds
24.12 Descending intervals: major 2nd, minor and major 3rds
24.13 Descending intervals: minor and major 6ths
24.14 Descending Interval: minor 3rd (review)
24.15 Descending Interval: minor 6th (review)
24.16 Descending Interval: perfect 4th, perfect 5th, perfect octave (review)
24.17 Descending Interval: major 2nd
24.18 Descending Interval: major 2nd
24.19 Descending Interval: major 3rd
24.20 Descending Interval: major 3rd
24.21 Descending Interval: major 6th
24.22 Descending Interval: major 6th
24.23 Descending intervals: all intervals
24.24 Descending Intervals: all intervals
24.25 Descending Intervals: all intervals
24.26 All intervals
24.27 All intervals

25: Level 5: Chord Identification

25.1 Major and Minor Triads: ascending/harmonic
25.2 Major and Minor Triads: harmonic

26: Level 5: Sight Singing

26.1 3/4 Melodies: two measures
26.2 3/4 Melodies: two measures
26.3 3/4 Melodies: four measures
26.4 3/4 Melodies: four measures
26.5 2/4 Melodies: three measures
26.6 2/4 Melodies: three measures
26.7 2/4 Melodies: six measures
26.8 2/4 Melodies: six measures
26.9 2/4 and 3/4 Melodies
26.10 2/4 and 3/4 Melodies

27: Level 5: Final Step

27.1 Technical Exercises
27.2 Singback
27.3 Intervals
27.4 Chord Identification
27.5 Sight Singing Part 1: rhythm
27.6 Sight Singing Part 2: melody

28: Level 6: Technical Exercises

28.1 Technical Exercise 1 (preparatory lesson)
28.2 Technical Exercise 1
28.3 Technical Exercise 2 (preparatory lesson)
28.4 Technical Exercise 2
28.5 Technical Exercise 3 (preparatory lesson)
28.6 Technical Exercise 3
28.7 Technical Exercise 4 (preparatory lesson)
28.8 Technical Exercise 4
28.9 Technical Exercise 5 (preparatory lesson)
28.10 Technical Exercise 5
28.11 Technical Exercise 6 (preparatory lesson)
28.12 Technical Exercise 6
28.13 Technical Exercises 1–6 (preparatory lesson)
28.14 Technical Exercises 1–6

29: Level 6: Singback

29.1 6/8 Melodies (review)
29.2 3/4 Melodies (review)
29.3 6/8 melodies (short)
29.4 6/8 melodies
29.5 3/4 melodies (short)
29.6 3/4 melodies
29.7 6/8 and 3/4 melodies

30: Level 6: Intervals

30.1 Ascending Intervals: minor and major 2nds
30.2 Ascending Intervals: minor and major 6ths, major 7th
30.3 Ascending interval: major 2nd (review)
30.4 Ascending Intervals: minor and major 3rds (review)
30.5 Ascending Intervals: minor and major 6ths (review)
30.6 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review)
30.7 Ascending Interval: minor 2nd
30.8 Ascending Interval: minor 2nd
30.9 Ascending Interval: minor 7th
30.10 Ascending Interval: minor 7th
30.11 Ascending intervals: all intervals
30.12 Ascending Intervals: all intervals
30.13 Ascending Intervals: all intervals
30.14 Descending intervals: minor and major 2nds
30.15 Descending intervals: minor and major 6ths, minor 7th
30.16 Descending Interval: major 2nd (review)
30.17 Descending intervals: minor and major 3rds (review)
30.18 Descending Intervals: minor and major 6ths (review)
30.19 Descending Intervals: perfect 4th, perfect 5th, perfect octave (review)
30.20 Descending Interval: minor 2nd
30.21 Descending Interval: minor 2nd
30.22 Descending Interval: minor 7th
30.23 Descending Interval: minor 7th
30.24 Descending intervals: all intervals
30.25 Descending Intervals: all intervals
30.26 Descending Intervals: all intervals
30.27 All intervals
30.28 All intervals

31: Level 6: Chord Identification

31.1 Major and Minor Triads: harmonic (review)
31.2 Major and Minor Triads, Dominant 7th: ascending/harmonic
31.3 Major and Minor Triads, Dominant 7th: harmonic

32: Level 6: Sight Singing

32.1 4/4 Melodies: two measures
32.2 4/4 Melodies: two measures
32.3 4/4 Melodies: four measures
32.4 4/4 Melodies: four measures
32.5 3/4 Melodies: three measures
32.6 3/4 Melodies: three measures
32.7 3/4 Melodies: six measures
32.8 3/4 Melodies: six measures
32.9 3/4 and 4/4 Melodies
32.10 3/4 and 4/4 Melodies

33: Level 6: Final Step

33.1 Technical Exercises
33.2 Singback
33.3 Intervals
33.4 Chord Identification
33.5 Sight Singing Part 1: rhythm
33.6 Sight Singing Part 2: melody

34: Course wrap-up

34.1 Congratulations!

 RCM Voice


1: Foreword

1.1 Welcome

2: Preparatory: Technical Tests

2.1 Technical Test 1 (Preparatory Lesson)
2.2 Technical Test 1
2.3 Technical Test 2 (Preparatory Lesson)
2.4 Technical Test 2
2.5 Technical Test 1–2 (Preparatory Lesson)
2.6 Technical Test 1–2

3: Preparatory: Clapback

3.1 Clapback: 4/4, One Bar
3.2 Clapback: 4/4, Two Bars
3.3 Clapback: 3/4, One Bar
3.4 Clapback: 3/4, Two Bars
3.5 Clapback: 3/4 and 4/4 Melody, Two Bars

4: Preparatory: Chords

4.1 Chords: Major Triad Singback
4.2 Chords: Minor Triad Singback
4.3 Chords: Major & Minor Triads

5: Preparatory: Singback

5.1 Singback: Major Scale, First Three Notes
5.2 Singback: Minor Scale, First Three Notes
5.3 Singback: Major & Minor Scales, First Three Notes

6: Preparatory: Sight-Reading

6.1 Rhythm: 4/4, One Bar
6.2 Rhythm: 4/4, Two Bars
6.3 Melody: 4/4, Two Bars

7: Preparatory: Final Step

7.1 Technical Tests
7.2 Clapback
7.3 Chords
7.4 Singback
7.5 Sight-Reading (Rhythm)
7.6 Sight-Reading (Melody)

8: Level 1: Technical Tests

8.1 Technical Test 1 (Preparatory Lesson)
8.2 Technical Test 1
8.3 Technical Test 2 (Preparatory Lesson)
8.4 Technical Test 2
8.5 Technical Test 3 (Preparatory Lesson)
8.6 Technical Test 3
8.7 Technical Test 4 (Preparatory Lesson)
8.8 Technical Test 4
8.9 Technical Test 1–4 (Preparatory Lesson)
8.10 Technical Test 1–4

9: Level 1: Clapback

9.1 Clapback: 4/4, One Bar
9.2 Clapback: 4/4, Two Bars
9.3 Clapback: 3/4, One Bar
9.4 Clapback: 3/4, Two Bars
9.5 Clapback: 3/4 or 4/4 Melody

10: Level 1: Intervals

10.1 Interval Identification: Major and Minor 3rd
10.2 Interval Singback: Major 3rd
10.3 Interval Singing: Major 3rd
10.4 Interval Singback: Minor 3rd
10.5 Interval Singing: Minor 3rd
10.6 Interval Singback: Major and Minor 3rd
10.7 Interval Singing: Major and Minor 3rd

11: Level 1: Chords

11.1 Chords: Major Triad Singback
11.2 Chords: Minor Triad Singback
11.3 Chords: Major & Minor Triads

12: Level 1: Singback

12.1 Singback: Major Scale, First Five Notes
12.2 Singback: Minor Scale, First Five Notes
12.3 Singback: Major & Minor Scales, First Five Notes

13: Level 1: Sight-Reading

13.1 Rhythm: 4/4, One Bar
13.2 Rhythm: 4/4, Two Bars
13.3 Melody: 4/4, Two Bars

14: Level 1: Final Step

14.1 Technical Tests
14.2 Clapback
14.3 Intervals (Interval ID)
14.4 Intervals (Interval Singing)
14.5 Chords
14.6 Singback
14.7 Sight-Reading (Rhythm)
14.8 Sight-Reading (Melody)

15: Level 2: Technical Tests

15.1 Technical Test 1 (Preparatory Lesson)
15.2 Technical Test 1
15.3 Technical Test 2 (Preparatory Lesson)
15.4 Technical Test 2
15.5 Technical Test 3 (Preparatory Lesson)
15.6 Technical Test 3
15.7 Technical Test 4 (Preparatory Lesson)
15.8 Technical Test 4
15.9 Technical Test 5 (Preparatory Lesson)
15.10 Technical Test 5
15.11 Technical Test 1–5 (Preparatory Lesson)
15.12 Technical Test 1–5

16: Level 2: Clapback

16.1 Clapback: 4/4, One Bar
16.2 Clapback: 4/4, Two Bars
16.3 Clapback: 3/4, One Bar
16.4 Clapback: 3/4, Two Bars
16.5 Clapback: 3/4 or 4/4 Melody

17: Level 2: Intervals

17.1 Interval Identification: Major and Minor 3rd, Perfect 5th
17.2 Interval Singback: Major and Minor 3rd
17.3 Interval Singing: Major and Minor 3rd
17.4 Interval Singback: Perfect 5th
17.5 Interval Singing: Perfect 5ths
17.6 Interval Singback: All Intervals
17.7 Interval Singing: All Intervals

18: Level 2: Chords

18.1 Chords: Major Triad Singback
18.2 Chords: Minor Triad Singback
18.3 Chords: Major & Minor Triads

19: Level 2: Singback

19.1 Singback: Major
19.2 Singback: Minor
19.3 Singback: Major, Minor

20: Level 2: Sight-Reading

20.1 Rhythm: 4/4, Two Bars
20.2 Rhythm: 4/4, Three Bars
20.3 Rhythm: 3/4, Two Bars
20.4 Rhythm: 3/4, Four Bars
20.5 Melody: 3/4
20.6 Melody: 4/4
20.7 Melody: 3/4 and 4/4

21: Level 2: Final Step

21.1 Technical Tests
21.2 Clapback
21.3 Intervals (Interval ID)
21.4 Intervals (Interval Singing)
21.5 Chords
21.6 Singback
21.7 Sight-Reading (Rhythm: 4/4)
21.8 Sight-Reading (Rhythm: 3/4)
21.9 Sight-Reading (Melody)

22: Level 3: Technical Tests

22.1 Technical Test 1 (Preparatory Lesson)
22.2 Technical Test 1
22.3 Technical Test 2 (Preparatory Lesson)
22.4 Technical Test 2
22.5 Technical Test 3 (Preparatory Lesson)
22.6 Technical Test 3
22.7 Technical Test 4 (Preparatory Lesson)
22.8 Technical Test 4
22.9 Technical Test 5 (Preparatory Lesson)
22.10 Technical Test 5
22.11 Technical Test 1–5 (Preparatory Lesson)
22.12 Technical Test 1–5

23: Level 3: Clapback

23.1 Clapback: 4/4, One Bar
23.2 Clapback: 4/4, Two Bars
23.3 Clapback: 3/4, One Bar
23.4 Clapback: 3/4, Two Bars
23.5 Clapback: 3/4 or 4/4 Melody

24: Level 3: Intervals

24.1 Interval Identification: Major and Minor 3rd
24.2 Interval Identification: Perfect 4th, Perfect 5th
24.3 Interval Identification: All Intervals
24.4 Interval Singback: Perfect 5th
24.5 Interval Singing: Perfect 5ths
24.6 Interval Singback: Perfect Fourth
24.7 Interval Singing: Perfect Fourth
24.8 Interval Singback: Perfect 4th, Perfect 5th
24.9 Interval Singing: Perfect 4th, Perfect 5th
24.10 Interval Singback: All Intervals
24.11 Interval Singing: All Intervals

25: Level 3: Chords

25.1 Chords: Major Triad Singback
25.2 Chords: Minor Triad Singback
25.3 Chords: Major & Minor Triads
25.4 Chords: Chord Tone Identification

26: Level 3: Singback

26.1 Singback: 3/4 - Major
26.2 Singback: 4/4 - Major
26.3 Singback: 3/4, 4/4 - Major
26.4 Singback: 3/4 - Minor
26.5 Singback: 4/4 - Minor
26.6 Singback: 3/4, 4/4 - Minor
26.7 Singback: 3/4, 4/4 - Major, Minor

27: Level 3: Sight-Reading

27.1 Rhythm: 4/4, Two Bars
27.2 Rhythm: 4/4, Four Bars
27.3 Rhythm: 3/4, Two Bars
27.4 Rhythm: 3/4, Four Bars
27.5 Melody: 3/4
27.6 Melody: 4/4
27.7 Melody: 3/4 and 4/4

28: Level 3: Final Step

28.1 Technical Tests
28.2 Clapback
28.3 Intervals (Interval ID)
28.4 Intervals (Interval Singing)
28.5 Chords (Chord ID)
28.6 Chords (Chord Tone ID)
28.7 Singback
28.8 Sight-Reading (Rhythm: 4/4)
28.9 Sight-Reading (Rhythm: 3/4)
28.10 Sight-Reading (Melody)

29: Level 4: Technical Tests

29.1 Technical Test 1 (Preparatory Lesson)
29.2 Technical Test 1
29.3 Technical Test 2 (Preparatory Lesson)
29.4 Technical Test 2
29.5 Technical Test 3 (Preparatory Lesson)
29.6 Technical Test 3
29.7 Technical Test 4 (Preparatory Lesson)
29.8 Technical Test 4
29.9 Technical Test 5 (Preparatory Lesson)
29.10 Technical Test 5
29.11 Technical Test 1–5 (Preparatory Lesson)
29.12 Technical Test 1–5

30: Level 4: Clapback

30.1 Clapback: 4/4, One Bar
30.2 Clapback: 4/4, Two Bars
30.3 Clapback: 3/4, Two Bars
30.4 Clapback: 3/4, Four Bars
30.5 Clapback: 6/8, One Bar
30.6 Clapback: 6/8, Two Bars
30.7 Clapback: 3/4, 4/4, or 6/8 Melody

31: Level 4: Intervals

31.1 Interval Identification: Major and Minor 3rd
31.2 Interval Identification: Perfect 4th, Perfect 5th, 8ve
31.3 Interval Identification: All Intervals
31.4 Interval Singback: 8ve
31.5 Interval Singing: 8ve
31.6 Interval Singback: Perfect 4th, Perfect 5th, 8ve
31.7 Interval Singing: Perfect 4th, Perfect 5th, 8ve
31.8 Interval Singback: All Intervals
31.9 Interval Singing: All Intervals

32: Level 4: Chords

32.1 Chords: major triad singback
32.2 Chords: minor triad singback
32.3 Chords: major & minor triads
32.4 Chords: chord tone identification

33: Level 4: Singback

33.1 Singback: 3/4 - Major
33.2 Singback: 4/4 - Major
33.3 Singback: 3/4, 4/4 - Major
33.4 Singback: 3/4 - Minor
33.5 Singback: 4/4 - Minor
33.6 Singback: 3/4, 4/4 - Minor
33.7 Singback: 3/4, 4/4 - Major, Minor

34: Level 4: Sight-Reading

34.1 Rhythm: 4/4, Two Bars
34.2 Rhythm: 4/4, Four Bars
34.3 Rhythm: 3/4, Two Bars
34.4 Rhythm: 3/4, Four Bars
34.5 Melody: 3/4
34.6 Melody: 4/4
34.7 Melody: 3/4 and 4/4

35: Level 4: Final Step

35.1 Technical Tests
35.2 Clapback
35.3 Intervals (Interval ID)
35.4 Intervals (Interval singing)
35.5 Chords (Chord ID)
35.6 Chords (Chord tone ID)
35.7 Singback
35.8 Sight-Singing (Rhythm: 4/4)
35.9 Sight-Reading (Rhythm: 3/4)
35.10 Sight-Reading (Melody)

36: Level 5: Technical Tests

36.1 Technical Test 1 (Preparatory Lesson)
36.2 Technical Test 1
36.3 Technical Test 2 (Preparatory Lesson)
36.4 Technical Test 2
36.5 Technical Test 3 (Preparatory Lesson)
36.6 Technical Test 3
36.7 Technical Test 4 (Preparatory Lesson)
36.8 Technical Test 4
36.9 Technical Test 5 (Preparatory Lesson)
36.10 Technical Test 5
36.11 Technical Test 6 (Preparatory Lesson)
36.12 Technical Test 6
36.13 Technical Test 7 (Preparatory Lesson)
36.14 Technical Test 7
36.15 Technical Test 1–7 (Preparatory Lesson)
36.16 Technical Test 1–7

37: Level 5: Intervals

37.1 Interval Identification: major and minor 3rd
37.2 Interval Identification: perfect 4th, perfect 5th, 8ve
37.3 Interval Identification: major and minor 6th
37.4 Interval Identification: All Intervals
37.5 Interval Singback: major 6th
37.6 Interval Singing: major 6th
37.7 Interval Singback: minor 6th
37.8 Interval Singing: minor 6th
37.9 Interval Singback: major and minor 6th
37.10 Interval Singing: major and minor 6th
37.11 Interval Singback: perfect 4th, perfect 5th, 8ve
37.12 Interval Singing: perfect 4th, perfect 5th, 8ve
37.13 Interval Singback: All Intervals
37.14 Interval Singing: All Intervals

38: Level 5: Chords

38.1 Chords: major triad singback
38.2 Chords: minor triad singback
38.3 Chords: dominant 7th singback
38.4 Chords: major & minor triads, dominant 7th

39: Level 5: Chord Progressions

39.1 I-IV-I and I-V-I, major key

40: Level 5: Singback

40.1 Singback: 3/4 - Major
40.2 Singback: 4/4 - Major
40.3 Singback: 3/4, 4/4, Major
40.4 Singback: 3/4 - Minor
40.5 Singback: 4/4 - Minor
40.6 Singback: 3/4, 4/4 - Minor
40.7 Singback: 3/4, 4/4 - Major, Minor

41: Level 5: Sight-Reading

41.1 Melody: 3/4 - Major
41.2 Melody: 4/4 - Major
41.3 Melody: 6/8 - Major
41.4 Melody: 3/4, 4/4, 6/8 - Major
41.5 Melody: 3/4 - Minor
41.6 Melody: 4/4 - Minor
41.7 Melody: 6/8 - Minor
41.8 Melody: 3/4, 4/4, 6/8 - Minor
41.9 Melody: 3/4, 4/4, 6/8 - Major , Minor

42: Level 5: Final Step

42.1 Technical Tests
42.2 Intervals (Interval ID)
42.3 Intervals (Interval Singing)
42.4 Chords
42.5 Chord Progressions
42.6 Singback
42.7 Sight-Reading

43: Level 6: Technical Tests

43.1 Technical Test 1 (Preparatory Lesson)
43.2 Technical Test 1
43.3 Technical Test 2 (Preparatory Lesson)
43.4 Technical Test 2
43.5 Technical Test 3 (Preparatory Lesson)
43.6 Technical Test 3
43.7 Technical Test 4 (Preparatory Lesson)
43.8 Technical Test 4
43.9 Technical Test 5 (Preparatory Lesson)
43.10 Technical Test 5
43.11 Technical Test 6 (Preparatory Lesson)
43.12 Technical Test 6
43.13 Technical Test 7 (Preparatory Lesson)
43.14 Technical Test 7
43.15 Technical Test 8 (Preparatory Lesson)
43.16 Technical Test 8
43.17 Technical Test 1–8 (Preparatory Lesson)
43.18 Technical Test 1–8

44: Level 6: Intervals

44.1 Interval Identification: major and minor 3rd
44.2 Interval Identification: perfect 4th, perfect 5th, 8ve
44.3 Interval Identification: major and minor 6th
44.4 Interval Identification: major and minor 2nd
44.5 Interval Identification: All Intervals
44.6 Interval Singback: major 2nd
44.7 Interval Singing: major 2nd
44.8 Interval Singback: minor 2nd
44.9 Interval Singing: minor 2nd
44.10 Interval Singback: major and minor 2nd
44.11 Interval Singing: major and minor 2nd
44.12 Interval Singback: major and minor 2nd, major and minor 3rd, perfect 4th
44.13 Interval Singing: major and minor 2nd, major and minor 3rd, perfect 4th
44.14 Interval Singback: perfect 5th, major and minor 6th, 8ve
44.15 Interval Singing: perfect 4th, perfect 5th, 8ve
44.16 Interval Singback: All Intervals
44.17 Interval Singing: All Intervals

45: Level 6: Chords

45.1 Chords: major triad singback
45.2 Chords: minor triad singback
45.3 Chords: dominant 7th singback
45.4 Chords: diminished 7th singback
45.5 Chords: major & minor triads, dominant & diminished 7th

46: Level 6: Chord Progressions

46.1 I-IV-I and I-V-I, major key
46.2 i-iv-i and i-V-i, minor key
46.3 All chord progressions

47: Level 6: Singback

47.1 Singback: 3/4 - Major
47.2 Singback: 4/4 - Major
47.3 Singback: 3/4, 4/4 - Major
47.4 Singback: 3/4 - Minor
47.5 Singback: 4/4 - Minor
47.6 Singback: 3/4, 4/4 - Minor
47.7 Singback: 3/4, 4/4 - Major, Minor

48: Level 6: Sight-Reading

48.1 Melody: 2/4 - Major
48.2 Melody: 3/4 - Major
48.3 Melody: 4/4 - Major
48.4 Melody: 6/8 - Major
48.5 Melody: 2/4, 3/4, 4/4, 6/8 - Major
48.6 Melody: 2/4 - Minor
48.7 Melody: 3/4 - Minor
48.8 Melody: 4/4 - Minor
48.9 Melody: 6/8 - Minor
48.10 Melody: 2/4, 3/4, 4/4, 6/8 - Minor
48.11 Melody: 2/4, 3/4, 4/4, 6/8 - Major, Minor

49: Level 6: Final Step

49.1 Technical Tests
49.2 Intervals (Interval ID)
49.3 Intervals (Interval Singing)
49.4 Chords
49.5 Chord Progressions
49.6 Singback
49.7 Sight-Reading

50: Level 7: Technical Tests

50.1 Technical Test 1 (Preparatory Lesson)
50.2 Technical Test 1
50.3 Technical Test 2 (Preparatory Lesson)
50.4 Technical Test 2
50.5 Technical Test 3 (Preparatory Lesson)
50.6 Technical Test 3
50.7 Technical Test 4 (Preparatory Lesson)
50.8 Technical Test 4
50.9 Technical Test 5 (Preparatory Lesson)
50.10 Technical Test 5
50.11 Technical Test 6 (Preparatory Lesson)
50.12 Technical Test 6
50.13 Technical Test 7 (Preparatory Lesson)
50.14 Technical Test 7
50.15 Technical Test 8
50.16 Technical Test 1–7 (Preparatory Lesson)
50.17 Technical Test 1–7

51: Level 7: Intervals

51.1 Interval Identification: major and minor 2nd
51.2 Interval Identification: major and minor 3rd
51.3 Interval Identification: perfect 4th, perfect 5th, 8ve
51.4 Interval Identification: major and minor 6th
51.5 Interval Identification: major and minor 7th
51.6 Interval Identification: All Intervals
51.7 Interval Singback: major 7th
51.8 Interval Singing: major 7th
51.9 Interval Singback: minor 7th
51.10 Interval Singing: minor 7th
51.11 Interval Singback: major and minor 7th
51.12 Interval Singing: major and minor 7th
51.13 Interval Singback: major and minor 2nd, major and minor 3rd, perfect 4th, perfect 5th
51.14 Interval Singing: major and minor 2nd, major and minor 3rd, perfect 4th, perfect 5th
51.15 Interval Singback: major and minor 6th, major and minor 7th, 8ve
51.16 Interval Singing: major and minor 6th, major and minor 7th, 8ve
51.17 Interval Singback: All Intervals
51.18 Interval Singing: All Intervals

52: Level 7: Chords

52.1 Chords: major triad singback
52.2 Chords: minor triad singback
52.3 Chords: augmented triad singback
52.4 Chords: dominant 7th singback
52.5 Chords: diminished 7th singback
52.6 Chords: Major, Minor & Augmented Triads - Dominant & Diminished 7th

53: Level 7: Chord Progressions

53.1 I-IV-I, I-V-I, I-IV-V, major key
53.2 i-iv-i and i-V-i, i-iv-V, minor key
53.3 All chord progressions

54: Level 7: Singback

54.1 Singback: 2/4 - Major
54.2 Singback: 3/4 - Major
54.3 Singback: 6/8 - Major
54.4 Singback: 2/4, 3/4, 6/8 - Major
54.5 Singback: 2/4 - Minor
54.6 Singback: 3/4 - Minor
54.7 Singback: 6/8 - Minor
54.8 Singback: 2/4, 3/4, 6/8 - Minor
54.9 Singback: 2/4, 3/4, 6/8 - Major, Minor

55: Level 7: Sight-Reading

55.1 Melody: 2/4 - Major
55.2 Melody: 3/4 - Major
55.3 Melody: 4/4 - Major
55.4 Melody: 6/8 - Major
55.5 Melody: 2/4, 3/4, 4/4, 6/8 - Major
55.6 Melody: 2/4 - Minor
55.7 Melody: 3/4 - Minor
55.8 Melody: 4/4 - Minor
55.9 Melody: 6/8 - Minor
55.10 Melody: 2/4, 3/4, 4/4, 6/8 - Minor
55.11 Melody: 2/4, 3/4, 4/4, 6/8 - Major, Minor

56: Level 7: Final Step

56.1 Technical Tests
56.2 Intervals (Interval ID)
56.3 Intervals (Interval singing)
56.4 Chords
56.5 Chord Progressions
56.6 Singback
56.7 Sight-Singing

57: Level 8: Technical Tests

57.1 Technical Test 1 (Preparatory Lesson)
57.2 Technical Test 1
57.3 Technical Test 2 (Preparatory Lesson)
57.4 Technical Test 2
57.5 Technical Test 3 (Preparatory Lesson)
57.6 Technical Test 3
57.7 Technical Test 4 (Preparatory Lesson)
57.8 Technical Test 4
57.9 Technical Test 5 (Preparatory Lesson)
57.10 Technical Test 5
57.11 Technical Test 6 (Preparatory Lesson)
57.12 Technical Test 6
57.13 Technical Test 7 (Preparatory Lesson)
57.14 Technical Test 7
57.15 Technical Test 8 (Preparatory Lesson)
57.16 Technical Test 8
57.17 Technical Test 1–8 (Preparatory Lesson)
57.18 Technical Test 1–8

58: Level 8: Intervals

58.1 Interval Identification: perfect 4th, augmented 4th/diminished 5th, perfect 5th
58.2 Interval Identification: Major and Minor 2nd, Major and Minor 3rd
58.3 Interval Identification: Major and Minor 6th, Major and Minor 7th
58.4 Interval Identification: All Intervals
58.5 Interval Singback: Augmented 4th/Diminished 5th
58.6 Interval Singing: Augmented 4th/Diminished 5th
58.7 Interval Singback: Perfect 4th, Augmented 4th/Diminished 5th, Perfect 5th
58.8 Interval Singing: Perfect 4th, Augmented 4th/Diminished 5th, Perfect 5th
58.9 Interval Singback: Major and Minor 2nd, Major and Minor 3rd
58.10 Interval Singing: Major and Minor 2nd, Major and Minor 3rd
58.11 Interval Singback: Major and Minor 6th, Major and Minor 7th, Octave
58.12 Interval Singing: Major And Minor 6th, Major and Minor 7th, 8ve
58.13 Interval Singback: All Intervals
58.14 Interval Singing: All Intervals

59: Level 8: Chords

59.1 Chords: Major Triad Singback
59.2 Chords: Minor Triad Singback
59.3 Chords: Augmented Triad Singback
59.4 Chords: Dominant 7th Singback
59.5 Chords: Diminished 7th Singback
59.6 Chords: Major, Minor & Augmented Triads - Dominant & Diminished 7th

60: Level 8: Chord Progressions

60.1 I-IV-V-I and I-IV-V-vi, Major Key
60.2 i-iv-V-i and i-iv-V-vi, Minor Key
60.3 I-vi-IV-V and I-vi-IV-I, Major Keyy
60.4 i-vi-iv-V and i-vi-iv-i, Minor Key
60.5 All Chord Progressions

61: Level 8: Singback

61.1 Singback: 2/4 - Major
61.2 Singback: 3/4 - Major
61.3 Singback: 4/4 - Major
61.4 Singback: 6/8 - Major
61.5 Singback: 2/4, 3/4, 4/4, 6/8 - Major
61.6 Singback: 2/4 - Minor
61.7 Singback: 3/4 - Minor
61.8 Singback: 4/4 - Minor
61.9 Singback: 6/8 - Minor
61.10 Singback: 2/4, 3/4, 4/4, 6/8 - Minor
61.11 Singback: 2/4, 3/4, 4/4, 6/8 - Major, Minor

62: Level 8: Sight-Reading

62.1 Melody: 2/4 - Major
62.2 Melody: 3/4 - Major
62.3 Melody: 4/4 - Major
62.4 Melody: 6/8 - Major
62.5 Melody: 2/4, 3/4, 4/4, 6/8 - Major
62.6 Melody: 2/4 - Minor
62.7 Melody: 3/4 - Minor
62.8 Melody: 4/4 - Minor
62.9 Melody: 6/8 - Minor
62.10 Melody: 2/4, 3/4, 4/4, 6/8 - Minor
62.11 Melody: 2/4, 3/4, 4/4, 6/8 - Major, Minor

63: Level 8: Final Step

63.1 Technical Tests
63.2 Intervals (Interval ID)
63.3 Intervals (Interval singing)
63.4 Chord ID
63.5 Chord Progressions
63.6 Singback
63.7 Sight-Reading
63.8 Congratulations!

 General Workshops - Chord Identification


1: Identify the Major & the Minor Chords

1.1 Major & Minor - Ascending
1.2 Major & Minor - Descending
1.3 Major & Minor - Harmonic
1.4 Major & Minor - Harmonic, Ascending & Descending

2: Identify the Major, Minor & Sus4 Chords

2.1 Major, Minor & Sus4 - Ascending
2.2 Major, Minor & Sus4 - Descending
2.3 Major, Minor & Sus4 - Harmonic
2.4 Major, Minor & Sus4 - Harmonic, Ascending & Descending

3: Major Chords with Alternating 5th

3.1 Major, Major(b5) & Aug - Ascending
3.2 Major, Major(b5) & Aug - Descending
3.3 Major, Major(b5) & Aug - Harmonic
3.4 Major, Major(b5) & Aug - Harmonic, Ascending & Descending

4: Identify the Minor & the Minor(b5) Chords

4.1 Minor & Dim - Ascending
4.2 Minor & Dim - Descending
4.3 Minor & Dim - Harmonic
4.4 Minor & Dim - Harmonic, Ascending & Descending

5: Identify the Sus Chords

5.1 Sus2 & Sus4 - Ascending
5.2 Sus2 & Sus4 - Descending
5.3 Sus2 & Sus4 - Harmonic
5.4 Sus2 & Sus4 - Harmonic, Ascending & Descending

6: Triads with an Altered 5th

6.1 Dim, Major(b5) & Aug - Ascending
6.2 Dim, Major(b5) & Aug - Descending
6.3 Dim, Major(b5) & Aug - Harmonic
6.4 Dim, Major(b5) & Aug - Harmonic, Ascending & Descending

7: Identify All Triads

7.1 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Ascending
7.2 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Descending
7.3 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Harmonic
7.4 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Harmonic, Ascending & Descending

8: Major Triad with an Added Chord Tone

8.1 7, Maj7 & Add6 - Ascending
8.2 7, Maj7 & Add6 - Descending
8.3 7, Maj7 & Add6 - Harmonic
8.4 7, Maj7 & Add6 - Harmonic, Ascending & Descending

9: Minor Triad with an Added Chord Tone

9.1 Mi7, Mi,maj7 & Mi,add6 - Ascending
9.2 Mi7, Mi,maj7 & Mi,add6 - Descending
9.3 Mi7, Mi,maj7 & Mi,add6 - Harmonic
9.4 Mi7, Mi,maj7 & Mi,add6 - Harmonic, Ascending & Descending

10: Minor(b5) with an Added Chord Tone

10.1 Dim7, Mi7(b5) & dim,maj7 - Ascending
10.2 Dim7, Mi7(b5) & dim,maj7 - Descending
10.3 Dim7, Mi7(b5) & dim,maj7 - Harmonic
10.4 Dim7, Mi7(b5) & dim,maj7 - Harmonic, Ascending & Descending

11: Major(b5) with an Added Chord Tone

11.1 7(b5) & maj7(b5) - Ascending
11.2 7(b5) & maj7(b5) - Descending
11.3 7(b5) & maj7(b5) - Harmonic
11.4 7(b5) & maj7(b5) - Harmonic, Ascending & Descending

12: Major(#5) with an Added Chord Tone

12.1 7(#5) & maj7(#5) - Ascending
12.2 7(#5) & maj7(#5) - Descending
12.3 7(#5) & maj7(#5) - Harmonic
12.4 7(#5) & maj7(#5) - Harmonic, Ascending & Descending

13: Sus Triads with an Added Minor 7th

13.1 7(sus4) & 7(sus2) - Ascending
13.2 7(sus4) & 7(sus2) - Descending
13.3 7(sus4) & 7(sus2) - Harmonic
13.4 7(sus4) & 7(sus2) - Harmonic, Ascending & Descending

14: Sus Triads with an Added Major 7th

14.1 maj7(sus2) & maj7(sus4) - Ascending
14.2 maj7(sus2) & maj7(sus4) - Descending
14.3 maj7(sus2) & maj7(sus4) - Harmonic
14.4 maj7(sus2) & maj7(sus4) - Harmonic, Ascending & Descending

15: Sus Seventh Chords

15.1 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Ascending
15.2 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Descending
15.3 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Harmonic
15.4 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Harmonic, Ascending & Descending

16: Maj7 Chords with a Perfect or Altered 5th

16.1 Maj7, maj7(b5) & maj7(#5) - Ascending
16.2 Maj7, maj7(b5) & maj7(#5) - Descending
16.3 Maj7, maj7(b5) & maj7(#5) - Harmonic
16.4 Maj7, maj7(b5) & maj7(#5) - Harmonic, Ascending & Descending

17: 7th Chords with a Perfect or Altered 5th

17.1 7, 7(b5) & 7(#5) - Ascending
17.2 7, 7(b5) & 7(#5) - Descending
17.3 7, 7(b5) & 7(#5) - Harmonic
17.4 7, 7(b5) & 7(#5) - Harmonic, Ascending & Descending

18: Minor7 and Maj7 Chords with a Perfect or Altered 5th

18.1 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Ascending
18.2 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Descending
18.3 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Harmonic
18.4 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Harmonic, Ascending & Descending

19: All the Maj7 Chords

19.1 All the Maj7 chords - Ascending
19.2 All the Maj7 chords - Descending
19.3 All the Maj7 chords - Harmonic
19.4 All the Maj7 chords - Harmonic, Ascending & Descending

20: All Chords with a Minor 7th

20.1 All chords with a minor 7th - Ascending
20.2 All chords with a minor 7th - Descending
20.3 All chords with a minor 7th - Harmonic
20.4 All chords with a minor 7th - Harmonic, Ascending & Descending

21: Chords with a Major 6th or Diminished 7

21.1 Dim7, Add6 & Mi,add6 - Ascending
21.2 Dim7, Add6 & Mi,add6 - Descending
21.3 Dim7, Add6 & Mi,add6 - Harmonic
21.4 Dim7, Add6 & Mi,add6 - Harmonic, Ascending & Descending

22: All 7th Chords

22.1 All 7th chords - Ascending
22.2 All 7th chords - Descending
22.3 All 7th chords - Harmonic
22.4 All 7th chords - Harmonic, Ascending & Descending

 General Workshops - Chord Inversions


1: Module 1

1.1 Inversions of the Major chord - Ascending
1.2 Inversions of the Major chord - Descending
1.3 Inversions of the Major chord - Harmonic
1.4 Inversions of the Major chord - Harmonic, Ascending & Descending

2: Module 2

2.1 Inversions of the Minor chord - Ascending
2.2 Inversions of the Minor chord - Descending
2.3 Inversions of the Minor chord - Harmonic
2.4 Inversions of the Minor chord - Harmonic, Ascending & Descending

3: Module 3

3.1 Inversions of the Sus4 chord - Ascending
3.2 Inversions of the Sus4 chord - Descending
3.3 Inversions of the Sus4 chord - Harmonic
3.4 Inversions of the Sus4 chord - Harmonic, Ascending & Descending

4: Module 4

4.1 Inversions of the Major(b5) chord - Ascending
4.2 Inversions of the Major(b5) chord - Descending
4.3 Inversions of the Major(b5) chord - Harmonic
4.4 Inversions of the Major(b5) chord - Harmonic, Ascending & Descending

5: Module 5

5.1 Inversions of the Dim chord - Ascending
5.2 Inversions of the Dim chord - Descending
5.3 Inversions of the Dim chord - Harmonic
5.4 Inversions of the Dim chord - Harmonic, Ascending & Descending

6: Major with Perfect or Altered 5th

6.1 Major, Aug & Major(b5) - Ascending
6.2 Major, Aug & Major(b5) - Descending
6.3 Major, Aug & Major(b5) - Harmonic
6.4 Major, Aug & Major(b5) - Harmonic, Ascending & Descending

7: Minor with Perfect or Altered 5th

7.1 Inversions of the Minor & Dim chords - Ascending
7.2 Inversions of the Minor & Dim chords - Descending
7.3 Inversions of the Minor & Dim chords - Harmonic
7.4 Inversions of the Minor & Dim chords - Harmonic, Ascending & Descending

8: Minor & Major with Altered 5th

8.1 Inversions of the Dim, Aug & Major(b5) chords - Ascending
8.2 Inversions of the Dim, Aug & Major(b5) chords - Descending
8.3 Inversions of the Dim, Aug & Major(b5) chords - Harmonic
8.4 Inversions of the Dim, Aug & Major(b5) chords - Harmonic, Ascending & Descending

9: All the Triads

9.1 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Ascending
9.2 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Descending
9.3 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Harmonic
9.4 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Harmonic, Ascending & Descending

10: Module 10

10.1 Inversions of the Maj7 & 7 chords - Ascending
10.2 Inversions of the Maj7 & 7 chords - Descending
10.3 Inversions of the Maj7 & 7 chords - Harmonic
10.4 Inversions of the Maj7 & 7 chords - Harmonic, Ascending & Descending

11: Module 11

11.1 Inversions of the Mi7 & Mi,maj7 chords - Ascending
11.2 Inversions of the Mi7 & Mi,maj7 chords - Descending
11.3 Inversions of the Mi7 & Mi,maj7 chords - Harmonic
11.4 Inversions of the Mi7 & Mi,maj7 chords - Harmonic, Ascending & Descending

12: Module 12

12.1 Inversions of the Mi7(b5), Dim7 & chords - Ascending
12.2 Inversions of the Mi7(b5), Dim7 & chords - Descending
12.3 Inversions of the Mi7(b5), Dim7 & chords - Harmonic
12.4 Inversions of the Mi7(b5), Dim7 & chords - Harmonic, Ascending & Descending

13: Module 13

13.1 Inversions of the 7(b5) & chords - Ascending
13.2 Inversions of the 7(b5) & chords - Descending
13.3 Inversions of the 7(b5) & chords - Harmonic
13.4 Inversions of the 7(b5) & chords - Harmonic, Ascending & Descending

14: Module 14

14.1 Inversions of the 7(#5) & chords - Ascending
14.2 Inversions of the 7(#5) & chords - Descending
14.3 Inversions of the 7(#5) & chords - Harmonic
14.4 Inversions of the 7(#5) & chords - Harmonic, Ascending & Descending

15: Module 15

15.1 Inversions of the 7, 7(b5) & 7(#5) chords - Ascending
15.2 Inversions of the 7, 7(b5) & 7(#5) chords - Descending
15.3 Inversions of the 7, 7(b5) & 7(#5) chords - Harmonic
15.4 Inversions of the 7, 7(b5) & 7(#5) chords - Harmonic, Ascending & Descending

16: Module 16

16.1 Inversions of the Maj7, & chords - Ascending
16.2 Inversions of the Maj7, & chords - Descending
16.3 Inversions of the Maj7, & chords - Harmonic
16.4 Inversions of the Maj7, & chords - Harmonic, Ascending & Descending

17: Module 17

17.1 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Ascending
17.2 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Descending
17.3 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Harmonic
17.4 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Harmonic, Ascending & Descending

18: All the 7 Chords

18.1 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Ascending
18.2 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Descending
18.3 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Harmonic
18.4 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Harmonic, Ascending & Descending

 General Workshops - Chord Progressions


1: Module 1

1.1 Identify major and minor tonic in V-I
1.2 Dominants with and without 7
1.3 VIIdim7 - in Major and minor
1.4 Common dominant - tonic combinations
1.5 Major/minor subdominant (IV) and supertonic (II)
1.6 Various dominant-tonic combinations
1.7 II - V - I combinations
1.8 II - V - I and II - bII - I combinations
1.9 IV - I combinations (Plagal cadences)
1.10 Two mediant combinations
1.11 Four mediant combinations
1.12 Three part plagal cadences
1.13 Extended tonal cadences
1.14 Fifth sequences
1.15 Folk progressions
1.16 Progressions with bVII7(b5)
1.17 Interrupted cadences
1.18 Modulations #1
1.19 Modulations #2
1.20 Modulations to bIII and bVI
1.21 Last step!

 General Workshops - Interval Comparison


1: Compare the Perfect Intervals - Common 1st Tone

1.1 Introduction to perfect intervals
1.2 Perfect 4th & Octave - Ascending (common tone)
1.3 Perfect 4th & Octave - Descending (common tone)
1.4 Perfect 4th & Octave - Harmonic (common tone)
1.5 Perfect 5th & Octave - Ascending (common tone)
1.6 Perfect 5th & Octave - Descending (common tone)
1.7 Perfect 5th & Octave - Harmonic (common tone)
1.8 Perfect 4th & Perfect 5th - Ascending (common tone)
1.9 Perfect 4th & Perfect 5th - Descending (common tone)
1.10 Perfect 4th & Perfect 5th - Harmonic (common tone)
1.11 Test : Perfect intervals with a common 1st tone

2: Compare the Imperfect Consonant Intervals - Common 1st Tone

2.1 Introduction to imperfect consonant intervals
2.2 Major 3rd & Minor 6th - Ascending (common tone)
2.3 Major 3rd & Minor 6th - Descending (common tone)
2.4 Major 3rd & Minor 6th - Harmonic (common tone)
2.5 Minor 3rd & Major 6th - Ascending (common tone)
2.6 Minor 3rd & Major 6th - Descending (common tone)
2.7 Minor 3rd & Major 6th - Harmonic (common tone)
2.8 Minor 3rd & Major 3rd - Ascending (common tone)
2.9 Minor 3rd & Major 3rd - Descending (common tone)
2.10 Minor 3rd & Major 3rd - Harmonic (common tone)
2.11 Minor 6th & Major 6th - Ascending (common tone)
2.12 Minor 6th & Major 6th - Descending (common tone)
2.13 Minor 6th & Major 6th - Harmonic (common tone)
2.14 Test: Imperfect consonant intervals with a common 1st tone

3: Compare the Dissonant Intervals - Common 1st Tone

3.1 Introduction to dissonant intervals
3.2 Major 2nd & Minor 7th - Ascending (common tone)
3.3 Major 2nd & Minor 7th - Descending (common tone)
3.4 Major 2nd & Minor 7th - Harmonic (common tone)
3.5 Minor 2nd & Major 7th - Ascending (common tone)
3.6 Minor 2nd & Major 7th - Descending (common tone)
3.7 Minor 2nd & Major 7th - Harmonic (common tone)
3.8 Major 2nd, Dim 5th & Minor 7th - Ascending (common tone)
3.9 Major 2nd, Dim 5th & Minor 7th - Descending (common tone)
3.10 Major 2nd, Dim 5th & Minor 7th - Harmonic (common tone)
3.11 Minor 2nd, Dim 5th & Major 7th - Ascending (common tone)
3.12 Minor 2nd, Dim 5th & Major 7th - Descending (common tone)
3.13 Minor 2nd, Dim 5th & Major 7th - Harmonic (common tone)
3.14 Minor 2nd & Major 2nd - Ascending (common tone)
3.15 Minor 2nd & Major 2nd - Descending (common tone)
3.16 Minor 2nd & Major 2nd - Harmonic (common tone)
3.17 Minor 7th & Major 7th - Ascending (common tone)
3.18 Minor 7th & Major 7th - Descending (common tone)
3.19 Minor 7th & Major 7th - Harmonic (common tone)
3.20 Test: Dissonant intervals with a common 1st tone

4: Compare All Simple Intervals - Common Common 1st Tone

4.1 All intervals from Minor 6th to Major 7th - Ascending (common tone)
4.2 All intervals from Minor 6th to Major 7th - Descending (common tone)
4.3 All intervals from Minor 6th to Major 7th - Harmonic (common tone)
4.4 All intervals from Perfect 5th to Octave - Ascending (common tone)
4.5 All intervals from Perfect 5th to Octave - Descending (common tone)
4.6 All intervals from Perfect 5th to Octave - Harmonic (common tone)
4.7 All intervals from Minor 2nd to Major 3rd - Ascending (common tone)
4.8 All intervals from Minor 2nd to Major 3rd - Descending (common tone)
4.9 All intervals from Minor 2nd to Major 3rd - Harmonic (common tone)
4.10 All intervals from Minor 2nd to Dim 5th - Ascending (common tone)
4.11 All intervals from Minor 2nd to Dim 5th - Descending (common tone)
4.12 All intervals from Minor 2nd to Dim 5th - Harmonic (common tone)
4.13 Test: Simple intervals with a common 1st tone

5: Compare Compound Intervals Up to 2 Octaves - Common 1st Tone

5.1 Introduction to Compound intervals
5.2 Perfect 11th, Perfect 12th & Two Octaves - Ascending (common tone)
5.3 Perfect 11th, Perfect 12th & Two Octaves - Descending (common tone)
5.4 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (common tone)
5.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (common tone)
5.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (common tone)
5.7 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (common tone)
5.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (common tone)
5.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (common tone)
5.10 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (common tone)
5.11 Test: Compound intervals with a common 1st tone

6: Compare the Perfect Intervals - Common 1st or 2nd tone

6.1 Perfect 4th & Octave - Ascending (common tone)
6.2 Perfect 4th & Octave - Descending (common tone)
6.3 Perfect 4th & Octave - Harmonic (common tone)
6.4 Perfect 5th & Octave - Ascending (common tone)
6.5 Perfect 5th & Octave - Descending (common tone)
6.6 Perfect 5th & Octave - Harmonic (common tone)
6.7 Perfect 4th & Perfect 5th - Ascending (common tone)
6.8 Perfect 4th & Perfect 5th - Descending (common tone)
6.9 Perfect 4th & Perfect 5th - Harmonic (common tone)
6.10 Test : Perfect intervals with a common 1st or 2nd tone

7: Compare the Imperfect Consonant Intervals - Common 1st or 2nd tone

7.1 Major 3rd & Minor 6th - Ascending (common tone)
7.2 Major 3rd & Minor 6th - Descending (common tone)
7.3 Major 3rd & Minor 6th - Harmonic (common tone)
7.4 Minor 3rd & Major 6th - Ascending (common tone)
7.5 Minor 3rd & Major 6th - Descending (common tone)
7.6 Minor 3rd & Major 6th - Harmonic (common tone)
7.7 Minor 3rd & Major 3rd - Ascending (common tone)
7.8 Minor 3rd & Major 3rd - Descending (common tone)
7.9 Minor 3rd & Major 3rd - Harmonic (common tone)
7.10 Minor 6th & Major 6th - Ascending (common tone)
7.11 Minor 6th & Major 6th - Descending (common tone)
7.12 Minor 6th & Major 6th - Harmonic (common tone)
7.13 Test: Imperfect consonant intervals with a common 1st or 2nd tone

8: Compare the Dissonant Intervals - Common 1st or 2nd tone

8.1 Major 2nd & Minor 7th - Ascending (common tone)
8.2 Major 2nd & Minor 7th - Descending (common tone)
8.3 Major 2nd & Minor 7th - Harmonic (common tone)
8.4 Minor 2nd & Major 7th - Ascending (common tone)
8.5 Minor 2nd & Major 7th - Descending (common tone)
8.6 Minor 2nd & Major 7th - Harmonic (common tone)
8.7 Major 2nd, Dim 5th & Minor 7th - Ascending (common tone)
8.8 Major 2nd, Dim 5th & Minor 7th - Descending (common tone)
8.9 Major 2nd, Dim 5th & Minor 7th - Harmonic (common tone)
8.10 Minor 2nd, Dim 5th & Major 7th - Ascending (common tone)
8.11 Minor 2nd, Dim 5th & Major 7th - Descending (common tone)
8.12 Minor 2nd, Dim 5th & Major 7th - Harmonic (common tone)
8.13 Minor 2nd & Major 2nd - Ascending (common tone)
8.14 Minor 2nd & Major 2nd - Descending (common tone)
8.15 Minor 2nd & Major 2nd - Harmonic (common tone)
8.16 Minor 7th & Major 7th - Ascending (common tone)
8.17 Minor 7th & Major 7th - Descending (common tone)
8.18 Minor 7th & Major 7th - Harmonic (common tone)
8.19 Test: Dissonant intervals with a common 1st or 2nd tone

9: Compare All Simple Intervals - Common 1st or 2nd tone

9.1 All intervals from Minor 6th to Major 7th - Ascending (common tone)
9.2 All intervals from Minor 6th to Major 7th - Descending (common tone)
9.3 All intervals from Minor 6th to Major 7th - Harmonic (common tone)
9.4 All intervals from Perfect 5th to Octave - Ascending (common tone)
9.5 All intervals from Perfect 5th to Octave - Descending (common tone)
9.6 All intervals from Perfect 5th to Octave - Harmonic (common tone)
9.7 All intervals from Minor 2nd to Major 3rd - Ascending (common tone)
9.8 All intervals from Minor 2nd to Major 3rd - Descending (common tone)
9.9 All intervals from Minor 2nd to Major 3rd - Harmonic (common tone)
9.10 All intervals from Minor 2nd to Dim 5th - Ascending (common tone)
9.11 All intervals from Minor 2nd to Dim 5th - Descending (common tone)
9.12 All intervals from Minor 2nd to Dim 5th - Harmonic (common tone)
9.13 Test: Simple intervals with a common 1st or 2nd tone

10: Compare Compound Intervals Up to 2 Octaves - Common 1st or 2nd tone

10.1 Perfect 11th, Perfect 12th & Two Octaves - Ascending (common tone)
10.2 Perfect 11th, Perfect 12th & Two Octaves - Descending (common tone)
10.3 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (common tone)
10.4 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (common tone)
10.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (common tone)
10.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (common tone)
10.7 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (common tone)
10.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (common tone)
10.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (common tone)
10.10 Test: Compound intervals with a common 1st or 2nd tone

11: Compare the Perfect Intervals - Nearby 1st tones

11.1 Perfect 4th & Octave - Ascending (nearby common tone)
11.2 Perfect 4th & Octave - Descending (nearby common tone)
11.3 Perfect 4th & Octave - Harmonic (nearby common tone)
11.4 Perfect 5th & Octave - Ascending (nearby common tone)
11.5 Perfect 5th & Octave - Descending (nearby common tone)
11.6 Perfect 5th & Octave - Harmonic (nearby common tone)
11.7 Perfect 4th & Perfect 5th - Ascending (nearby common tone)
11.8 Perfect 4th & Perfect 5th - Descending (nearby common tone)
11.9 Perfect 4th & Perfect 5th - Harmonic (nearby common tone)
11.10 Test : Perfect intervals with nearby first tones

12: Compare the Imperfect Consonant Intervals - Nearby 1st tones

12.1 Major 3rd & Minor 6th - Ascending (nearby common tone)
12.2 Major 3rd & Minor 6th - Descending (nearby common tone)
12.3 Major 3rd & Minor 6th - Harmonic (nearby common tone)
12.4 Minor 3rd & Major 6th - Ascending (nearby common tone)
12.5 Minor 3rd & Major 6th - Descending (nearby common tone)
12.6 Minor 3rd & Major 6th - Harmonic (nearby common tone)
12.7 Minor 3rd & Major 3rd - Ascending (nearby common tone)
12.8 Minor 3rd & Major 3rd - Descending (nearby common tone)
12.9 Minor 3rd & Major 3rd - Harmonic (nearby common tone)
12.10 Minor 6th & Major 6th - Ascending (nearby common tone)
12.11 Minor 6th & Major 6th - Descending (nearby common tone)
12.12 Minor 6th & Major 6th - Harmonic (nearby common tone)
12.13 Test: Imperfect consonant intervals with nearby first tones

13: Compare the Dissonant Intervals - Nearby 1st tones

13.1 Major 2nd & Minor 7th - Ascending (nearby common tone)
13.2 Major 2nd & Minor 7th - Descending (nearby common tone)
13.3 Major 2nd & Minor 7th - Harmonic (nearby common tone)
13.4 Minor 2nd & Major 7th - Ascending (nearby common tone)
13.5 Minor 2nd & Major 7th - Descending (nearby common tone)
13.6 Minor 2nd & Major 7th - Harmonic (nearby common tone)
13.7 Major 2nd, Dim 5th & Minor 7th - Ascending (nearby common tone)
13.8 Major 2nd, Dim 5th & Minor 7th - Descending (nearby common tone)
13.9 Major 2nd, Dim 5th & Minor 7th - Harmonic (nearby common tone)
13.10 Minor 2nd, Dim 5th & Major 7th - Ascending (nearby common tone)
13.11 Minor 2nd, Dim 5th & Major 7th - Descending (nearby common tone)
13.12 Minor 2nd, Dim 5th & Major 7th - Harmonic (nearby common tone)
13.13 Minor 2nd & Major 2nd - Ascending (nearby common tone)
13.14 Minor 2nd & Major 2nd - Descending (nearby common tone)
13.15 Minor 2nd & Major 2nd - Harmonic (nearby common tone)
13.16 Minor 7th & Major 7th - Ascending (nearby common tone)
13.17 Minor 7th & Major 7th - Descending (nearby common tone)
13.18 Minor 7th & Major 7th - Harmonic (nearby common tone)
13.19 Test: Dissonant intervals with nearby first tones

14: Compare All Simple Intervals - Nearby 1st tones

14.1 All intervals from Minor 6th to Major 7th - Ascending (nearby common tone)
14.2 All intervals from Minor 6th to Major 7th - Descending (nearby common tone)
14.3 All intervals from Minor 6th to Major 7th - Harmonic (nearby common tone)
14.4 All intervals from Perfect 5th to Octave - Ascending (nearby common tone)
14.5 All intervals from Perfect 5th to Octave - Descending (nearby common tone)
14.6 All intervals from Perfect 5th to Octave - Harmonic (nearby common tone)
14.7 All intervals from Minor 2nd to Major 3rd - Ascending (nearby common tone)
14.8 All intervals from Minor 2nd to Major 3rd - Descending (nearby common tone)
14.9 All intervals from Minor 2nd to Major 3rd - Harmonic (nearby common tone)
14.10 All intervals from Minor 2nd to Dim 5th - Ascending (nearby common tone)
14.11 All intervals from Minor 2nd to Dim 5th - Descending (nearby common tone)
14.12 All intervals from Minor 2nd to Dim 5th - Harmonic (nearby common tone)
14.13 Test: Simple intervals with nearby first tones

15: Compare Compound Intervals up to 2 octaves - Nearby 1st tones

15.1 Perfect 11th, Perfect 12th & Two Octaves - Ascending (nearby common tone)
15.2 Perfect 11th, Perfect 12th & Two Octaves - Descending (nearby common tone)
15.3 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (nearby common tone)
15.4 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (nearby common tone)
15.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (nearby common tone)
15.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (nearby common tone)
15.7 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (nearby common tone)
15.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (nearby common tone)
15.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (nearby common tone)
15.10 Test: Compound intervals with nearby first tones

16: Compare the Perfect Intervals - No common tones

16.1 Perfect 4th & Octave - Ascending (no common tone)
16.2 Perfect 4th & Octave - Descending (no common tone)
16.3 Perfect 4th & Octave - Harmonic (no common tone)
16.4 Perfect 5th & Octave - Ascending (no common tone)
16.5 Perfect 5th & Octave - Descending (no common tone)
16.6 Perfect 5th & Octave - Harmonic (no common tone)
16.7 Perfect 4th & Perfect 5th - Ascending (no common tone)
16.8 Perfect 4th & Perfect 5th - Descending (no common tone)
16.9 Perfect 4th & Perfect 5th - Harmonic (no common tone)
16.10 Test : Perfect intervals without common tone

17: Compare the Imperfect Consonant Intervals - No common tones

17.1 Major 3rd & Minor 6th - Ascending (no common tone)
17.2 Major 3rd & Minor 6th - Descending (no common tone)
17.3 Major 3rd & Minor 6th - Harmonic (no common tone)
17.4 Minor 3rd & Major 6th - Ascending (no common tone)
17.5 Minor 3rd & Major 6th - Descending (no common tone)
17.6 Minor 3rd & Major 6th - Harmonic (no common tone)
17.7 Minor 3rd & Major 3rd - Ascending (no common tone)
17.8 Minor 3rd & Major 3rd - Descending (no common tone)
17.9 Minor 3rd & Major 3rd - Harmonic (no common tone)
17.10 Minor 6th & Major 6th - Ascending (no common tone)
17.11 Minor 6th & Major 6th - Descending (no common tone)
17.12 Minor 6th & Major 6th - Harmonic (no common tone)
17.13 Test: Imperfect consonant intervals without common tone

18: Compare the Dissonant Intervals - No common tones

18.1 Major 2nd & Minor 7th - Ascending (no common tone)
18.2 Major 2nd & Minor 7th - Descending (no common tone)
18.3 Major 2nd & Minor 7th - Harmonic (no common tone)
18.4 Minor 2nd & Major 7th - Ascending (no common tone)
18.5 Minor 2nd & Major 7th - Descending (no common tone)
18.6 Minor 2nd & Major 7th - Harmonic (no common tone)
18.7 Major 2nd, Dim 5th & Minor 7th - Ascending (no common tone)
18.8 Major 2nd, Dim 5th & Minor 7th - Descending (no common tone)
18.9 Major 2nd, Dim 5th & Minor 7th - Harmonic (no common tone)
18.10 Minor 2nd, Dim 5th & Major 7th - Ascending (no common tone)
18.11 Minor 2nd, Dim 5th & Major 7th - Descending (no common tone)
18.12 Minor 2nd, Dim 5th & Major 7th - Harmonic (no common tone)
18.13 Minor 2nd & Major 2nd - Ascending (no common tone)
18.14 Minor 2nd & Major 2nd - Descending (no common tone)
18.15 Minor 2nd & Major 2nd - Harmonic (no common tone)
18.16 Minor 7th & Major 7th - Ascending (no common tone)
18.17 Minor 7th & Major 7th - Descending (no common tone)
18.18 Minor 7th & Major 7th - Harmonic (no common tone)
18.19 Test: Dissonant intervals without common tone

19: Compare All Simple Intervals - No common tones

19.1 All intervals from Minor 6th to Major 7th - Ascending (no common tone)
19.2 All intervals from Minor 6th to Major 7th - Descending (no common tone)
19.3 All intervals from Minor 6th to Major 7th - Harmonic (no common tone)
19.4 All intervals from Perfect 5th to Octave - Ascending (no common tone)
19.5 All intervals from Perfect 5th to Octave - Descending (no common tone)
19.6 All intervals from Perfect 5th to Octave - Harmonic (no common tone)
19.7 All intervals from Minor 2nd to Major 3rd - Ascending (no common tone)
19.8 All intervals from Minor 2nd to Major 3rd - Descending (no common tone)
19.9 All intervals from Minor 2nd to Major 3rd - Harmonic (no common tone)
19.10 All intervals from Minor 2nd to Dim 5th - Ascending (no common tone)
19.11 All intervals from Minor 2nd to Dim 5th - Descending (no common tone)
19.12 All intervals from Minor 2nd to Dim 5th - Harmonic (no common tone)
19.13 Test: Simple intervals without common tone

20: Compare Compound Intervals up to 2 octaves - No common tones

20.1 Perfect 11th, Perfect 12th & Two Octaves - Ascending (no common tone)
20.2 Perfect 11th, Perfect 12th & Two Octaves - Descending (no common tone)
20.3 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (no common tone)
20.4 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (no common tone)
20.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (no common tone)
20.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (no common tone)
20.7 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (no common tone)
20.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (no common tone)
20.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (no common tone)
20.10 Test: Compound intervals without common tone

 General Workshops - Interval Identification


1: Identify the Minor & Major 2nd Intervals

1.1 Minor 2nd & Major 2nd - Ascending
1.2 Minor 2nd & Major 2nd - Descending
1.3 Minor 2nd & Major 2nd - Harmonic
1.4 Minor 2nd & Major 2nd - Harmonic, Ascending & Descending

2: Identify the Minor & Major 3rd Intervals

2.1 Minor 3rd & Major 3rd - Ascending
2.2 Minor 3rd & Major 3rd - Descending
2.3 Minor 3rd & Major 3rd - Harmonic
2.4 Minor 3rd & Major 3rd - Harmonic, Ascending & Descending

3: Identify the Minor & Major 2nds and 3rds

3.1 All intervals from Minor 2nd to Major 3rd - Ascending
3.2 All intervals from Minor 2nd to Major 3rd - Descending
3.3 All intervals from Minor 2nd to Major 3rd - Harmonic
3.4 All intervals from Minor 2nd to Major 3rd - Harmonic, Ascending & Descending

4: Identify the Perfect 4th & the Tritone

4.1 Perfect 4th & Dim 5th - Ascending
4.2 Perfect 4th & Dim 5th - Descending
4.3 Perfect 4th & Dim 5th - Harmonic
4.4 Perfect 4th & Dim 5th - Harmonic, Ascending & Descending

5: Identify the Tritone & Perfect 5th

5.1 Dim 5th & Perfect 5th - Ascending
5.2 Dim 5th & Perfect 5th - Descending
5.3 Dim 5th & Perfect 5th - Harmonic
5.4 Dim 5th & Perfect 5th - Harmonic, Ascending & Descending

6: Identify the Perfect 4th, Tritone and Perfect 5th

6.1 Perfect 4th, Dim 5th & Perfect 5th - Ascending
6.2 Perfect 4th, Dim 5th & Perfect 5th - Descending
6.3 Perfect 4th, Dim 5th & Perfect 5th - Harmonic
6.4 Perfect 4th, Dim 5th & Perfect 5th - Harmonic, Ascending & Descending

7: Identify All the Intervals from Minor 2nd to Perfect 5th

7.1 All intervals from Minor 2nd to Perfect 5th - Ascending
7.2 All intervals from Minor 2nd to Perfect 5th - Descending
7.3 All intervals from Minor 2nd to Perfect 5th - Harmonic
7.4 All intervals from Minor 2nd to Perfect 5th - Harmonic, Ascending & Descending

8: Identify the Minor & Major 6th

8.1 Minor 6th & Major 6th - Ascending
8.2 Minor 6th & Major 6th - Descending
8.3 Minor 6th & Major 6th - Harmonic
8.4 Minor 6th & Major 6th - Harmonic, Ascending & Descending

9: Identify the Minor & Major 7th

9.1 Minor 7th & Major 7th - Ascending
9.2 Minor 7th & Major 7th - Descending
9.3 Minor 7th & Major 7th - Harmonic
9.4 Minor 7th & Major 7th - Harmonic, Ascending & Descending

10: Identify the Minor & Major 6ths and 7ths

10.1 All intervals from Minor 6th to Major 7th - Ascending
10.2 All intervals from Minor 6th to Major 7th - Descending
10.3 All intervals from Minor 6th to Major 7th - Harmonic
10.4 All intervals from Minor 6th to Major 7th - Harmonic, Ascending & Descending

11: Identify All Intervals from Perfect 4th to Major 7th

11.1 All intervals from Perfect 4th to Major 7th - Ascending
11.2 All intervals from Perfect 4th to Major 7th - Descending
11.3 All intervals from Perfect 4th to Major 7th - Harmonic
11.4 All intervals from Perfect 4th to Major 7th - Harmonic, Ascending & Descending

12: Identify All the Intervals from Minor 2nd to Major 7th

12.1 All intervals from Minor 2nd to Major 7th - Ascending
12.2 All intervals from Minor 2nd to Major 7th - Descending
12.3 All intervals from Minor 2nd to Major 7th - Harmonic
12.4 All intervals from Minor 2nd to Major 7th - Harmonic, Ascending & Descending

13: Practice with the Perfect Intervals within an Octave

13.1 Unison & Octave - Harmonic
13.2 Unison & Octave - Harmonic, Ascending & Descending
13.3 Perfect 4th & Perfect 5th - Harmonic
13.4 Perfect 4th & Perfect 5th - Harmonic, Ascending & Descending
13.5 Unison, Perfect 4th, Perfect 5th & Octave - Ascending
13.6 Unison, Perfect 4th, Perfect 5th & Octave - Descending
13.7 Unison, Perfect 4th, Perfect 5th & Octave - Harmonic
13.8 Unison, Perfect 4th, Perfect 5th & Octave - Harmonic, Ascending & Descending

14: Practice with the Consonant Intervals within an Octave

14.1 Minor 3rd & Major 6th - Harmonic
14.2 Minor 3rd & Major 6th - Harmonic, Ascending & Descending
14.3 Major 3rd & Minor 6th - Harmonic
14.4 Major 3rd & Minor 6th - Harmonic, Ascending & Descending
14.5 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Ascending
14.6 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Descending
14.7 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Harmonic
14.8 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Harmonic, Ascending & Descending

15: Practice with the Dissonant Intervals within an Octave

15.1 Minor 2nd & Major 7th - Harmonic
15.2 Minor 2nd & Major 7th - Harmonic, Ascending & Descending
15.3 Major 2nd & Minor 7th - Harmonic
15.4 Major 2nd & Minor 7th - Harmonic, Ascending & Descending
15.5 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Ascending
15.6 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Descending
15.7 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Harmonic
15.8 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Harmonic, Ascending & Descending
15.9 Minor 2nd, Dim 5th & Major 7th - Ascending
15.10 Minor 2nd, Dim 5th & Major 7th - Descending
15.11 Minor 2nd, Dim 5th & Major 7th - Harmonic
15.12 Major 2nd, Dim 5th & Minor 7th - Ascending
15.13 Major 2nd, Dim 5th & Minor 7th - Descending
15.14 Major 2nd, Dim 5th & Minor 7th - Harmonic
15.15 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Ascending
15.16 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Descending
15.17 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Harmonic
15.18 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Harmonic, Ascending & Descending

16: Practice with All Intervals within an Octave

16.1 All intervals from Unison to Octave - Ascending
16.2 All intervals from Unison to Octave - Descending
16.3 All intervals from Unison to Octave - Harmonic
16.4 All intervals from Unison to Octave - Harmonic, Ascending & Descending

 General Workshops - Interval Singing


1: Ascending Intervals from Do

1.1 Do - Re (Major 2nd)
1.2 Do - Mi (Major 3rd)
1.3 Do - Re and Do - Mi
1.4 Do - Fa (Perfect 4th)
1.5 Do - So (Perfect 5th)
1.6 Do - Fa and Do - So
1.7 Do to Re, Mi, Fa and So
1.8 Do - La (Major 6th)
1.9 Do - Ti (Major 7th)
1.10 Do - Do (Octave)
1.11 Do to La, Ti and Do
1.12 All Ascending Intervals from Do

2: Descending Intervals from Do

2.1 Do - Ti (Minor 2nd)
2.2 Do - La (Minor 3rd)
2.3 Do - Ti and Do - La
2.4 Do - So (Perfect 4th)
2.5 Do - Fa (Perfect 5th)
2.6 Do - So and Do - Fa
2.7 Do to Ti, La, So and Fa
2.8 Do - Mi (Minor 6th)
2.9 Do - Re (Minor 7th)
2.10 Do - Do (Octave)
2.11 Do to Mi, Re and Do
2.12 All Descending Intervals from Do

3: Complementary intervals from Do - Ascending and Descending

3.1 Do - Re (Major 2nd up or Minor 7th down)
3.2 Do - Mi (Major 3rd up or Minor 6th down)
3.3 Do - Re and Do - Mi
3.4 Do - Fa (Perfect 4th up or Perfect 5th down)
3.5 Do - So (Perfect 5th up or Perfect 4th down)
3.6 Do - Fa and Do - So
3.7 Do to Re, Mi, Fa and So
3.8 Do - La (Major 6th up or Minor 3rd down)
3.9 Do - Ti (Major 7th up or Minor 2nd down)
3.10 Do - Do (Octave up or octave down)
3.11 Do to La, Ti and Do
3.12 All intervals from Do

 General Workshops - Melodic Dictation


1: 3 to 4 Tones from the C Major Scale

1.1 Do, Re - 3 tones
1.2 Do, Re, Mi
1.3 Do, Re, Mi, Fa
1.4 Do, Re, Mi, Fa, So
1.5 Do, Re, Mi, Fa, So, La
1.6 Do, Re, Mi, Fa, So, La, Ti
1.7 Do, Re - 4 tones
1.8 Do, Re, Mi
1.9 Do, Re, Mi, Fa
1.10 Do, Re, Mi, Fa, So
1.11 Do, Re, Mi, Fa, So, La
1.12 Do, Re, Mi, Fa, So, La, Ti

2: 5 to 6 Tones from the C Major Scale

2.1 Do, Re - 5 tones
2.2 Do, Re, Mi
2.3 Do, Re, Mi, Fa
2.4 Do, Re, Mi, Fa, So
2.5 Do, Re, Mi, Fa, So, La
2.6 Do, Re, Mi, Fa, So, La, Ti
2.7 Do, Re - 6 tones
2.8 Do, Re, Mi
2.9 Do, Re, Mi, Fa
2.10 Do, Re, Mi, Fa, So
2.11 Do, Re, Mi, Fa, So, La
2.12 Do, Re, Mi, Fa, So, La, Ti

3: 7 to 8 Tones from the C Major Scale

3.1 Do, Re, Mi - 7 tones
3.2 Do, Re, Mi, Fa
3.3 Do, Re, Mi, Fa, So
3.4 Do, Re, Mi, Fa, So, La
3.5 Do, Re, Mi, Fa, So, La, Ti
3.6 Do, Re, Mi - 8 tones
3.7 Do, Re, Mi, Fa
3.8 Do, Re, Mi, Fa, So
3.9 Do, Re, Mi, Fa, So, La
3.10 Do, Re, Mi, Fa, So, La, Ti

4: 5 Tones with Only Do Given

4.1 Do, Re
4.2 Do, Re, Mi
4.3 Do, Re, Mi, Fa
4.4 Do, Re, Mi, Fa, So
4.5 Do, Re, Mi, Fa, So, La
4.6 Do, Re, Mi, Fa, So, La, Ti

5: Melodies with Rhythm. 4/4

5.1 Do, Re - 1 bar
5.2 Do, Re, Mi
5.3 Do, Re, Mi, Fa
5.4 Do, Re, Mi, Fa, So
5.5 Do, Re, Mi, Fa, So, La
5.6 Do, Re, Mi, Fa, So, La, Ti
5.7 Do, Re, Mi - 2 bars
5.8 Do, Re, Mi, Fa
5.9 Do, Re, Mi, Fa, So
5.10 Do, Re, Mi, Fa, So, La
5.11 Do, Re, Mi, Fa, So, La, Ti

6: Melodies with Rhythm. 3/4

6.1 Do, Re - 1 bar
6.2 Do, Re, Mi
6.3 Do, Re, Mi, Fa
6.4 Do, Re, Mi, Fa, So
6.5 Do, Re, Mi, Fa, So, La
6.6 Do, Re, Mi, Fa, So, La, Ti
6.7 Do, Re, Mi - 2 bars
6.8 Do, Re, Mi, Fa
6.9 Do, Re, Mi, Fa, So
6.10 Do, Re, Mi, Fa, So, La
6.11 Do, Re, Mi, Fa, So, La, Ti

7: Adding 8th Notes. 4/4

7.1 Do, Re - 1 bar
7.2 Do, Re, Mi
7.3 Do, Re, Mi, Fa
7.4 Do, Re, Mi, Fa, So
7.5 Do, Re, Mi, Fa, So, La
7.6 Do, Re, Mi, Fa, So, La, Ti
7.7 Do, Re, Mi - 2 bars
7.8 Do, Re, Mi, Fa
7.9 Do, Re, Mi, Fa, So
7.10 Do, Re, Mi, Fa, So, La
7.11 Do, Re, Mi, Fa, So, La, Ti

8: Adding 8th Notes. 3/4

8.1 Do, Re - 1 bar
8.2 Do, Re, Mi
8.3 Do, Re, Mi, Fa
8.4 Do, Re, Mi, Fa, So
8.5 Do, Re, Mi, Fa, So, La
8.6 Do, Re, Mi, Fa, So, La, Ti
8.7 Do, Re, Mi - 2 bars
8.8 Do, Re, Mi, Fa
8.9 Do, Re, Mi, Fa, So
8.10 Do, Re, Mi, Fa, So, La
8.11 Do, Re, Mi, Fa, So, La, Ti

9: Different Keys. 4/4

9.1 Do, Re - 1 bar
9.2 Do, Re, Mi
9.3 Do, Re, Mi, Fa
9.4 Do, Re, Mi, Fa, So
9.5 Do, Re, Mi, Fa, So, La
9.6 Do, Re, Mi, Fa, So, La, Ti
9.7 Do, Re, Mi - 2 bars
9.8 Do, Re, Mi, Fa
9.9 Do, Re, Mi, Fa, So
9.10 Do, Re, Mi, Fa, So, La
9.11 Do, Re, Mi, Fa, So, La, Ti

10: Different Keys. 3/4

10.1 Do, Re - 1 bar
10.2 Do, Re, Mi
10.3 Do, Re, Mi, Fa
10.4 Do, Re, Mi, Fa, So
10.5 Do, Re, Mi, Fa, So, La
10.6 Do, Re, Mi, Fa, So, La, Ti
10.7 Do, Re, Mi - 2 bars
10.8 Do, Re, Mi, Fa
10.9 Do, Re, Mi, Fa, So
10.10 Do, Re, Mi, Fa, So, La
10.11 Do, Re, Mi, Fa, So, La, Ti

11: Different Keys. Adding 8th Notes. 4/4

11.1 Do, Re - 1 bar
11.2 Do, Re, Mi
11.3 Do, Re, Mi, Fa
11.4 Do, Re, Mi, Fa, So
11.5 Do, Re, Mi, Fa, So, La
11.6 Do, Re, Mi, Fa, So, La, Ti
11.7 Do, Re, Mi - 2 bars
11.8 Do, Re, Mi, Fa
11.9 Do, Re, Mi, Fa, So
11.10 Do, Re, Mi, Fa, So, La
11.11 Do, Re, Mi, Fa, So, La, Ti

12: Different Keys. Adding 8th Notes. 3/4

12.1 Do, Re - 1 bar
12.2 Do, Re, Mi
12.3 Do, Re, Mi, Fa
12.4 Do, Re, Mi, Fa, So
12.5 Do, Re, Mi, Fa, So, La
12.6 Do, Re, Mi, Fa, So, La, Ti
12.7 Do, Re, Mi - 2 bars
12.8 Do, Re, Mi, Fa
12.9 Do, Re, Mi, Fa, So
12.10 Do, Re, Mi, Fa, So, La
12.11 Do, Re, Mi, Fa, So, La, Ti

13: Melodies in A minor. 4/4

13.1 Do, Re - 1 bar
13.2 Do, Re, Me
13.3 Do, Re, Me, Fa
13.4 Do, Re, Me, Fa, So
13.5 Do, Re, Me, Fa, So, Le
13.6 Do, Re, Me, Fa, So, Le, Te
13.7 Do, Re, Me - 2 bars
13.8 Do, Re, Me, Fa
13.9 Do, Re, Me, Fa, So
13.10 Do, Re, Me, Fa, So, Le
13.11 Do, Re, Me, Fa, So, Le, Te

14: Melodies in A Minor. 3/4

14.1 Do, Re - 1 bar
14.2 Do, Re, Me
14.3 Do, Re, Me, Fa
14.4 Do, Re, Me, Fa, So
14.5 Do, Re, Me, Fa, So, Le
14.6 Do, Re, Me, Fa, So, Le, Te
14.7 Do, Re, Me - 2 bars
14.8 Do, Re, Me, Fa
14.9 Do, Re, Me, Fa, So
14.10 Do, Re, Me, Fa, So, Le
14.11 Do, Re, Me, Fa, So, Le, Te

15: Melodies in A Minor. 4/4 Adding 8th Notes

15.1 Do, Re - 1 bar
15.2 Do, Re, Me
15.3 Do, Re, Me, Fa
15.4 Do, Re, Me, Fa, So
15.5 Do, Re, Me, Fa, So, Le
15.6 Do, Re, Me, Fa, So, Le, Te
15.7 Do, Re - 2 bars
15.8 Do, Re, Me - 2 bars
15.9 Do, Re, Me, Fa
15.10 Do, Re, Me, Fa, So
15.11 Do, Re, Me, Fa, So, Le
15.12 Do, Re, Me, Fa, So, Le, Te

16: Melodies in A Minor. 3/4 Adding 8th Notes

16.1 Do, Re, Me - 1 bar
16.2 Do, Re, Me, Fa
16.3 Do, Re, Me, Fa, So
16.4 Do, Re, Me, Fa, So, Le
16.5 Do, Re, Me, Fa, So, Le, Te
16.6 Do, Re, Me - 2 bars
16.7 Do, Re, Me, Fa
16.8 Do, Re, Me, Fa, So
16.9 Do, Re, Me, Fa, So, Le
16.10 Do, Re, Me, Fa, So, Le, Te

17: All Minor Keys. 4/4 with 8th Notes.

17.1 Do, Re, Me - 1 bar
17.2 Do, Re, Me, Fa
17.3 Do, Re, Me, Fa, So
17.4 Do, Re, Me, Fa, So, Le
17.5 Do, Re, Me, Fa, So, Le, Te
17.6 Do, Re, Me - 2 bars
17.7 Do, Re, Me, Fa
17.8 Do, Re, Me, Fa, So
17.9 Do, Re, Me, Fa, So, Le
17.10 Do, Re, Me, Fa, So, Le, Te

18: Harmonic Minor. 4/4 with 8th Notes.

18.1 A minor harmonic. 1 bar
18.2 A minor harmonic. 2 bars
18.3 A minor harmonic. 4 bars
18.4 Harmonic minor (all keys). 1 bar
18.5 Harmonic minor (all keys). 2 bars
18.6 Harmonic minor (all keys). 4 bars

 General Workshops - Melodic Sight-Singing


1: 3 to 4 Tones from the C Major Scale

1.1 Do, Re - 3 tones
1.2 Do, Re, Mi
1.3 Do, Re, Mi, Fa
1.4 Do, Re, Mi, Fa, So
1.5 Do, Re, Mi, Fa, So, La
1.6 Do, Re, Mi, Fa, So, La, Ti
1.7 Do, Re - 4 tones
1.8 Do, Re, Mi
1.9 Do, Re, Mi, Fa
1.10 Do, Re, Mi, Fa, So
1.11 Do, Re, Mi, Fa, So, La
1.12 Do, Re, Mi, Fa, So, La, Ti

2: 5 to 6 Tones from the C Major Scale

2.1 Do, Re - 5 tones
2.2 Do, Re, Mi
2.3 Do, Re, Mi, Fa
2.4 Do, Re, Mi, Fa, So
2.5 Do, Re, Mi, Fa, So, La
2.6 Do, Re, Mi, Fa, So, La, Ti
2.7 Do, Re - 6 tones
2.8 Do, Re, Mi
2.9 Do, Re, Mi, Fa
2.10 Do, Re, Mi, Fa, So
2.11 Do, Re, Mi, Fa, So, La
2.12 Do, Re, Mi, Fa, So, La, Ti

3: 7 to 8 Tones from the C Major Scale

3.1 Do, Re, Mi - 7 tones
3.2 Do, Re, Mi, Fa
3.3 Do, Re, Mi, Fa, So
3.4 Do, Re, Mi, Fa, So, La
3.5 Do, Re, Mi, Fa, So, La, Ti
3.6 Do, Re, Mi - 8 tones
3.7 Do, Re, Mi, Fa
3.8 Do, Re, Mi, Fa, So
3.9 Do, Re, Mi, Fa, So, La
3.10 Do, Re, Mi, Fa, So, La, Ti

4: 5 Tones with Only Do Given

4.1 Do, Re
4.2 Do, Re, Mi
4.3 Do, Re, Mi, Fa
4.4 Do, Re, Mi, Fa, So
4.5 Do, Re, Mi, Fa, So, La
4.6 Do, Re, Mi, Fa, So, La, Ti

5: Melodies with Rhythm. 4/4 - 1, 2 and 4 Bars.

5.1 Do, Re - 1 bar
5.2 Do, Re, Mi
5.3 Do, Re, Mi, Fa
5.4 Do, Re, Mi, Fa, So
5.5 Do, Re, Mi, Fa, So, La
5.6 Do, Re, Mi, Fa, So, La, Ti
5.7 Do, Re, Mi - 2 bars
5.8 Do, Re, Mi, Fa
5.9 Do, Re, Mi, Fa, So
5.10 Do, Re, Mi, Fa, So, La
5.11 Do, Re, Mi, Fa, So, La, Ti
5.12 Do, Re, Mi - 4 bars
5.13 Do, Re, Mi, Fa
5.14 Do, Re, Mi, Fa, So
5.15 Do, Re, Mi, Fa, So, La
5.16 Do, Re, Mi, Fa, So, La, Ti

6: Melodies with Rhythm. 3/4 - 1, 2 and 4 Bars.

6.1 Do, Re - 1 bar
6.2 Do, Re, Mi
6.3 Do, Re, Mi, Fa
6.4 Do, Re, Mi, Fa, So
6.5 Do, Re, Mi, Fa, So, La
6.6 Do, Re, Mi, Fa, So, La, Ti
6.7 Do, Re, Mi - 2 bars
6.8 Do, Re, Mi, Fa
6.9 Do, Re, Mi, Fa, So
6.10 Do, Re, Mi, Fa, So, La
6.11 Do, Re, Mi, Fa, So, La, Ti
6.12 Do, Re, Mi - 4 bars
6.13 Do, Re, Mi, Fa
6.14 Do, Re, Mi, Fa, So
6.15 Do, Re, Mi, Fa, So, La
6.16 Do, Re, Mi, Fa, So, La, Ti

7: Adding 8th Notes. 4/4 - 1, 2 and 4 Bars.

7.1 Do, Re - 1 bar
7.2 Do, Re, Mi
7.3 Do, Re, Mi, Fa
7.4 Do, Re, Mi, Fa, So
7.5 Do, Re, Mi, Fa, So, La
7.6 Do, Re, Mi, Fa, So, La, Ti
7.7 Do, Re, Mi - 2 bars
7.8 Do, Re, Mi, Fa
7.9 Do, Re, Mi, Fa, So
7.10 Do, Re, Mi, Fa, So, La
7.11 Do, Re, Mi, Fa, So, La, Ti
7.12 Do, Re, Mi - 4 bars
7.13 Do, Re, Mi, Fa
7.14 Do, Re, Mi, Fa, So
7.15 Do, Re, Mi, Fa, So, La
7.16 Do, Re, Mi, Fa, So, La, Ti

8: Adding 8th Notes. 3/4 - 1, 2 and 4 Bars.

8.1 Do, Re - 1 bar
8.2 Do, Re, Mi
8.3 Do, Re, Mi, Fa
8.4 Do, Re, Mi, Fa, So
8.5 Do, Re, Mi, Fa, So, La
8.6 Do, Re, Mi, Fa, So, La, Ti
8.7 Do, Re, Mi - 2 bars
8.8 Do, Re, Mi, Fa
8.9 Do, Re, Mi, Fa, So
8.10 Do, Re, Mi, Fa, So, La
8.11 Do, Re, Mi, Fa, So, La, Ti
8.12 Do, Re, Mi - 4 bars
8.13 Do, Re, Mi, Fa
8.14 Do, Re, Mi, Fa, So
8.15 Do, Re, Mi, Fa, So, La
8.16 Do, Re, Mi, Fa, So, La, Ti

9: Different Keys. 4/4 - 1, 2 and 4 Bars.

9.1 Do, Re - 1 bar
9.2 Do, Re, Mi
9.3 Do, Re, Mi, Fa
9.4 Do, Re, Mi, Fa, So
9.5 Do, Re, Mi, Fa, So, La
9.6 Do, Re, Mi, Fa, So, La, Ti
9.7 Do, Re, Mi - 2 bars
9.8 Do, Re, Mi, Fa
9.9 Do, Re, Mi, Fa, So
9.10 Do, Re, Mi, Fa, So, La
9.11 Do, Re, Mi, Fa, So, La, Ti
9.12 Do, Re, Mi - 4 bars
9.13 Do, Re, Mi, Fa
9.14 Do, Re, Mi, Fa, So
9.15 Do, Re, Mi, Fa, So, La
9.16 Do, Re, Mi, Fa, So, La, Ti

10: Different Keys. 3/4 - 1, 2 and 4 Bars.

10.1 Do, Re - 1 bar
10.2 Do, Re, Mi
10.3 Do, Re, Mi, Fa
10.4 Do, Re, Mi, Fa, So
10.5 Do, Re, Mi, Fa, So, La
10.6 Do, Re, Mi, Fa, So, La, Ti
10.7 Do, Re, Mi - 2 bars
10.8 Do, Re, Mi, Fa
10.9 Do, Re, Mi, Fa, So
10.10 Do, Re, Mi, Fa, So, La
10.11 Do, Re, Mi, Fa, So, La, Ti
10.12 Do, Re, Mi - 4 bars
10.13 Do, Re, Mi, Fa
10.14 Do, Re, Mi, Fa, So
10.15 Do, Re, Mi, Fa, So, La
10.16 Do, Re, Mi, Fa, So, La, Ti

11: Different Keys. Adding 8th Notes. 4/4 - 1, 2 and 4 Bars.

11.1 Do, Re - 1 bar
11.2 Do, Re, Mi
11.3 Do, Re, Mi, Fa
11.4 Do, Re, Mi, Fa, So
11.5 Do, Re, Mi, Fa, So, La
11.6 Do, Re, Mi, Fa, So, La, Ti
11.7 Do, Re, Mi - 2 bars
11.8 Do, Re, Mi, Fa
11.9 Do, Re, Mi, Fa, So
11.10 Do, Re, Mi, Fa, So, La
11.11 Do, Re, Mi, Fa, So, La, Ti
11.12 Do, Re, Mi - 4 bars
11.13 Do, Re, Mi, Fa
11.14 Do, Re, Mi, Fa, So
11.15 Do, Re, Mi, Fa, So, La
11.16 Do, Re, Mi, Fa, So, La, Ti

12: Different Keys. Adding 8th Notes. 3/4 - 1, 2 and 4 Bars.

12.1 Do, Re - 1 bar
12.2 Do, Re, Mi
12.3 Do, Re, Mi, Fa
12.4 Do, Re, Mi, Fa, So
12.5 Do, Re, Mi, Fa, So, La
12.6 Do, Re, Mi, Fa, So, La, Ti
12.7 Do, Re, Mi - 2 bars
12.8 Do, Re, Mi, Fa
12.9 Do, Re, Mi, Fa, So
12.10 Do, Re, Mi, Fa, So, La
12.11 Do, Re, Mi, Fa, So, La, Ti
12.12 Do, Re, Mi - 4 bars
12.13 Do, Re, Mi, Fa
12.14 Do, Re, Mi, Fa, So
12.15 Do, Re, Mi, Fa, So, La
12.16 Do, Re, Mi, Fa, So, La, Ti

13: Melodies in A minor. 4/4 - 1, 2 and 4 Bars.

13.1 Do, Re - 1 bar
13.2 Do, Re, Me
13.3 Do, Re, Me, Fa
13.4 Do, Re, Me, Fa, So
13.5 Do, Re, Me, Fa, So, Le
13.6 Do, Re, Me, Fa, So, Le, Te
13.7 Do, Re, Me - 2 bars
13.8 Do, Re, Me, Fa
13.9 Do, Re, Me, Fa, So
13.10 Do, Re, Me, Fa, So, Le
13.11 Do, Re, Me, Fa, So, Le, Te
13.12 Do, Re, Me - 4 bars
13.13 Do, Re, Me, Fa
13.14 Do, Re, Me, Fa, So
13.15 Do, Re, Me, Fa, So, Le
13.16 Do, Re, Me, Fa, So, Le, Te

14: Melodies in A Minor. 3/4 - 1, 2 and 4 Bars.

14.1 Do, Re - 1 bar
14.2 Do, Re, Me
14.3 Do, Re, Me, Fa
14.4 Do, Re, Me, Fa, So
14.5 Do, Re, Me, Fa, So, Le
14.6 Do, Re, Me, Fa, So, Le, Te
14.7 Do, Re, Me - 2 bars
14.8 Do, Re, Me, Fa
14.9 Do, Re, Me, Fa, So
14.10 Do, Re, Me, Fa, So, Le
14.11 Do, Re, Me, Fa, So, Le, Te
14.12 Do, Re, Me - 4 bars
14.13 Do, Re, Me, Fa
14.14 Do, Re, Me, Fa, So
14.15 Do, Re, Me, Fa, So, Le
14.16 Do, Re, Me, Fa, So, Le, Te

15: Melodies in A Minor. 4/4 Adding 8th Notes

15.1 Do, Re - 1 bar
15.2 Do, Re, Me
15.3 Do, Re, Me, Fa
15.4 Do, Re, Me, Fa, So
15.5 Do, Re, Me, Fa, So, Le
15.6 Do, Re, Me, Fa, So, Le, Te
15.7 Do, Re - 2 bars
15.8 Do, Re, Me - 2 bars
15.9 Do, Re, Me, Fa
15.10 Do, Re, Me, Fa, So
15.11 Do, Re, Me, Fa, So, Le
15.12 Do, Re, Me, Fa, So, Le, Te
15.13 Do, Re, Me - 4 bars
15.14 Do, Re, Me, Fa
15.15 Do, Re, Me, Fa, So
15.16 Do, Re, Me, Fa, So, Le
15.17 Do, Re, Me, Fa, So, Le, Te

16: Melodies in A Minor. 3/4 Adding 8th Notes

16.1 Do, Re, Me - 1 bar
16.2 Do, Re, Me, Fa
16.3 Do, Re, Me, Fa, So
16.4 Do, Re, Me, Fa, So, Le
16.5 Do, Re, Me, Fa, So, Le, Te
16.6 Do, Re, Me - 2 bars
16.7 Do, Re, Me, Fa
16.8 Do, Re, Me, Fa, So
16.9 Do, Re, Me, Fa, So, Le
16.10 Do, Re, Me, Fa, So, Le, Te
16.11 Do, Re, Me - 4 bars
16.12 Do, Re, Me, Fa
16.13 Do, Re, Me, Fa, So
16.14 Do, Re, Me, Fa, So, Le
16.15 Do, Re, Me, Fa, So, Le, Te

17: All Minor Keys. 4/4 with 8th Notes.

17.1 Do, Re, Me - 1 bar
17.2 Do, Re, Me, Fa
17.3 Do, Re, Me, Fa, So
17.4 Do, Re, Me, Fa, So, Le
17.5 Do, Re, Me, Fa, So, Le, Te
17.6 Do, Re, Me - 2 bars
17.7 Do, Re, Me, Fa
17.8 Do, Re, Me, Fa, So
17.9 Do, Re, Me, Fa, So, Le
17.10 Do, Re, Me, Fa, So, Le, Te
17.11 Do, Re, Me - 4 bars
17.12 Do, Re, Me, Fa
17.13 Do, Re, Me, Fa, So
17.14 Do, Re, Me, Fa, So, Le
17.15 Do, Re, Me, Fa, So, Le, Te

18: Harmonic Minor. 4/4 with 8th Notes.

18.1 A minor harmonic. 1 bar
18.2 A minor harmonic. 2 bars
18.3 A minor harmonic. 4 bars
18.4 Harmonic minor (all keys). 1 bar
18.5 Harmonic minor (all keys). 2 bars
18.6 Harmonic minor (all keys). 4 bars

 General Workshops - Melody Singback


1: 3 to 4 Tones from the C Major Scale

1.1 Do, Re - 3 tones
1.2 Do, Re, Mi
1.3 Do, Re, Mi, Fa
1.4 Do, Re, Mi, Fa, So
1.5 Do, Re, Mi, Fa, So, La
1.6 Do, Re, Mi, Fa, So, La, Ti
1.7 Do, Re - 4 tones
1.8 Do, Re, Mi
1.9 Do, Re, Mi, Fa
1.10 Do, Re, Mi, Fa, So
1.11 Do, Re, Mi, Fa, So, La
1.12 Do, Re, Mi, Fa, So, La, Ti

2: 5 to 6 Tones from the C Major Scale

2.1 Do, Re - 5 tones
2.2 Do, Re, Mi
2.3 Do, Re, Mi, Fa
2.4 Do, Re, Mi, Fa, So
2.5 Do, Re, Mi, Fa, So, La
2.6 Do, Re, Mi, Fa, So, La, Ti
2.7 Do, Re - 6 tones
2.8 Do, Re, Mi
2.9 Do, Re, Mi, Fa
2.10 Do, Re, Mi, Fa, So
2.11 Do, Re, Mi, Fa, So, La
2.12 Do, Re, Mi, Fa, So, La, Ti

3: 7 to 8 Tones from the C Major Scale

3.1 Do, Re, Mi - 7 tones
3.2 Do, Re, Mi, Fa
3.3 Do, Re, Mi, Fa, So
3.4 Do, Re, Mi, Fa, So, La
3.5 Do, Re, Mi, Fa, So, La, Ti
3.6 Do, Re, Mi - 8 tones
3.7 Do, Re, Mi, Fa
3.8 Do, Re, Mi, Fa, So
3.9 Do, Re, Mi, Fa, So, La
3.10 Do, Re, Mi, Fa, So, La, Ti

4: Melodies in C Major with Rhythm. 4/4

4.1 Do, Re - 1 bar
4.2 Do, Re, Mi
4.3 Do, Re, Mi, Fa
4.4 Do, Re, Mi, Fa, So
4.5 Do, Re, Mi, Fa, So, La
4.6 Do, Re, Mi, Fa, So, La, Ti
4.7 Do, Re, Mi - 2 bars
4.8 Do, Re, Mi, Fa
4.9 Do, Re, Mi, Fa, So
4.10 Do, Re, Mi, Fa, So, La
4.11 Do, Re, Mi, Fa, So, La, Ti

5: Melodies in C Major with Rhythm. 3/4

5.1 Do, Re - 1 bar
5.2 Do, Re, Mi
5.3 Do, Re, Mi, Fa
5.4 Do, Re, Mi, Fa, So
5.5 Do, Re, Mi, Fa, So, La
5.6 Do, Re, Mi, Fa, So, La, Ti
5.7 Do, Re, Mi - 2 bars
5.8 Do, Re, Mi, Fa
5.9 Do, Re, Mi, Fa, So
5.10 Do, Re, Mi, Fa, So, La
5.11 Do, Re, Mi, Fa, So, La, Ti

6: Adding 8th Notes. 4/4

6.1 Do, Re - 1 bar
6.2 Do, Re, Mi
6.3 Do, Re, Mi, Fa
6.4 Do, Re, Mi, Fa, So
6.5 Do, Re, Mi, Fa, So, La
6.6 Do, Re, Mi, Fa, So, La, Ti
6.7 Do, Re, Mi - 2 bars
6.8 Do, Re, Mi, Fa
6.9 Do, Re, Mi, Fa, So
6.10 Do, Re, Mi, Fa, So, La
6.11 Do, Re, Mi, Fa, So, La, Ti

7: Adding 8th Notes. 3/4

7.1 Do, Re - 1 bar
7.2 Do, Re, Mi
7.3 Do, Re, Mi, Fa
7.4 Do, Re, Mi, Fa, So
7.5 Do, Re, Mi, Fa, So, La
7.6 Do, Re, Mi, Fa, So, La, Ti
7.7 Do, Re, Mi - 2 bars
7.8 Do, Re, Mi, Fa
7.9 Do, Re, Mi, Fa, So
7.10 Do, Re, Mi, Fa, So, La
7.11 Do, Re, Mi, Fa, So, La, Ti

8: Around the Circle of Fifths. 4/4

8.1 Do, Re - 1 bar
8.2 Do, Re, Mi
8.3 Do, Re, Mi, Fa
8.4 Do, Re, Mi, Fa, So
8.5 Do, Re, Mi, Fa, So, La
8.6 Do, Re, Mi, Fa, So, La, Ti
8.7 Do, Re, Mi - 2 bars
8.8 Do, Re, Mi, Fa
8.9 Do, Re, Mi, Fa, So
8.10 Do, Re, Mi, Fa, So, La
8.11 Do, Re, Mi, Fa, So, La, Ti

9: Around the Circle of Fifths. 3/4

9.1 Do, Re - 1 bar
9.2 Do, Re, Mi
9.3 Do, Re, Mi, Fa
9.4 Do, Re, Mi, Fa, So
9.5 Do, Re, Mi, Fa, So, La
9.6 Do, Re, Mi, Fa, So, La, Ti
9.7 Do, Re, Mi - 2 bars
9.8 Do, Re, Mi, Fa
9.9 Do, Re, Mi, Fa, So
9.10 Do, Re, Mi, Fa, So, La
9.11 Do, Re, Mi, Fa, So, La, Ti

10: Around the Circle of Fifths. 4/4 with 8th Notes.

10.1 Do, Re - 1 bar
10.2 Do, Re, Mi
10.3 Do, Re, Mi, Fa
10.4 Do, Re, Mi, Fa, So
10.5 Do, Re, Mi, Fa, So, La
10.6 Do, Re, Mi, Fa, So, La, Ti
10.7 Do, Re, Mi - 2 bars
10.8 Do, Re, Mi, Fa
10.9 Do, Re, Mi, Fa, So
10.10 Do, Re, Mi, Fa, So, La
10.11 Do, Re, Mi, Fa, So, La, Ti

11: Around the Circle of Fifths. 3/4 with 8th Notes.

11.1 Do, Re - 1 bar
11.2 Do, Re, Mi
11.3 Do, Re, Mi, Fa
11.4 Do, Re, Mi, Fa, So
11.5 Do, Re, Mi, Fa, So, La
11.6 Do, Re, Mi, Fa, So, La, Ti
11.7 Do, Re, Mi - 2 bars
11.8 Do, Re, Mi, Fa
11.9 Do, Re, Mi, Fa, So
11.10 Do, Re, Mi, Fa, So, La
11.11 Do, Re, Mi, Fa, So, La, Ti

12: Melodies in A minor. 4/4

12.1 Do, Re - 1 bar
12.2 Do, Re, Me
12.3 Do, Re, Me, Fa
12.4 Do, Re, Me, Fa, So
12.5 Do, Re, Me, Fa, So, Le
12.6 Do, Re, Me, Fa, So, Le, Te
12.7 Do, Re, Me - 2 bars
12.8 Do, Re, Me, Fa
12.9 Do, Re, Me, Fa, So
12.10 Do, Re, Me, Fa, So, Le
12.11 Do, Re, Me, Fa, So, Le, Te

13: Melodies in A minor. 3/4

13.1 Do, Re - 1 bar
13.2 Do, Re, Me
13.3 Do, Re, Me, Fa
13.4 Do, Re, Me, Fa, So
13.5 Do, Re, Me, Fa, So, Le
13.6 Do, Re, Me, Fa, So, Le, Te
13.7 Do, Re, Me - 2 bars
13.8 Do, Re, Me, Fa
13.9 Do, Re, Me, Fa, So
13.10 Do, Re, Me, Fa, So, Le
13.11 Do, Re, Me, Fa, So, Le, Te

14: Melodies in A minor. 4/4 with 8th Notes

14.1 Do, Re - 1 bar
14.2 Do, Re, Me
14.3 Do, Re, Me, Fa
14.4 Do, Re, Me, Fa, So
14.5 Do, Re, Me, Fa, So, Le
14.6 Do, Re, Me, Fa, So, Le, Te
14.7 Do, Re - 2 bars
14.8 Do, Re, Me - 2 bars
14.9 Do, Re, Me, Fa
14.10 Do, Re, Me, Fa, So
14.11 Do, Re, Me, Fa, So, Le
14.12 Do, Re, Me, Fa, So, Le, Te

15: Melodies in A minor. 3/4 with 8th Notes

15.1 Do, Re, Me - 1 bar
15.2 Do, Re, Me, Fa
15.3 Do, Re, Me, Fa, So
15.4 Do, Re, Me, Fa, So, Le
15.5 Do, Re, Me, Fa, So, Le, Te
15.6 Do, Re, Me - 2 bars
15.7 Do, Re, Me, Fa
15.8 Do, Re, Me, Fa, So
15.9 Do, Re, Me, Fa, So, Le
15.10 Do, Re, Me, Fa, So, Le, Te

16: All Minor Keys. 4/4 with 8th Notes.

16.1 Do, Re, Me - 1 bar
16.2 Do, Re, Me, Fa
16.3 Do, Re, Me, Fa, So
16.4 Do, Re, Me, Fa, So, Le
16.5 Do, Re, Me, Fa, So, Le, Te
16.6 Do, Re, Me - 2 bars
16.7 Do, Re, Me, Fa
16.8 Do, Re, Me, Fa, So
16.9 Do, Re, Me, Fa, So, Le
16.10 Do, Re, Me, Fa, So, Le, Te

17: Harmonic Minor. 4/4 with 8th Notes.

17.1 A minor harmonic. 1 bar
17.2 A minor harmonic. 2 bars
17.3 A minor harmonic. 4 bars
17.4 Harmonic minor (all keys). 1 bar
17.5 Harmonic minor (all keys). 2 bars
17.6 Harmonic minor (all keys). 4 bars

 General Workshops - Rhythm Clapback


1: 4/4 - 1 bar: Whole, Half, Quarter & Eighth Notes

1.1 4/4 - 1 bar: Quarter notes - including rests
1.2 4/4 - 1 bar: 8th & Quarter notes
1.3 4/4 - 1 bar: 8th notes - including rests
1.4 4/4 - 1 bar: 8th & Quarter notes - including rests
1.5 4/4 - 1 bar: Quarter & Half notes - including rests
1.6 4/4 - 1 bar: Half & Whole notes - including rests
1.7 4/4 - 1 bar: Quarter, Half & Whole notes - including rests
1.8 4/4 - 1 bar: 8th, Quarter, Half & Whole notes - including rests

2: 3/4 - 1 bar: Half, Quarter & Eighth Notes

2.1 3/4 - 1 bar: Quarter notes - including rests
2.2 3/4 - 1 bar: 8th & Quarter notes
2.3 3/4 - 1 bar: 8th notes - including rests
2.4 3/4 - 1 bar: 8th & Quarter notes - including rests
2.5 3/4 - 1 bar: Quarter & Half notes - including rests
2.6 3/4 - 1 bar: 8th, Quarter & Half notes - including rests

3: 2/4 - 1 bar: Half, Quarter & Eighth Notes

3.1 2/4 - 1 bar: Quarter notes - including rests
3.2 2/4 - 1 bar: 8th & Quarter notes
3.3 2/4 - 1 bar: 8th notes - including rests
3.4 2/4 - 1 bar: 8th & Quarter notes - including rests
3.5 2/4 - 1 bar: Quarter & Half notes - including rests
3.6 2/4 - 1 bar: 8th, Quarter & Half notes - including rests

4: 4/4 - 2 bars: Whole, half, Quarter & Eighth Notes

4.1 4/4 - 2 bars: Quarter notes - including rests
4.2 4/4 - 2 bars: 8th & Quarter notes
4.3 4/4 - 2 bars: 8th notes - including rests
4.4 4/4 - 2 bars: 8th & Quarter notes - including rests
4.5 4/4 - 2 bars: Quarter & Half notes - including rests
4.6 4/4 - 2 bars: Half & Whole notes - including rests
4.7 4/4 - 2 bars: Quarter, Half & Whole notes - including rests
4.8 4/4 - 2 bars: 8th, Quarter, Half & Whole notes - including rests

5: 3/4 - 2 bars: Half, Quarter & Eighth Notes

5.1 3/4 - 2 bars: Quarter notes - including rests
5.2 3/4 - 2 bars: 8th & Quarter notes
5.3 3/4 - 2 bars: 8th notes - including rests
5.4 3/4 - 2 bars: 8th & Quarter notes - including rests
5.5 3/4 - 2 bars: Quarter & Half notes - including rests
5.6 3/4 - 2 bars: 8th, Quarter & Half notes - including rests

6: 2/4 - 2 bars: Half, Quarter & Eighth Notes

6.1 2/4 - 2 bars: Quarter notes - including rests
6.2 2/4 - 2 bars: 8th & Quarter notes
6.3 2/4 - 2 bars: 8th notes - including rests
6.4 2/4 - 2 bars: 8th & Quarter notes - including rests
6.5 2/4 - 2 bars: Quarter & Half notes - including rests
6.6 2/4 - 2 bars: 8th, Quarter & Half notes - including rests

7: 4/4: Introducing Sixteenth Note Groupings

7.1 4/4 - 1 bar: 16th & Quarter notes
7.2 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
7.3 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests

8: 3/4: Sixteenth Note Groupings

8.1 3/4 - 1 bar: 16th & Quarter notes
8.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
8.3 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests

9: 2/4: Sixteenth Note Groupings

9.1 2/4 - 1 bar: 16th & Quarter notes
9.2 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
9.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests

10: Advanced Sixteenth Note Groupings

10.1 4/4 - 1 bar: 16th, 8th & Quarter notes
10.2 3/4 - 1 bar: 16th, 8th & Quarter notes
10.3 2/4 - 1 bar: 16th, 8th & Quarter notes
10.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes
10.5 4/4 - 1 bar: 16th, 8th & Quarter notes
10.6 3/4 - 1 bar: 16th, 8th & Quarter notes
10.7 2/4 - 1 bar: 16th, 8th & Quarter notes
10.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes

11: Advanced Sixteenth Note Groupings with Rests

11.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.5 4/4 - 1 bar: 16th & Quarter notes - including rests
11.6 3/4 - 1 bar: 16th & Quarter notes - including rests
11.7 2/4 - 1 bar: 16th & Quarter notes - including rests
11.8 2/4, 3/4 & 4/4 - 1 bar: 16th & Quarter notes - including rests

12: Advanced 16th and 8th Combinations with Rests

12.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.5 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.6 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.7 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests

13: All Note values from the Previous Lessons, Including Rests

13.1 4/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests
13.2 3/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests
13.3 2/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests
13.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests

14: 4/4: Triplets

14.1 4/4 - 1 bar: Quarter notes, 8th triplets
14.2 4/4 - 1 bar: Quarter notes, 8th triplets - including rests
14.3 4/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests
14.4 4/4 - 1 bar: Quarter notes, 8th triplets - including rests
14.5 4/4 - 1 bar: 8th & Quarter triplets
14.6 4/4 - 1 bar: 8th & Quarter triplets - including rests
14.7 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets
14.8 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests
14.9 4/4 - 1 bar: Half triplets
14.10 4/4 - 1 bar: Half triplets - including rests
14.11 4/4 - 1 bar: Quarter notes, 16th triplets
14.12 4/4 - 1 bar: Quarter notes, 16th triplets - including rests
14.13 4/4 - 1 bar: 16th triplets - including rests
14.14 4/4 - 1 bar: 16th & 8th triplets
14.15 4/4 - 1 bar: 16th & 8th triplets - including rests
14.16 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets
14.17 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets - including rests

15: Triplets, Now in 3/4

15.1 3/4 - 1 bar: Quarter notes, 8th triplets
15.2 3/4 - 1 bar: Quarter notes, 8th triplets - including rests
15.3 3/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests
15.4 3/4 - 1 bar: Quarter notes, 8th triplets - including rests
15.5 3/4 - 1 bar: 8th & Quarter triplets
15.6 3/4 - 1 bar: 8th & Quarter triplets - including rests
15.7 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets
15.8 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests
15.9 3/4 - 1 bar: Quarter notes, 16th triplets
15.10 3/4 - 1 bar: Quarter notes, 16th triplets - including rests
15.11 3/4 - 1 bar: 16th triplets - including rests
15.12 3/4 - 1 bar: 16th & 8th triplets
15.13 3/4 - 1 bar: 16th & 8th triplets - including rests
15.14 3/4 - 1 bar: 16th, 8th & Quarter triplets
15.15 3/4 - 1 bar: 16th, 8th & Quarter triplets - including rests

16: Introducing a New Time Signature: 5/4

16.1 5/4 - 1 bar: 8th & Quarter notes - including rests
16.2 5/4 - 1 bar: 8th & Quarter notes - including rests
16.3 5/4 - 1 bar: 8th, Quarter & Half notes - including rests
16.4 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests
16.5 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests
16.6 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests
16.7 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets
16.8 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests

17: Introducing New Time Signatures: 3/8, 4/8 & 6/8

17.1 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes
17.2 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes - including rests
17.3 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes
17.4 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes - including rests

18: 6/8 with Dotted Subdivision

18.1 6/8 - 1 bar: 8th notes, Quarter dotted notes
18.2 6/8 - 1 bar: 8th notes, Quarter dotted notes - including rests
18.3 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes
18.4 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests
18.5 6/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

19: Introducing the 9/8 Time Signature

19.1 9/8 - 1 bar: 16th & 8th notes
19.2 9/8 - 1 bar: 16th & 8th notes - including rests
19.3 9/8 - 1 bar: 16th, 8th & Quarter notes
19.4 9/8 - 1 bar: 16th, 8th & Quarter notes - including rests
19.5 9/8 - 1 bar: 8th notes, Quarter dotted notes
19.6 9/8 - 1 bar: 8th notes, Quarter dotted notes - including rests
19.7 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes
19.8 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests
19.9 9/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

20: Introducing the 12/8 Time Signature

20.1 12/8 - 1 bar: 16th & 8th notes
20.2 12/8 - 1 bar: 16th & 8th notes - including rests
20.3 12/8 - 1 bar: 16th, 8th & Quarter notes
20.4 12/8 - 1 bar: 16th, 8th & Quarter notes - including rests
20.5 12/8 - 1 bar: 8th notes, Quarter dotted notes
20.6 12/8 - 1 bar: 8th notes, Quarter dotted notes - including rests
20.7 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes
20.8 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests
20.9 12/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

21: Introducing New Time Signatures: 5/8 & 7/8

21.1 5/8 & 7/8 - 1 bar: 16th & 8th notes
21.2 5/8 & 7/8 - 1 bar: 16th & 8th notes - including rests
21.3 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes
21.4 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes - including rests

22: Introducing New Time Signatures: 2/2, 3/2 & 4/2

22.1 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes
22.2 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes - including rests
22.3 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes
22.4 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes - including rests
22.5 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests
22.6 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests

23: 4/4: Mixed Note Groupings

23.1 4/4 - 1 bar: 8th notes, 8th triplets
23.2 4/4 - 1 bar: 8th notes, 8th triplets - including rests
23.3 4/4 - 1 bar: Quarter notes, Quarter triplets
23.4 4/4 - 1 bar: Quarter notes, Quarter triplets - including rests
23.5 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets
23.6 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests
23.7 4/4 - 1 bar: 16th notes, 16th triplets
23.8 4/4 - 1 bar: 16th notes, 16th triplets - including rests
23.9 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets
23.10 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests
23.11 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
23.12 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

24: 3/4: Mixed Note Groupings

24.1 3/4 - 1 bar: 8th notes, 8th triplets
24.2 3/4 - 1 bar: 8th notes, 8th triplets - including rests
24.3 3/4 - 1 bar: Quarter notes, Quarter triplets
24.4 3/4 - 1 bar: Quarter notes, Quarter triplets - including rests
24.5 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets
24.6 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests
24.7 3/4 - 1 bar: 16th notes, 16th triplets
24.8 3/4 - 1 bar: 16th notes, 16th triplets - including rests
24.9 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets
24.10 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests
24.11 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
24.12 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

25: 4/4: Introducing 32nd Notes

25.1 4/4 - 1 bar: 8th & Quarter notes - including rests
25.2 4/4 - 1 bar: 16th & 8th notes - including rests
25.3 4/4 - 1 bar: 32nd & 16th notes
25.4 4/4 - 1 bar: 32nd & 16th notes - including rests
25.5 4/4 - 1 bar: 32nd & 16th notes - including rests
25.6 4/4 - 1 bar: 32nd notes - including rests
25.7 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes
25.8 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests

26: 3/4: 32nd Notes

26.1 3/4 - 1 bar: 8th & Quarter notes - including rests
26.2 3/4 - 1 bar: 16th & 8th notes - including rests
26.3 3/4 - 1 bar: 32nd & 16th notes
26.4 3/4 - 1 bar: 32nd & 16th notes - including rests
26.5 3/4 - 1 bar: 32nd & 16th notes - including rests
26.6 3/4 - 1 bar: 32nd notes - including rests
26.7 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes
26.8 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests

27: Final roundup

27.1 Simple meters
27.2 Simple meters with rests
27.3 Compound meters
27.4 Compound meters with rests
27.5 Asymmetrical meters I
27.6 Asymmetrical meters II

 General Workshops - Rhythm Error Detection


1: 4/4 - 2 bars: Whole, Half, Quarter & Eighth Notes

1.1 4/4 - 2 bars: Quarter notes - including rests
1.2 4/4 - 2 bars: 8th & Quarter notes
1.3 4/4 - 2 bars: 8th notes - including rests
1.4 4/4 - 2 bars: 8th & Quarter notes - including rests
1.5 4/4 - 2 bars: Quarter & Half notes - including rests
1.6 4/4 - 2 bars: Half & Whole notes - including rests
1.7 4/4 - 2 bars: Quarter, Half & Whole notes - including rests
1.8 4/4 - 2 bars: 8th, Quarter, Half & Whole notes - including rests

2: 3/4 - 2 bars: Half, Quarter & Eighth Notes

2.1 3/4 - 2 bars: Quarter notes - including rests
2.2 3/4 - 2 bars: 8th & Quarter notes
2.3 3/4 - 2 bars: 8th notes - including rests
2.4 3/4 - 2 bars: 8th & Quarter notes - including rests
2.5 3/4 - 2 bars: Quarter & Half notes - including rests
2.6 3/4 - 2 bars: 8th, Quarter & Half notes - including rests

3: 2/4 - 2 bars: Half, Quarter & Eighth Notes

3.1 2/4 - 2 bars: Quarter notes - including rests
3.2 2/4 - 2 bars: 8th & Quarter notes
3.3 2/4 - 2 bars: 8th notes - including rests
3.4 2/4 - 2 bars: 8th & Quarter notes - including rests
3.5 2/4 - 2 bars: Quarter & Half notes - including rests
3.6 2/4 - 2 bars: 8th, Quarter & Half notes - including rests

4: 4/4 - 4 bars: Whole, half, Quarter & Eighth Notes

4.1 4/4 - 4 bars: Quarter notes - including rests
4.2 4/4 - 4 bars: 8th & Quarter notes
4.3 4/4 - 4 bars: 8th notes - including rests
4.4 4/4 - 4 bars: 8th & Quarter notes - including rests
4.5 4/4 - 4 bars: Quarter & Half notes - including rests
4.6 4/4 - 4 bars: Half & Whole notes - including rests
4.7 4/4 - 4 bars: Quarter, Half & Whole notes - including rests
4.8 4/4 - 4 bars: 8th, Quarter, Half & Whole notes - including rests

5: 3/4 - 4 bars: Half, Quarter & Eighth Notes

5.1 3/4 - 4 bars: Quarter notes - including rests
5.2 3/4 - 4 bars: 8th & Quarter notes
5.3 3/4 - 4 bars: 8th notes - including rests
5.4 3/4 - 4 bars: 8th & Quarter notes - including rests
5.5 3/4 - 4 bars: Quarter & Half notes - including rests
5.6 3/4 - 4 bars: 8th, Quarter & Half notes - including rests

6: 2/4 - 4 bars: Half, Quarter & Eighth Notes

6.1 2/4 - 4 bars: Quarter notes - including rests
6.2 2/4 - 4 bars: 8th & Quarter notes
6.3 2/4 - 4 bars: 8th notes - including rests
6.4 2/4 - 4 bars: 8th & Quarter notes - including rests
6.5 2/4 - 4 bars: Quarter & Half notes - including rests
6.6 2/4 - 4 bars: 8th, Quarter & Half notes - including rests

7: 4/4 - 8 bars: Whole, Half, Quarter & Eighth Notes

7.1 4/4 - 8 bars: Quarter notes - including rests
7.2 4/4 - 8 bars: 8th & Quarter notes
7.3 4/4 - 8 bars: 8th notes - including rests
7.4 4/4 - 8 bars: 8th & Quarter notes - including rests
7.5 4/4 - 8 bars: Quarter & Half notes - including rests
7.6 4/4 - 8 bars: Half & Whole notes - including rests
7.7 4/4 - 8 bars: Quarter, Half & Whole notes - including rests
7.8 4/4 - 8 bars: 8th, Quarter, Half & Whole notes - including rests

8: 4/4: Introducing Sixteenth Note Groupings

8.1 4/4 - 2 bars: 16th & Quarter notes
8.2 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests
8.3 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests

9: 3/4: Sixteenth Note Groupings

9.1 3/4 - 2 bars: 16th & Quarter notes
9.2 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests
9.3 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests

10: 2/4: Sixteenth Note Groupings

10.1 2/4 - 2 bars: 16th & Quarter notes
10.2 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests
10.3 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests

11: Advanced Sixteenth Note Groupings

11.1 4/4 - 2 bars: 16th, 8th & Quarter notes
11.2 3/4 - 2 bars: 16th, 8th & Quarter notes
11.3 2/4 - 2 bars: 16th, 8th & Quarter notes
11.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes
11.5 4/4 - 2 bars: 16th, 8th & Quarter notes
11.6 3/4 - 2 bars: 16th, 8th & Quarter notes
11.7 2/4 - 2 bars: 16th, 8th & Quarter notes
11.8 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes

12: Advanced Sixteenth Note Groupings with Rests

12.1 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests
12.2 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests
12.3 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests
12.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests
12.5 4/4 - 2 bars: 16th & Quarter notes - including rests
12.6 3/4 - 2 bars: 16th & Quarter notes - including rests
12.7 2/4 - 2 bars: 16th & Quarter notes - including rests
12.8 2/4, 3/4 & 4/4 - 2 bars: 16th & Quarter notes - including rests

13: Advanced 16th and 8th Combinations with Rests

13.1 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests
13.2 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests
13.3 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests
13.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests
13.5 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests
13.6 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests
13.7 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests
13.8 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests

14: All Note values from the Previous Lessons, Including Rests

14.1 4/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes - including rests
14.2 3/4 - 2 bars: 16th, 8th, Quarter & Half notes - including rests
14.3 2/4 - 2 bars: 16th, 8th, Quarter & Half notes - including rests
14.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th, Quarter & Half notes - including rests

15: 4/4: Triplets

15.1 4/4 - 2 bars: Quarter notes, 8th triplets
15.2 4/4 - 2 bars: Quarter notes, 8th triplets - including rests
15.3 4/4 - 2 bars: Quarter & Half notes, 8th triplets - including rests
15.4 4/4 - 2 bars: Quarter notes, 8th triplets - including rests
15.5 4/4 - 2 bars: 8th & Quarter triplets
15.6 4/4 - 2 bars: 8th & Quarter triplets - including rests
15.7 4/4 - 2 bars: Quarter notes, 8th & Quarter triplets
15.8 4/4 - 2 bars: Quarter notes, 8th & Quarter triplets - including rests
15.9 4/4 - 2 bars: Half triplets
15.10 4/4 - 2 bars: Half triplets - including rests
15.11 4/4 - 2 bars: Quarter notes, 16th triplets
15.12 4/4 - 2 bars: Quarter notes, 16th triplets - including rests
15.13 4/4 - 2 bars: 16th triplets - including rests
15.14 4/4 - 2 bars: 16th & 8th triplets
15.15 4/4 - 2 bars: 16th & 8th triplets - including rests
15.16 4/4 - 2 bars: 16th, 8th, Quarter & Half triplets
15.17 4/4 - 2 bars: 16th, 8th, Quarter & Half triplets - including rests

16: Triplets, Now in 3/4

16.1 3/4 - 2 bars: Quarter notes, 8th triplets
16.2 3/4 - 2 bars: Quarter notes, 8th triplets - including rests
16.3 3/4 - 2 bars: Quarter & Half notes, 8th triplets - including rests
16.4 3/4 - 2 bars: Quarter notes, 8th triplets - including rests
16.5 3/4 - 2 bars: 8th & Quarter triplets
16.6 3/4 - 2 bars: 8th & Quarter triplets - including rests
16.7 3/4 - 2 bars: Quarter notes, 8th & Quarter triplets
16.8 3/4 - 2 bars: Quarter notes, 8th & Quarter triplets - including rests
16.9 3/4 - 2 bars: Quarter notes, 16th triplets
16.10 3/4 - 2 bars: Quarter notes, 16th triplets - including rests
16.11 3/4 - 2 bars: 16th triplets - including rests
16.12 3/4 - 2 bars: 16th & 8th triplets
16.13 3/4 - 2 bars: 16th & 8th triplets - including rests
16.14 3/4 - 2 bars: 16th, 8th & Quarter triplets
16.15 3/4 - 2 bars: 16th, 8th & Quarter triplets - including rests

17: Introducing a New Time Signature: 5/4

17.1 5/4 - 2 bars: 8th & Quarter notes - including rests
17.2 5/4 - 2 bars: 8th & Quarter notes - including rests
17.3 5/4 - 2 bars: 8th, Quarter & Half notes - including rests
17.4 5/4 - 2 bars: 16th, 8th & Quarter notes - including rests
17.5 5/4 - 2 bars: 16th, 8th & Quarter notes - including rests
17.6 5/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes - including rests
17.7 5/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets
17.8 5/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests

18: Introducing New Time Signatures: 3/8, 4/8 & 6/8

18.1 3/8, 4/8 & 6/8 - 2 bars: 16th & 8th notes
18.2 3/8, 4/8 & 6/8 - 2 bars: 16th & 8th notes - including rests
18.3 3/8, 4/8 & 6/8 - 2 bars: 16th, 8th & Quarter notes
18.4 3/8, 4/8 & 6/8 - 2 bars: 16th, 8th & Quarter notes - including rests

19: 6/8 with Dotted Subdivision

19.1 6/8 - 2 bars: 8th notes, Quarter dotted notes
19.2 6/8 - 2 bars: 8th notes, Quarter dotted notes - including rests
19.3 6/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes
19.4 6/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes - including rests
19.5 6/8 - 2 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

20: Introducing the 9/8 Time Signature

20.1 9/8 - 2 bars: 16th & 8th notes
20.2 9/8 - 2 bars: 16th & 8th notes - including rests
20.3 9/8 - 2 bars: 16th, 8th & Quarter notes
20.4 9/8 - 2 bars: 16th, 8th & Quarter notes - including rests
20.5 9/8 - 2 bars: 8th notes, Quarter dotted notes
20.6 9/8 - 2 bars: 8th notes, Quarter dotted notes - including rests
20.7 9/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes
20.8 9/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes - including rests
20.9 9/8 - 2 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

21: Introducing the 12/8 Time Signature

21.1 12/8 - 2 bars: 16th & 8th notes
21.2 12/8 - 2 bars: 16th & 8th notes - including rests
21.3 12/8 - 2 bars: 16th, 8th & Quarter notes
21.4 12/8 - 2 bars: 16th, 8th & Quarter notes - including rests
21.5 12/8 - 2 bars: 8th notes, Quarter dotted notes
21.6 12/8 - 2 bars: 8th notes, Quarter dotted notes - including rests
21.7 12/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes
21.8 12/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes - including rests
21.9 12/8 - 2 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

22: Introducing New Time Signatures: 5/8 & 7/8

22.1 5/8 & 7/8 - 2 bars: 16th & 8th notes
22.2 5/8 & 7/8 - 2 bars: 16th & 8th notes - including rests
22.3 5/8 & 7/8 - 2 bars: 16th, 8th & Quarter notes
22.4 5/8 & 7/8 - 2 bars: 16th, 8th & Quarter notes - including rests

23: Introducing New Time Signatures: 2/2, 3/2 & 4/2

23.1 2/2, 3/2 & 4/2 - 2 bars: Half & Whole notes
23.2 2/2, 3/2 & 4/2 - 2 bars: Half & Whole notes - including rests
23.3 2/2, 3/2 & 4/2 - 2 bars: Quarter, Half & Whole notes
23.4 2/2, 3/2 & 4/2 - 2 bars: Quarter, Half & Whole notes - including rests
23.5 2/2, 3/2 & 4/2 - 2 bars: 8th, Quarter & Half notes - including rests
23.6 2/2, 3/2 & 4/2 - 2 bars: 8th, Quarter & Half notes - including rests

24: 4/4: Mixed Note Groupings

24.1 4/4 - 2 bars: 8th notes, 8th triplets
24.2 4/4 - 2 bars: 8th notes, 8th triplets - including rests
24.3 4/4 - 2 bars: Quarter notes, Quarter triplets
24.4 4/4 - 2 bars: Quarter notes, Quarter triplets - including rests
24.5 4/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets
24.6 4/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests
24.7 4/4 - 2 bars: 16th notes, 16th triplets
24.8 4/4 - 2 bars: 16th notes, 16th triplets - including rests
24.9 4/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets
24.10 4/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets - including rests
24.11 4/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
24.12 4/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

25: 3/4: Mixed Note Groupings

25.1 3/4 - 2 bars: 8th notes, 8th triplets
25.2 3/4 - 2 bars: 8th notes, 8th triplets - including rests
25.3 3/4 - 2 bars: Quarter notes, Quarter triplets
25.4 3/4 - 2 bars: Quarter notes, Quarter triplets - including rests
25.5 3/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets
25.6 3/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests
25.7 3/4 - 2 bars: 16th notes, 16th triplets
25.8 3/4 - 2 bars: 16th notes, 16th triplets - including rests
25.9 3/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets
25.10 3/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets - including rests
25.11 3/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
25.12 3/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

26: 4/4: Introducing 32nd Notes

26.1 4/4 - 2 bars: 8th & Quarter notes - including rests
26.2 4/4 - 2 bars: 16th & 8th notes - including rests
26.3 4/4 - 2 bars: 32nd & 16th notes
26.4 4/4 - 2 bars: 32nd & 16th notes - including rests
26.5 4/4 - 2 bars: 32nd & 16th notes - including rests
26.6 4/4 - 2 bars: 32nd notes - including rests
26.7 4/4 - 2 bars: 32nd, 16th, 8th & Quarter notes
26.8 4/4 - 2 bars: 32nd, 16th, 8th & Quarter notes - including rests

27: 3/4: 32nd Notes

27.1 3/4 - 2 bars: 8th & Quarter notes - including rests
27.2 3/4 - 2 bars: 16th & 8th notes - including rests
27.3 3/4 - 2 bars: 32nd & 16th notes
27.4 3/4 - 2 bars: 32nd & 16th notes - including rests
27.5 3/4 - 2 bars: 32nd & 16th notes - including rests
27.6 3/4 - 2 bars: 32nd notes - including rests
27.7 3/4 - 2 bars: 32nd, 16th, 8th & Quarter notes
27.8 3/4 - 2 bars: 32nd, 16th, 8th & Quarter notes - including rests

28: All the Time Signatures from the Previous Lessons

28.1 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes
28.2 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes + Rests

 General Workshops - Rhythm Sight-Reading


1: 4/4 - 4 bars: Whole, Half, Quarter & Eighth Notes

1.1 4/4 - 4 bars: Quarter notes - including rests
1.2 4/4 - 4 bars: 8th & Quarter notes
1.3 4/4 - 4 bars: 8th notes - including rests
1.4 4/4 - 4 bars: 8th & Quarter notes - including rests
1.5 4/4 - 4 bars: Quarter & Half notes - including rests
1.6 4/4 - 4 bars: Half & Whole notes - including rests
1.7 4/4 - 4 bars: Quarter, Half & Whole notes - including rests
1.8 4/4 - 4 bars: 8th, Quarter, Half & Whole notes - including rests

2: 3/4 - 4 bars: Half, Quarter & Eighth Notes

2.1 3/4 - 4 bars: Quarter notes - including rests
2.2 3/4 - 4 bars: 8th & Quarter notes
2.3 3/4 - 4 bars: 8th notes - including rests
2.4 3/4 - 4 bars: 8th & Quarter notes - including rests
2.5 3/4 - 4 bars: Quarter & Half notes - including rests
2.6 3/4 - 4 bars: 8th, Quarter & Half notes - including rests

3: 2/4 - 4 bars: Half, Quarter & Eighth Notes

3.1 2/4 - 4 bars: Quarter notes - including rests
3.2 2/4 - 4 bars: 8th & Quarter notes
3.3 2/4 - 4 bars: 8th notes - including rests
3.4 2/4 - 4 bars: 8th & Quarter notes - including rests
3.5 2/4 - 4 bars: Quarter & Half notes - including rests
3.6 2/4 - 4 bars: 8th, Quarter & Half notes - including rests

4: 4/4 - 8 bars: Whole, half, Quarter & Eighth Notes

4.1 4/4 - 8 bars: Quarter notes - including rests
4.2 4/4 - 8 bars: 8th & Quarter notes
4.3 4/4 - 8 bars: 8th notes - including rests
4.4 4/4 - 8 bars: 8th & Quarter notes - including rests
4.5 4/4 - 8 bars: Quarter & Half notes - including rests
4.6 4/4 - 8 bars: Half & Whole notes - including rests
4.7 4/4 - 8 bars: Quarter, Half & Whole notes - including rests
4.8 4/4 - 8 bars: 8th, Quarter, Half & Whole notes - including rests

5: 3/4 - 8 bars: Half, Quarter & Eighth Notes

5.1 3/4 - 8 bars: Quarter notes - including rests
5.2 3/4 - 8 bars: 8th & Quarter notes
5.3 3/4 - 8 bars: 8th notes - including rests
5.4 3/4 - 8 bars: 8th & Quarter notes - including rests
5.5 3/4 - 8 bars: Quarter & Half notes - including rests
5.6 3/4 - 8 bars: 8th, Quarter & Half notes - including rests

6: 2/4 - 8 bars: Half, Quarter & Eighth Notes

6.1 2/4 - 8 bars: Quarter notes - including rests
6.2 2/4 - 8 bars: 8th & Quarter notes
6.3 2/4 - 8 bars: 8th notes - including rests
6.4 2/4 - 8 bars: 8th & Quarter notes - including rests
6.5 2/4 - 8 bars: Quarter & Half notes - including rests
6.6 2/4 - 8 bars: 8th, Quarter & Half notes - including rests

7: 4/4: Introducing Sixteenth Note Groupings

7.1 4/4 - 4 bars: 16th & Quarter notes
7.2 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests
7.3 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests

8: 3/4: Sixteenth Note Groupings

8.1 3/4 - 4 bars: 16th & Quarter notes
8.2 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests
8.3 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests

9: 2/4: Sixteenth Note Groupings

9.1 2/4 - 4 bars: 16th & Quarter notes
9.2 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests
9.3 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests

10: Advanced Sixteenth Note Groupings

10.1 4/4 - 4 bars: 16th, 8th & Quarter notes
10.2 3/4 - 4 bars: 16th, 8th & Quarter notes
10.3 2/4 - 4 bars: 16th, 8th & Quarter notes
10.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes
10.5 4/4 - 4 bars: 16th, 8th & Quarter notes
10.6 3/4 - 4 bars: 16th, 8th & Quarter notes
10.7 2/4 - 4 bars: 16th, 8th & Quarter notes
10.8 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes

11: Advanced Sixteenth Note Groupings with Rests

11.1 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests
11.2 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests
11.3 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests
11.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests
11.5 4/4 - 4 bars: 16th & Quarter notes - including rests
11.6 3/4 - 4 bars: 16th & Quarter notes - including rests
11.7 2/4 - 4 bars: 16th & Quarter notes - including rests
11.8 2/4, 3/4 & 4/4 - 4 bars: 16th & Quarter notes - including rests

12: Advanced 16th and 8th Combinations with Rests

12.1 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests
12.2 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests
12.3 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests
12.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests
12.5 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests
12.6 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests
12.7 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests
12.8 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests

13: All Note values from the Previous Lessons, Including Rests

13.1 4/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes - including rests
13.2 3/4 - 4 bars: 16th, 8th, Quarter & Half notes - including rests
13.3 2/4 - 4 bars: 16th, 8th, Quarter & Half notes - including rests
13.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th, Quarter & Half notes - including rests

14: 4/4: Triplets

14.1 4/4 - 4 bars: Quarter notes, 8th triplets
14.2 4/4 - 4 bars: Quarter notes, 8th triplets - including rests
14.3 4/4 - 4 bars: Quarter & Half notes, 8th triplets - including rests
14.4 4/4 - 4 bars: Quarter notes, 8th triplets - including rests
14.5 4/4 - 4 bars: 8th & Quarter triplets
14.6 4/4 - 4 bars: 8th & Quarter triplets - including rests
14.7 4/4 - 4 bars: Quarter notes, 8th & Quarter triplets
14.8 4/4 - 4 bars: Quarter notes, 8th & Quarter triplets - including rests
14.9 4/4 - 4 bars: Half triplets
14.10 4/4 - 4 bars: Half triplets - including rests
14.11 4/4 - 4 bars: Quarter notes, 16th triplets
14.12 4/4 - 4 bars: Quarter notes, 16th triplets - including rests
14.13 4/4 - 4 bars: 16th triplets - including rests
14.14 4/4 - 4 bars: 16th & 8th triplets
14.15 4/4 - 4 bars: 16th & 8th triplets - including rests
14.16 4/4 - 4 bars: 16th, 8th, Quarter & Half triplets
14.17 4/4 - 4 bars: 16th, 8th, Quarter & Half triplets - including rests

15: Triplets, Now in 3/4

15.1 3/4 - 4 bars: Quarter notes, 8th triplets
15.2 3/4 - 4 bars: Quarter notes, 8th triplets - including rests
15.3 3/4 - 4 bars: Quarter & Half notes, 8th triplets - including rests
15.4 3/4 - 4 bars: Quarter notes, 8th triplets - including rests
15.5 3/4 - 4 bars: 8th & Quarter triplets
15.6 3/4 - 4 bars: 8th & Quarter triplets - including rests
15.7 3/4 - 4 bars: Quarter notes, 8th & Quarter triplets
15.8 3/4 - 4 bars: Quarter notes, 8th & Quarter triplets - including rests
15.9 3/4 - 4 bars: Quarter notes, 16th triplets
15.10 3/4 - 4 bars: Quarter notes, 16th triplets - including rests
15.11 3/4 - 4 bars: 16th triplets - including rests
15.12 3/4 - 4 bars: 16th & 8th triplets
15.13 3/4 - 4 bars: 16th & 8th triplets - including rests
15.14 3/4 - 4 bars: 16th, 8th & Quarter triplets
15.15 3/4 - 4 bars: 16th, 8th & Quarter triplets - including rests

16: Introducing a New Time Signature: 5/4

16.1 5/4 - 4 bars: 8th & Quarter notes - including rests
16.2 5/4 - 4 bars: 8th & Quarter notes - including rests
16.3 5/4 - 4 bars: 8th, Quarter & Half notes - including rests
16.4 5/4 - 4 bars: 16th, 8th & Quarter notes - including rests
16.5 5/4 - 4 bars: 16th, 8th & Quarter notes - including rests
16.6 5/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes - including rests
16.7 5/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets
16.8 5/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests

17: Introducing New Time Signatures: 3/8, 4/8 & 6/8

17.1 3/8, 4/8 & 6/8 - 4 bars: 16th & 8th notes
17.2 3/8, 4/8 & 6/8 - 4 bars: 16th & 8th notes - including rests
17.3 3/8, 4/8 & 6/8 - 4 bars: 16th, 8th & Quarter notes
17.4 3/8, 4/8 & 6/8 - 4 bars: 16th, 8th & Quarter notes - including rests

18: 6/8 with Dotted Subdivision

18.1 6/8 - 4 bars: 8th notes, Quarter dotted notes
18.2 6/8 - 4 bars: 8th notes, Quarter dotted notes - including rests
18.3 6/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes
18.4 6/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes - including rests
18.5 6/8 - 4 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

19: Introducing the 9/8 Time Signature

19.1 9/8 - 4 bars: 16th & 8th notes
19.2 9/8 - 4 bars: 16th & 8th notes - including rests
19.3 9/8 - 4 bars: 16th, 8th & Quarter notes
19.4 9/8 - 4 bars: 16th, 8th & Quarter notes - including rests
19.5 9/8 - 4 bars: 8th notes, Quarter dotted notes
19.6 9/8 - 4 bars: 8th notes, Quarter dotted notes - including rests
19.7 9/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes
19.8 9/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes - including rests
19.9 9/8 - 4 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

20: Introducing the 12/8 Time Signature

20.1 12/8 - 4 bars: 16th & 8th notes
20.2 12/8 - 4 bars: 16th & 8th notes - including rests
20.3 12/8 - 4 bars: 16th, 8th & Quarter notes
20.4 12/8 - 4 bars: 16th, 8th & Quarter notes - including rests
20.5 12/8 - 4 bars: 8th notes, Quarter dotted notes
20.6 12/8 - 4 bars: 8th notes, Quarter dotted notes - including rests
20.7 12/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes
20.8 12/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes - including rests
20.9 12/8 - 4 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

21: Introducing New Time Signatures: 5/8 & 7/8

21.1 5/8 & 7/8 - 4 bars: 16th & 8th notes
21.2 5/8 & 7/8 - 4 bars: 16th & 8th notes - including rests
21.3 5/8 & 7/8 - 4 bars: 16th, 8th & Quarter notes
21.4 5/8 & 7/8 - 4 bars: 16th, 8th & Quarter notes - including rests

22: Introducing New Time Signatures: 2/2, 3/2 & 4/2

22.1 2/2, 3/2 & 4/2 - 4 bars: Half & Whole notes
22.2 2/2, 3/2 & 4/2 - 4 bars: Half & Whole notes - including rests
22.3 2/2, 3/2 & 4/2 - 4 bars: Quarter, Half & Whole notes
22.4 2/2, 3/2 & 4/2 - 4 bars: Quarter, Half & Whole notes - including rests
22.5 2/2, 3/2 & 4/2 - 4 bars: 8th, Quarter & Half notes - including rests
22.6 2/2, 3/2 & 4/2 - 4 bars: 8th, Quarter & Half notes - including rests

23: 4/4: Mixed Note Groupings

23.1 4/4 - 4 bars: 8th notes, 8th triplets
23.2 4/4 - 4 bars: 8th notes, 8th triplets - including rests
23.3 4/4 - 4 bars: Quarter notes, Quarter triplets
23.4 4/4 - 4 bars: Quarter notes, Quarter triplets - including rests
23.5 4/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets
23.6 4/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests
23.7 4/4 - 4 bars: 16th notes, 16th triplets
23.8 4/4 - 4 bars: 16th notes, 16th triplets - including rests
23.9 4/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets
23.10 4/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets - including rests
23.11 4/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
23.12 4/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

24: 3/4: Mixed Note Groupings

24.1 3/4 - 4 bars: 8th notes, 8th triplets
24.2 3/4 - 4 bars: 8th notes, 8th triplets - including rests
24.3 3/4 - 4 bars: Quarter notes, Quarter triplets
24.4 3/4 - 4 bars: Quarter notes, Quarter triplets - including rests
24.5 3/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets
24.6 3/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests
24.7 3/4 - 4 bars: 16th notes, 16th triplets
24.8 3/4 - 4 bars: 16th notes, 16th triplets - including rests
24.9 3/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets
24.10 3/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets - including rests
24.11 3/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
24.12 3/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

25: 4/4: Introducing 32nd Notes

25.1 4/4 - 4 bars: 8th & Quarter notes - including rests
25.2 4/4 - 4 bars: 16th & 8th notes - including rests
25.3 4/4 - 4 bars: 32nd & 16th notes
25.4 4/4 - 4 bars: 32nd & 16th notes - including rests
25.5 4/4 - 4 bars: 32nd & 16th notes - including rests
25.6 4/4 - 4 bars: 32nd notes - including rests
25.7 4/4 - 4 bars: 32nd, 16th, 8th & Quarter notes
25.8 4/4 - 4 bars: 32nd, 16th, 8th & Quarter notes - including rests

26: 3/4: 32nd Notes

26.1 3/4 - 4 bars: 8th & Quarter notes - including rests
26.2 3/4 - 4 bars: 16th & 8th notes - including rests
26.3 3/4 - 4 bars: 32nd & 16th notes
26.4 3/4 - 4 bars: 32nd & 16th notes - including rests
26.5 3/4 - 4 bars: 32nd & 16th notes - including rests
26.6 3/4 - 4 bars: 32nd notes - including rests
26.7 3/4 - 4 bars: 32nd, 16th, 8th & Quarter notes
26.8 3/4 - 4 bars: 32nd, 16th, 8th & Quarter notes - including rests

27: Final roundup

27.1 Simple meters
27.2 Simple meters with rests
27.3 Compound meters
27.4 Compound meters with rests
27.5 Asymmetrical meters I
27.6 Asymmetrical meters II

 General Workshops - Rhythmic Dictation


1: 4/4 - 1 bar: Whole, Half, Quarter & Eighth Notes

1.1 4/4 - 1 bar: Quarter notes - including rests
1.2 4/4 - 1 bar: 8th & Quarter notes
1.3 4/4 - 1 bar: 8th notes - including rests
1.4 4/4 - 1 bar: 8th & Quarter notes - including rests
1.5 4/4 - 1 bar: Quarter & Half notes - including rests
1.6 4/4 - 1 bar: Half & Whole notes - including rests
1.7 4/4 - 1 bar: Quarter, Half & Whole notes - including rests
1.8 4/4 - 1 bar: 8th, Quarter, Half & Whole notes - including rests

2: 3/4 - 1 bar: Half, Quarter & Eighth Notes

2.1 3/4 - 1 bar: Quarter notes - including rests
2.2 3/4 - 1 bar: 8th & Quarter notes
2.3 3/4 - 1 bar: 8th notes - including rests
2.4 3/4 - 1 bar: 8th & Quarter notes - including rests
2.5 3/4 - 1 bar: Quarter & Half notes - including rests
2.6 3/4 - 1 bar: 8th, Quarter & Half notes - including rests

3: 2/4 - 1 bar: Half, Quarter & Eighth Notes

3.1 2/4 - 1 bar: Quarter notes - including rests
3.2 2/4 - 1 bar: 8th & Quarter notes
3.3 2/4 - 1 bar: 8th notes - including rests
3.4 2/4 - 1 bar: 8th & Quarter notes - including rests
3.5 2/4 - 1 bar: Quarter & Half notes - including rests
3.6 2/4 - 1 bar: 8th, Quarter & Half notes - including rests

4: 4/4 - 2 bars: Whole, half, Quarter & Eighth Notes

4.1 4/4 - 2 bars: Quarter notes - including rests
4.2 4/4 - 2 bars: 8th & Quarter notes
4.3 4/4 - 2 bars: 8th notes - including rests
4.4 4/4 - 2 bars: 8th & Quarter notes - including rests
4.5 4/4 - 2 bars: Quarter & Half notes - including rests
4.6 4/4 - 2 bars: Half & Whole notes - including rests
4.7 4/4 - 2 bars: Quarter, Half & Whole notes - including rests
4.8 4/4 - 2 bars: 8th, Quarter, Half & Whole notes - including rests

5: 3/4 - 2 bars: Half, Quarter & Eighth Notes

5.1 3/4 - 2 bars: Quarter notes - including rests
5.2 3/4 - 2 bars: 8th & Quarter notes
5.3 3/4 - 2 bars: 8th notes - including rests
5.4 3/4 - 2 bars: 8th & Quarter notes - including rests
5.5 3/4 - 2 bars: Quarter & Half notes - including rests
5.6 3/4 - 2 bars: 8th, Quarter & Half notes - including rests

6: 2/4 - 2 bars: Half, Quarter & Eighth Notes

6.1 2/4 - 2 bars: Quarter notes - including rests
6.2 2/4 - 2 bars: 8th & Quarter notes
6.3 2/4 - 2 bars: 8th notes - including rests
6.4 2/4 - 2 bars: 8th & Quarter notes - including rests
6.5 2/4 - 2 bars: Quarter & Half notes - including rests
6.6 2/4 - 2 bars: 8th, Quarter & Half notes - including rests

7: 4/4: Introducing Sixteenth Note Groupings

7.1 4/4 - 1 bar: 16th & Quarter notes
7.2 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
7.3 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests

8: 3/4: Sixteenth Note Groupings

8.1 3/4 - 1 bar: 16th & Quarter notes
8.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
8.3 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests

9: 2/4: Sixteenth Note Groupings

9.1 2/4 - 1 bar: 16th & Quarter notes
9.2 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
9.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests

10: Advanced Sixteenth Note Groupings

10.1 4/4 - 1 bar: 16th, 8th & Quarter notes
10.2 3/4 - 1 bar: 16th, 8th & Quarter notes
10.3 2/4 - 1 bar: 16th, 8th & Quarter notes
10.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes
10.5 4/4 - 1 bar: 16th, 8th & Quarter notes
10.6 3/4 - 1 bar: 16th, 8th & Quarter notes
10.7 2/4 - 1 bar: 16th, 8th & Quarter notes
10.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes

11: Advanced Sixteenth Note Groupings with Rests

11.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.5 4/4 - 1 bar: 16th & Quarter notes - including rests
11.6 3/4 - 1 bar: 16th & Quarter notes - including rests
11.7 2/4 - 1 bar: 16th & Quarter notes - including rests
11.8 2/4, 3/4 & 4/4 - 1 bar: 16th & Quarter notes - including rests

12: Advanced 16th and 8th Combinations with Rests

12.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.5 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.6 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.7 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests

13: All Note values from the Previous Lessons, Including Rests

13.1 4/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests
13.2 3/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests
13.3 2/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests
13.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests

14: 4/4: Triplets

14.1 4/4 - 1 bar: Quarter notes, 8th triplets
14.2 4/4 - 1 bar: Quarter notes, 8th triplets - including rests
14.3 4/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests
14.4 4/4 - 1 bar: Quarter notes, 8th triplets - including rests
14.5 4/4 - 1 bar: 8th & Quarter triplets
14.6 4/4 - 1 bar: 8th & Quarter triplets - including rests
14.7 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets
14.8 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests
14.9 4/4 - 1 bar: Half triplets
14.10 4/4 - 1 bar: Half triplets - including rests
14.11 4/4 - 1 bar: Quarter notes, 16th triplets
14.12 4/4 - 1 bar: Quarter notes, 16th triplets - including rests
14.13 4/4 - 1 bar: 16th triplets - including rests
14.14 4/4 - 1 bar: 16th & 8th triplets
14.15 4/4 - 1 bar: 16th & 8th triplets - including rests
14.16 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets
14.17 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets - including rests

15: Triplets, Now in 3/4

15.1 3/4 - 1 bar: Quarter notes, 8th triplets
15.2 3/4 - 1 bar: Quarter notes, 8th triplets - including rests
15.3 3/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests
15.4 3/4 - 1 bar: Quarter notes, 8th triplets - including rests
15.5 3/4 - 1 bar: 8th & Quarter triplets
15.6 3/4 - 1 bar: 8th & Quarter triplets - including rests
15.7 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets
15.8 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests
15.9 3/4 - 1 bar: Quarter notes, 16th triplets
15.10 3/4 - 1 bar: Quarter notes, 16th triplets - including rests
15.11 3/4 - 1 bar: 16th triplets - including rests
15.12 3/4 - 1 bar: 16th & 8th triplets
15.13 3/4 - 1 bar: 16th & 8th triplets - including rests
15.14 3/4 - 1 bar: 16th, 8th & Quarter triplets
15.15 3/4 - 1 bar: 16th, 8th & Quarter triplets - including rests

16: Introducing a New Time Signature: 5/4

16.1 5/4 - 1 bar: 8th & Quarter notes - including rests
16.2 5/4 - 1 bar: 8th & Quarter notes - including rests
16.3 5/4 - 1 bar: 8th, Quarter & Half notes - including rests
16.4 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests
16.5 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests
16.6 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests
16.7 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets
16.8 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests

17: Introducing New Time Signatures: 3/8, 4/8 & 6/8

17.1 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes
17.2 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes - including rests
17.3 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes
17.4 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes - including rests

18: 6/8 with Dotted Subdivision

18.1 6/8 - 1 bar: 8th notes, Quarter dotted notes
18.2 6/8 - 1 bar: 8th notes, Quarter dotted notes - including rests
18.3 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes
18.4 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests
18.5 6/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

19: Introducing the 9/8 Time Signature

19.1 9/8 - 1 bar: 16th & 8th notes
19.2 9/8 - 1 bar: 16th & 8th notes - including rests
19.3 9/8 - 1 bar: 16th, 8th & Quarter notes
19.4 9/8 - 1 bar: 16th, 8th & Quarter notes - including rests
19.5 9/8 - 1 bar: 8th notes, Quarter dotted notes
19.6 9/8 - 1 bar: 8th notes, Quarter dotted notes - including rests
19.7 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes
19.8 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests
19.9 9/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

20: Introducing the 12/8 Time Signature

20.1 12/8 - 1 bar: 16th & 8th notes
20.2 12/8 - 1 bar: 16th & 8th notes - including rests
20.3 12/8 - 1 bar: 16th, 8th & Quarter notes
20.4 12/8 - 1 bar: 16th, 8th & Quarter notes - including rests
20.5 12/8 - 1 bar: 8th notes, Quarter dotted notes
20.6 12/8 - 1 bar: 8th notes, Quarter dotted notes - including rests
20.7 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes
20.8 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests
20.9 12/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

21: Introducing New Time Signatures: 5/8 & 7/8

21.1 5/8 & 7/8 - 1 bar: 16th & 8th notes
21.2 5/8 & 7/8 - 1 bar: 16th & 8th notes - including rests
21.3 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes
21.4 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes - including rests

22: Introducing New Time Signatures: 2/2, 3/2 & 4/2

22.1 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes
22.2 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes - including rests
22.3 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes
22.4 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes - including rests
22.5 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests
22.6 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests

23: 4/4: Mixed Note Groupings

23.1 4/4 - 1 bar: 8th notes, 8th triplets
23.2 4/4 - 1 bar: 8th notes, 8th triplets - including rests
23.3 4/4 - 1 bar: Quarter notes, Quarter triplets
23.4 4/4 - 1 bar: Quarter notes, Quarter triplets - including rests
23.5 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets
23.6 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests
23.7 4/4 - 1 bar: 16th notes, 16th triplets
23.8 4/4 - 1 bar: 16th notes, 16th triplets - including rests
23.9 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets
23.10 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests
23.11 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
23.12 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

24: 3/4: Mixed Note Groupings

24.1 3/4 - 1 bar: 8th notes, 8th triplets
24.2 3/4 - 1 bar: 8th notes, 8th triplets - including rests
24.3 3/4 - 1 bar: Quarter notes, Quarter triplets
24.4 3/4 - 1 bar: Quarter notes, Quarter triplets - including rests
24.5 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets
24.6 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests
24.7 3/4 - 1 bar: 16th notes, 16th triplets
24.8 3/4 - 1 bar: 16th notes, 16th triplets - including rests
24.9 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets
24.10 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests
24.11 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
24.12 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

25: 4/4: Introducing 32nd Notes

25.1 4/4 - 1 bar: 8th & Quarter notes - including rests
25.2 4/4 - 1 bar: 16th & 8th notes - including rests
25.3 4/4 - 1 bar: 32nd & 16th notes
25.4 4/4 - 1 bar: 32nd & 16th notes - including rests
25.5 4/4 - 1 bar: 32nd & 16th notes - including rests
25.6 4/4 - 1 bar: 32nd notes - including rests
25.7 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes
25.8 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests

26: 3/4: 32nd Notes

26.1 3/4 - 1 bar: 8th & Quarter notes - including rests
26.2 3/4 - 1 bar: 16th & 8th notes - including rests
26.3 3/4 - 1 bar: 32nd & 16th notes
26.4 3/4 - 1 bar: 32nd & 16th notes - including rests
26.5 3/4 - 1 bar: 32nd & 16th notes - including rests
26.6 3/4 - 1 bar: 32nd notes - including rests
26.7 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes
26.8 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests

27: All the Time Signatures from the Previous Lessons

27.1 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes
27.2 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes + Rests

 General Workshops - Scale Identification


1: Module 1

1.1 Major, Lydian and Mixolydian (begin with 1-1)
1.2 Scales with minor sound (begin with 1-½)
1.3 Phrygian and Locrian (begin with ½-1)
1.4 All modes and harmonic and melodic minor
1.5 Whole tone and variants of Lydian and Mixolydian
1.6 Melodic minor, Locrian (#2) and Dim (1-½)
1.7 Phrygian (#6), Altered and Dim (½-1)
1.8 Derivatives of melodic minor, Whole tone and Dim
1.9 All scales and modes from lessons 1-8
1.10 Derivatives of harmonic minor
1.11 The two pentatonic scales
1.12 All modes - descending
1.13 Derivatives of harmonic minor - descending

 Jazz Workshops - Chord Identification


1: Module 1

1.1 Four note chords #1: major
1.2 Four note chords #2: minor
1.3 Four note chords #3: dim7, mi7(b5)
1.4 Four note chords #4
1.5 Four note chords #5: maj7 dissonant
1.6 Four note chords #6: major7 dissonant
1.7 Four note chords #7: minor dissonant
1.8 Four note chords #8: the six most dissonant
1.9 Four note chords #9: all
1.10 Tonic major: Five and six note chords
1.11 Tonic major: 4 to 7 note chords, Lydian scale
1.12 Tonic major, mixed
1.13 Tonic minor: 5 and 6 note chords
1.14 Tonic minor: Dorian and melodic scales
1.15 mi7(b5) chords
1.16 Minor chords, mixed
1.17 Dominants, Mixolydian scale
1.18 Dominants, Mixolydian #11 mode
1.19 Dominants, altered scale
1.20 Dominants, diminished scale
1.21 Dominants, mixed
1.22 All chords, mixed

 Jazz Workshops - Chord Identification


1: Module 1

1.1 Four note chords #1: major
1.2 Four note chords #2: minor
1.3 Four note chords #3: dim7, mi7(b5)
1.4 Four note chords #4
1.5 Four note chords #5: maj7 dissonant
1.6 Four note chords #6: major7 dissonant
1.7 Four note chords #7: minor dissonant
1.8 Four note chords #8: the six most dissonant
1.9 Four note chords #9: all
1.10 Tonic major: Five and six note chords
1.11 Tonic major: 4 to 7 note chords, Lydian scale
1.12 Tonic major, mixed
1.13 Tonic minor: 5 and 6 note chords
1.14 Tonic minor: Dorian and melodic scales
1.15 mi7(b5) chords
1.16 Minor chords, mixed
1.17 Dominants, Mixolydian scale
1.18 Dominants, Mixolydian #11 mode
1.19 Dominants, altered scale
1.20 Dominants, diminished scale
1.21 Dominants, mixed
1.22 All chords, mixed

 Jazz Workshops - Chord Progressions


1: Module 1

1.1 Diatonic progressions, major
1.2 Diatonic progressions, major
1.3 Diatonic progressions, major
1.4 Diatonic progressions, minor
1.5 Diatonic progressions, minor, with Dominant 7
1.6 Diatonic progressions, major, with Dominant V7/IV
1.7 Diatonic major, with Dominant V7/V
1.8 Diatonic major, with Dominant V7/II
1.9 Diatonic major, with Dominant V7/VI
1.10 Diatonic major, with Dominant V7/III
1.11 Major with all 5 secondary dominants
1.12 Major with tritone substituted dominants #1
1.13 Major with tritone substituted dominants #2
1.14 Major with tritone substituted dominants #3
1.15 Major with a modal interchange chord
1.16 Major with at least 2 modal interchange chords
1.17 Major, various number of modal interchange chords
1.18 All themes mixed!

 Jazz Workshops - Melodic Dictation


1: Blues Scales and Songs

1.1 Blues “licks:” 3 to 4 tones in the Key of C (1 bar)
1.2 Blues “licks:” 3 to 4 tones in the Key of F (1 bar)
1.3 Blues “licks:” 3 to 4 tones in Key of G (1 bar)
1.4 Blues “licks:” 5 to 6 tones in the Key of C (2 bars)
1.5 Melodies on the Blues Scale-7 to 8 tones in the Keys of C, F, and G, (2 bars)
1.6 Melodic Dictation: "St. Louis Blues"
1.7 Melodic Dictation: "Beale Street Blues"
1.8 Exam: Blues "Licks" and "St. Louis Blues"

2: 1920's American Swing Hits

2.1 Review of Melodic Patterns: Keys of Bb, Eb, A and D (5 to 6 tones)
2.2 Melodic Dictation: "By the Light of the Silvery Moon"
2.3 Melodic Dictation: "Swanee"
2.4 Melodic Dictation: "Rock-a-bye Your Baby"
2.5 Melodic Dictation: "T'ain't Nobody's Business If I Do"
2.6 Exam: American Swing Hits of the 1920's

3: Ballads and Blues in Minor

3.1 Natural Minor Patterns: 3 to 4 tones
3.2 Natural Minor Patterns: 5 to 6 tones
3.3 Melodic Dictation: "St. James Infirmary Blues"
3.4 Melodic Dictation: "Flee as a Bird"
3.5 Melodic Dictation: "King Chanticleer"
3.6 Melodic Dictation: "Some of these Days"
3.7 Exam: Ballads and Blues in Minor Keys

4: Novelty Songs & Rhythms

4.1 Blues Scale: 5 to 6 tones in 3/4 meter with swing 8ths
4.2 Blues Scale: 5 to 6 tones in 3/4 meter with octave leaps
4.3 Melodic Dictation: "Missouri Waltz"
4.4 Melodic Dictation: "Sheik of Araby"
4.5 Melodic Dictation: "Ja Da"
4.6 Melodic Dictation: "Ain't We Got Fun"
4.7 Exam: Novelty Songs and Rhythms

5: Irish Ballads & Folk Music

5.1 Major Scales: Two-Measure Melodies with 7th leaps
5.2 Melodic Dictation: "Too Ra Loo Ra Loo Ral"
5.3 Melodic Dictation: "When Irish Eyes are Smiling"
5.4 Melodic Dictation: "Careless Love"
5.5 Melodic Dictation: "The Bells of St. Mary's"
5.6 Exam: Irish Ballads and Folk Music

6: Fun with Irving Berlin

6.1 Melodic Dictation: "Alexander's Ragtime Band"
6.2 Melodic Dictation: "When the Midnight Choo Choo Leaves for Alabam"
6.3 Melodic Dictation: "At the Devil's Ball"
6.4 Melodic Dictation: "Mandy"
6.5 Melodic Dictation: "I Never Knew"
6.6 Exam: Fun with Irving Berlin

7: Transcribe “After You've Gone”

7.1 After You've Gone

 Jazz Workshops - Melodic Sight-Singing


1: Blues Scales and Blues Songs

1.1 Blues “licks:” 3 to 4 tones in the Key of C (1 bar)
1.2 Blues “licks:” 3 to 4 tones in the Key of F (1 bar)
1.3 Blues “licks:” 3 to 4 tones in Key of G (1 bar)
1.4 Blues “licks:” 5 to 6 tones in the Key of C (2 bars)
1.5 Melodies on the Blues Scale-7 to 8 tones in the Keys of C, F, and G, (2 bars)
1.6 Listening Activity: "St. Louis Blues" by W.C. Handy
1.7 Sight-Singing: "St. Louis Blues"
1.8 Listening Activity: "Beale Street Blues"
1.9 Sight-Singing: "Beale Street Blues"
1.10 Exam: Blues "Licks" and "The Blues"

2: 1920's American Swing Hits

2.1 Review of Melodic Patterns: Keys of Bb, Eb, A and D (5 to 6 tones)
2.2 Listening Activity: "By the Light of the Silvery Moon"
2.3 Sight-Singing: "By the Light of the Silvery Moon"
2.4 Listening Activity: "Swanee" by George Gershwin
2.5 Sight-Singing: "Swanee"
2.6 Listening Activity: "Rock-a-bye Your Baby (With a Dixie Melody)"
2.7 Sight-Singing: "Rock-a-bye Your Baby"
2.8 Listening Activity: "T'ain't Nobody's Business If I Do"
2.9 Sight-Singing: "Taint Nobody's Business..."
2.10 Exam: American Swing Hits of the 1920's

3: Ballads and Blues in Minor

3.1 Natural Minor Patterns: 3 to 4 tones
3.2 Natural Minor Patterns: 5 to 6 tones
3.3 Listening Activity: "St. James Infirmary Blues"
3.4 Sight-Singing: "St. James Infirmary Blues"
3.5 Listening Activity: "Flee as a Bird"
3.6 Sight-Singing: "Flee as a Bird"
3.7 Listening Activity: "King Chanticleer"
3.8 Sight-Singing: "King Chanticleer"
3.9 Listening Activity: "Some of These Days"
3.10 Sight-Singing: "Some of these Days"
3.11 Exam: Ballads and Blues in Minor Keys

4: Novelty Songs & Rhythms

4.1 Blues Scale: 5 to 6 tones in 3/4 meter with swing 8ths
4.2 Blues Scale: 5 to 6 tones in 3/4 meter with octave leaps
4.3 Listening Activity: "Missouri Waltz"
4.4 Sight-Singing: "Missouri Waltz"
4.5 Listening Activity: "The Sheik of Araby"
4.6 Sight-Singing: "Sheik of Araby"
4.7 Listening Activity: "Ja Da"
4.8 Sight-Singing: "Ja Da"
4.9 Listening Activity: "Ain't We Got Fun
4.10 Sight-Singing: "Ain't We Got Fun"
4.11 Exam: Novelty songs and Rhythms

5: Irish Ballads & Folk Music

5.1 Major Scales: Two-measure melodies with 7th interval leaps
5.2 Listening Activity: "Too-ra-loo-ra-loo-ra"
5.3 Sight-Singing: "Too Ra Loo"
5.4 Listening Activity: "When Irish Eyes are Smiling"
5.5 Sight-Singing: "When Irish Eyes are Smiling"
5.6 Listening Activity: "Careless Love"
5.7 Sight-Singing: "Careless Love"
5.8 Listening Activity: "The Bells of St. Mary's"
5.9 Sight-Singing: "The Bells of St. Mary's"
5.10 Exam: Irish Ballads and Folk Music

6: Fun with Irving Berlin

6.1 Listening Activity: "Alexander's Ragtime Band"
6.2 Sight-Singing: "Alexander's Ragtime Band"
6.3 Listening Activity: "Midnight Choo Choo"
6.4 Sight-Singing: "When the Midnight Choo Choo"
6.5 Listening Activity: "At the Devil's Ball"
6.6 Sight-Singing: "At the Devil's Ball"
6.7 Listening Activity: "Mandy"
6.8 Sight-Singing: "Mandy"
6.9 Listening Activity: "I Never Knew"
6.10 Sight-Singing: "I Never Knew"
6.11 Exam: Fun with Irving Berlin

7: Sight-Sing “After You've Gone”

7.1 After You've Gone

 Jazz Workshops - Melody Singback


1: Blues Scales and Blues Songs

1.1 Blues “licks:” 3 to 4 tones in the Key of C (1 bar)
1.2 Blues “licks:” 3 to 4 tones in the Key of F (1 bar)
1.3 Blues “licks:” 3 to 4 tones in Key of G (1 bar)
1.4 Blues “licks:” 5 to 6 tones in the Key of C (2 bars)
1.5 Melodies on the Blues Scale-7 to 8 tones in the Keys of C, F, and G, (2 bars)
1.6 Sing or play back: "St. Louis Blues"
1.7 Sing or play back: "Beale Street Blues"
1.8 Exam: Blues "Licks" and "The Blues"

2: 1920's American Swing Hits

2.1 Review of Melodic Patterns: Keys of Bb, Eb, A and D (5 to 6 tones)
2.2 Sing or play back: "By the Light of the Silvery Moon"
2.3 Sing or play back: "Swanee"
2.4 Sing or play back: "Rock-a-bye Your Baby"
2.5 Sing or play back: "Taint Nobody's Business..."
2.6 Exam: American Swing Hits of the 1920's

3: Ballads and Blues in Minor

3.1 Natural Minor Patterns: 3 to 4 tones
3.2 Natural Minor Patterns: 5 to 6 tones
3.3 Sing or play back: "St. James Infirmary Blues"
3.4 Sing or play back: "Flee as a Bird"
3.5 Sing or play back: "King Chanticleer"
3.6 Sing or play back: "Some of these Days"
3.7 Exam: Ballads and Blues in Minor Keys

4: Novelty Songs & Rhythms

4.1 Blues Scale: 5 to 6 tones in 3/4 meter with swing 8ths
4.2 Blues Scale: 5 to 6 tones in 3/4 meter with octave leaps
4.3 Sing or play back: "Missouri Waltz"
4.4 Sing or play back: "Sheik of Araby"
4.5 Sing or play back: "Ja Da"
4.6 Sing or play back: "Ain't We Got Fun"
4.7 Exam: Novelty Songs and Rhythms

5: Irish Ballads & Folk Music

5.1 Major Scales: Two-measure melodies with 7th interval leaps
5.2 Sing or play back: "Too Ra Loo"
5.3 Sing or play back: "When Irish Eyes are Smiling"
5.4 Sing or play back: "Careless Love"
5.5 Sing or play back: "The Bells of St. Mary's"
5.6 Exam: Irish Ballads and Folk Music

6: Fun with Irving Berlin

6.1 Sing or play back: "Alexander's Ragtime Band"
6.2 Sing or play back: "When the Midnight Choo Choo"
6.3 Sing or play back: "At the Devil's Ball"
6.4 Sing or play back: "Mandy"
6.5 Sing or play back: "I Never Knew"
6.6 Exam: Fun with Irving Berlin

7: Play “After You've Gone” by ear

7.1 After You've Gone

 Jazz Workshops - Rhythm Clapback


1: Module 1

1.1 4/4 swing, half-, quarter- and eighth notes
1.2 4/4 swing with rests
1.3 4/4 swing, quarter notes and eighths, faster tempo
1.4 3/4 swing, quarter notes, eighths and rests
1.5 3/4 and 4/4 swing - two bars!
1.6 4/4 swing with eighth note triplets
1.7 4/4 swing with triplets
1.8 4/4 swing with triplets and rests
1.9 3/4 swing with triplets
1.10 3/4 and 4/4 swing, triplets and rest
1.11 6/8
1.12 6/8 with rests
1.13 6/8, with rests and ties
1.14 4/4 straight with eighths and sixteenths.
1.15 3/4 and 4/4 straight with rests
1.16 6/8 with sixteenths
1.17 6/8 with sixteenths and ties
1.18 6/8 with sixteenths, rests and ties
1.19 6/8 with sixteenths. 2 bars.
1.20 6/8 with sixteenths and ties. 2 bars.
1.21 6/8 with sixteenths, rests and ties
1.22 Medium upswing, quarter notes, eighths and rests
1.23 Up-tempo swing, quarter notes, eighths and rests
1.24 Medium upswing, with rests and ties
1.25 Up-tempo swing, with rests and ties
1.26 Medium upswing, quarter notes, eighths and rests.
1.27 Up-tempo swing, tempo 200. Two bars
1.28 Medium upswing, with rests and ties. Two bars
1.29 Medium upswing, 2 bars, with quarter note triplets
1.30 Up-tempo swing, rests and ties.
1.31 Up-tempo swing, with quarter note triplets
1.32 Sixteenths swing. One bar
1.33 Sixteenths swing with sixteenth note triplets
1.34 Sixteenths swing with triplets and ties
1.35 Sixteenths swing with sixteenth note triplets
1.36 Straight rhythms with 16th and 32nd notes
1.37 Rhythms with 16th and 32nd notes and ties
1.38 Up-tempo swing with quarter note triplets. Two bars
1.39 Up-tempo swing with rests. Two bars
1.40 Up-tempo swing with more eighths. Two bars.
1.41 Up-tempo swing with quarter note triplets. 3 bars!
1.42 Up-tempo swing with rests. 3 bars.
1.43 Swing eighths with straight sixteenths.
1.44 Swing eighths with straight sixteenths and rests.
1.45 Sixteenths swing. 2 bars.
1.46 Sixteenths swing with triplets and ties. 2 bars.
1.47 Up-tempo swing with more eighths.
1.48 Swinging eighths and straight sixteenths.
1.49 Swinging eighths, straight sixteenths and rests.

 Jazz Workshops - Rhythm Error Detection


1: Module 1

1.1 4/4 swing, one bar, one error
1.2 4/4 swing, 2 bars, 2 errors
1.3 4/4 swing with rests
1.4 4/4 swing with rests, 2 bars, 2 errors
1.5 4/4 swing, faster tempo
1.6 4/4 swing, 2 bars, 2 errors
1.7 3/4 swing, 2 bars, 2 errors
1.8 3/4 and 4/4 swing, 2 errors
1.9 4/4 swing with eighth note triplets, 2 errors
1.10 4/4 swing with triplets, 2 errors
1.11 4/4 swing with triplets, 3 errors
1.12 4/4 swing with triplets and rests, 2 errors
1.13 4/4 swing with triplets and rests, 3 errors
1.14 3/4 swing with triplets, 2 bars, 2 errors
1.15 3/4 and 4/4 swing, triplets and rests, 4 errors
1.16 6/8, 2 errors
1.17 6/8, 2 errors
1.18 6/8 with rests, 2 errors
1.19 6/8 with rests, 3 errors
1.20 6/8 with rests and more eighths, 2 errors
1.21 6/8 with rests, 4 errors
1.22 4/4 with straight eighths and sixteenths, 2 errors
1.23 4/4 with straight eighths and sixteenths, 4 errors
1.24 3/4 and 4/4 straight, with rests, 2 errors
1.25 3/4 and 4/4 straight, with rests, 4 errors
1.26 6/8 with sixteenths, 2 errors
1.27 6/8 with sixteenths, 3 errors
1.28 6/8 with sixteenths, 2 errors
1.29 6/8 with triplets, 3 errors
1.30 Medium upswing
1.31 Medium upswing
1.32 Sixteenths swing
1.33 Sixteenths swing
1.34 Sixteenths swing with sixteenth note triplets
1.35 Sixteenths swing with sixteenth note triplets
1.36 Straight rhythms with 16th and 32nd notes #1
1.37 Straight rhythms with 16th and 32nd notes #2
1.38 Straight rhythms with 16th and 32nd notes #3
1.39 Up-tempo swing #1
1.40 Up-tempo swing #2
1.41 Up-tempo swing #3
1.42 Swing eighths with straight sixteenths
1.43 Swing eighths with straight sixteenths

 Jazz Workshops - Rhythmic Dictation


1: Module 1

1.1 4/4 swing, half-, quarter- and eighth notes
1.2 4/4 swing with rests
1.3 4/4 swing, quarter notes and eighths, faster tempo
1.4 3/4 swing, quarter notes, eighths and rests
1.5 3/4 and 4/4 swing - two bars!
1.6 4/4 swing with eighth note triplets
1.7 4/4 swing with triplets
1.8 4/4 swing with triplets and rests
1.9 3/4 swing with triplets
1.10 3/4 and 4/4 swing, triplets and rest
1.11 6/8
1.12 6/8 with rests
1.13 6/8, with rests and ties
1.14 4/4 straight with eighths and sixteenths.
1.15 3/4 and 4/4 straight with rests
1.16 6/8 with sixteenths
1.17 6/8 with sixteenths and ties
1.18 6/8 with sixteenths, rests and ties
1.19 6/8 with sixteenths. 2 bars.
1.20 6/8 with sixteenths and ties. 2 bars.
1.21 6/8 with sixteenths, rests and ties
1.22 Medium upswing, quarter notes, eighths and rests
1.23 Up-tempo swing, quarter notes, eighths and rests
1.24 Medium upswing, with rests and ties
1.25 Up-tempo swing, with rests and ties
1.26 Medium upswing, quarter notes, eighths and rests.
1.27 Up-tempo swing, tempo 200. Two bars
1.28 Medium upswing, with rests and ties. Two bars
1.29 Medium upswing, 2 bars, with quarter note triplets
1.30 Up-tempo swing, rests and ties.
1.31 Up-tempo swing, with quarter note triplets
1.32 Sixteenths swing. One bar
1.33 Sixteenths swing with sixteenth note triplets
1.34 Sixteenths swing with triplets and ties
1.35 Sixteenths swing with sixteenth note triplets.
1.36 Straight rhythms with 16th and 32nd notes
1.37 Rhythms with 16th and 32nd notes and ties
1.38 Up-tempo swing with quarter note triplets. Two bars
1.39 Up-tempo swing with rests. Two bars
1.40 Up-tempo swing with more eighths. Two bars.
1.41 Up-tempo swing with quarter note triplets. 3 bars!
1.42 Up-tempo swing with rests. 3 bars.
1.43 Swing eighths with straight sixteenths.
1.44 Swing eighths with straight sixteenths and rests.
1.45 Sixteenths swing. 2 bars.
1.46 Sixteenths swing with triplets and ties. 2 bars.
1.47 Up-tempo swing with more eighths.
1.48 Swinging eighths and straight sixteenths.
1.49 Swinging eighths, straight sixteenths and rests.

 Jazz Workshops - Rhythmic Sight-Reading


1: Module 1

1.1 4/4 swing, half-, quarter- and eighth notes
1.2 4/4 swing with rests
1.3 4/4 swing, quarter notes and eighths, faster tempo
1.4 3/4 swing, quarter notes, eighths and rests
1.5 3/4 and 4/4 swing - two bars!
1.6 4/4 swing with eighth note triplets
1.7 4/4 swing with triplets
1.8 4/4 swing with triplets and rests
1.9 3/4 swing with triplets
1.10 3/4 and 4/4 swing, triplets and rest
1.11 6/8
1.12 6/8 with rests
1.13 6/8, with rests and ties
1.14 4/4 straight with eighths and sixteenths.
1.15 3/4 and 4/4 straight with rests
1.16 6/8 with sixteenths
1.17 6/8 with sixteenths and ties
1.18 6/8 with sixteenths, rests and ties
1.19 Medium upswing, quarter notes, eighths and rests
1.20 Medium upswing with rests and ties
1.21 Sixteenths swing
1.22 Sixteenths swing with sixteenth note triplets
1.23 Sixteenths swing with triplets and ties
1.24 Straight rhythms with 16th and 32nd notes
1.25 Rhythms with 16th and 32nd notes and ties
1.26 Up-tempo swing
1.27 Up-tempo swing with rests
1.28 Up-tempo swing with more eighths
1.29 Swing eighths with straight sixteenths.
1.30 Swing eighths with straight sixteenths and rests.

MusicXML-Import

Du kannst Parti­turen in die Musik­biblio­thek von EarMaster impor­tieren, indem du dafür das MusicXML-Datei­format verwen­dest. Insbe­sondere beim Einsatz von EarMaster Cloud im Unter­richt ist diese Funktion extrem nützlich, da impor­tierte Noten ein­fach als Grund­lage für das Erstellen eigener Lern­inhalte eingesetzt werden können. So kannst du z. B. den MusicXML-Import zum Erstellen von Übungen aus folgenden EarMaster-Bereichen verwenden:

  • Vom-Blatt-Singen und ‑Spielen
  • Melodiediktat
  • Melodien nachsingen/nachspielen
  • Rhythmen lesen
  • Rhythmusdiktat
  • Rhythmen klatschen/klopfen
  • Rhythmusfehler erkennen

Was ist MusicXML?

MusicXML ist ein digi­tales Aus­tausch­datei­format für Musik. Das Formt ermög­licht es, notierte Musik zwischen verschie­denen Anwen­dungen auszu­tauschen: Notations­programme, Sequenzer­programme, Musik-Lern­programme, Musik­daten­banken u. s. w. Du kannst also notierte Musik in einem dieser Programme erstellen und via MusicXML problem­los in ein anderes Programm über­tragen — und umgekehrt.

Wie fange ich an?

1. Vorbereitung der Partitur

Erstelle mit deinem Notations­programm (z. B. mit Dorico, Sibelius, Musescore oder Finale) eine Partitur. Du kannst auch ein Noten­erkennungs­programm wie SmartScore dazu verwenden, um gedruckte und PDF-Noten schnell zu digi­tali­sieren. Wenn du fertig bist, speichere oder expor­tiere deine Partitur als MusicXMl-Datei. Die Funktion dazu findet sich bei den meisten Programmen im Menü DATEI.

Auch zahlreiche Online-Platt­formen und ‑Musik­biblio­theken bieten eine Viel­zahl bereits fertig einge­rich­teter Partituren im MusicXML-Dateiformat an, so etwa: 

Musescore library - https://musescore.com/sheetmusic
IMSLP Petrucci Music Library - https://imslp.org/
ChoralWIKI - https://www.cpdl.org/wiki/
Hymnar- https://hymnary.org
NEUMA - http://neuma.huma-num.fr

Damit EarMaster die MusicXML-Datei lesen kann, muss sie folgende Voraus­setzungen erfüllen:
- Keine Taktartwechsel. Nur eine Taktart­angabe im Partitur­dokument.
- Keine Tonart­wechsel. Unterstützt werden Ton­arten mit maximal 6 b- und 5 #-Vorzeichen.
- Nur monophone Stimmen (keine Zwei- oder Dreiklänge etc.). Um ein Harmonie­gerüst verwenden zu können, sollten die Töne auf verschie­dene Stimmen/Systeme verteilt werden.
- Maximal 8 monophone Stimmen, von denen eine mit Akkord­symbolen versehen sein kann.
- Unterstützte Schlüssel: Violin­schlüssel, Bass­schlüssel und Alt­schlüssel.
- Unterstützte Noten­werte: Ganze bis 32stel-Note, einschließ­lich punktierte Noten, Bögen, Triolen, Quintolen und Septolen

EarMaster ist dazu in der Lage, die Stimmen der impor­tierten MusicXML-Datei auto­matisch zu transpo­nieren. Es spielt also keine Rolle, in welcher Tonart du die Notation anlegst. Du kannst die Tonart, in die EarMaster transpo­nieren soll, nach dem MusicXML-Import und beim Ein­richten der Übungen aus­wählen.

Bitte bedenke stets, dass MusicXML-Dateien nur dann impor­tiert werden können, wenn die darin ent­hal­tenen Funktionen, Werte und Defini­tionen auch von EarMaster unter­stützt werden. Nicht unter­stützte Funktionen werden entweder von EarMaster igno­riert oder durch ähnliche Werte ersetzt. So wird z. B. die nicht unter­stützte Takt­art­angabe 6/4 durch eine 12/8-Takt­art­angabe ersetzt.

2. Import deiner Partitur in EarMaster

Rufe zunächst die Musik­biblio­thek von EarMaster auf. Du findest den ent­sprechenden Button bei den Lehrer-Tools in der Teacher-Ansicht. Klicke oben rechts auf das Register Partituren und dann auf den Button + MusicXML importieren, um deine Noten zur Partitur­liste hinzu­zufügen.

3. Importierte Partituren für eigene Übungen verwenden

Wenn du im Kurs­editor von EarMastern eigene Übungen erstellst, kannst du im Bereich Quelle des musi­ka­lischen Materials das Options­feld Partitur­biblio­thek akti­vieren. Anschließend klickst du auf Liste der Fragen. Nun kannst du eine der zuvor von dir impor­tierten Parti­turen aus­wählen.

Klicke dazu im rechten Block unter­halb des Titels "Liste der Fragen" auf das Plus-Zeichen (+), um die Liste der verfüg­baren Parti­turen anzu­zeigen. Danach kannst du für deine Übung bestimmte Takt­bereiche durch "trimmen" fest­legen oder z. B. auswählen, welche Stimme in der Übung abge­fragt und ausge­wertet werden soll und welche Stimmen nur als Beglei­tung inner­halb der Übung fungieren sollen. Klicke abschließend auf OK, um dieses Setup als erste Frage deiner Übung hinzu­zufügen.

Willst du weitere Fragen hinzu­fügen, kannst du den zuvor beschrie­benen Vorgang wieder­holen oder du klickst auf das Dublizieren-Icon und änderst lediglich bestimmte Parameter der neuen Frage.

Wiederhole diese Vorgänge, bis du alle Fragen für deine eigene Übung zusammen­gestellt hast.

Häufige Fragen (FAQ)

F: Kann ich die Musik­biblio­thek von EarMaster expor­tieren?
A: Ja, die Musik­biblio­thek kann als EarMaster-Datenbank-Datei expor­tiert und dann in ein andern­orts instal­liertes EarMaster-Programm wieder impor­tiert werden. Verwende dazu in der Musik­biblio­thek die Import/Export-Buttons, die du ober­halb der Partituren­liste ganz rechts findest.

Q: Ich habe eine Partitur impor­tiert, jedoch klingt und sieht diese anders aus wie im Original. Was ist da los?
A: Der MusicXML-Standard enthält Tausende von Funktionen und Defini­tionen, die in EarMaster schlicht und einfach nicht benötigt werden. Daher kann es bei manchen Import­vorgängen dazu kommen, dass Parti­turen bis zur Unkennt­lich­keit verändert werden. Wir arbeiten fort­laufend an der Verbesse­rung der MusicXML-Import­funktion in EarMaster. Wenn du also ein Problem beim MusicXML-Import fest­stellen solltest, sende uns bitte die frag­liche MusicXML-Datei sowie eine Beschreibung des Problems. Wir werden dann versuchen, eine Lösung zu finden und die Import­funktion dahin­gehend zu verbessern.

Q: Kann ich auf dem iPad auch MusicXML-Dateien importieren?
A: Leider nicht. Diese Fujnktion steht nur auf PC und Mac zur Verfügung.

Q: Kann ich eigene Übungen, die auf Grund­lage der Musik­biblio­thek erstellt wurden, speichern?
A: Ja, aber nur bei Verwen­dung des Kurs­editors, der aus­schließ­lich EarMaster Cloud-Nutzern zur Verfügung steht, die über einen Zugang als Lehrkraft verfügen.

Schüler-Ergebnisse

In der Schüler-Ergebnis­übersicht von EarMaster erhältst du zu jeder Zeit eine voll­ständige Aus­wer­tung der Resultate, die von deinen Schülern/Studenten bei der Arbeit mit selbst erstellten Übungen und mit den in EarMaster inte­grierten Kursen erzielt wurden. Sobald ein Schüler/Student eine Übung abge­schlossen hat, werden dessen Ergeb­nisse in deinem EarMaster Cloud-Account gespeichert, so dass du sie sofort einsehen kannst.

EarMaster-Lehrer-Tools: Schüler-Ergebnisübersicht


Anzeigefilter verwenden

Wenn im Einblend­menü Resultate der Eintrag Alle Resultate ausge­wählt wird, siehst du eine Über­sicht mit allge­meinen Statis­tiken der Schüler, die der links ausge­wählten Klasse ange­hören. Du kannst natürlich auch andere Filter verwenden, um z. B. Schüler-Ergeb­nisse beim Absol­vieren bestimmter Kurse oder in bestimmten Zeit­räumen anzu­zeigen. Die verfüg­baren Filter sind:

  1. Die Benutzergruppe (z. B. Schüler in einer Klasse). Diesen Filter findest du ganz links in der Toolbar.

  2. Den Zeitraum (nur sichtbar bei der Anzeige von Alle Resultate.
  3. Die erzielten Ergebnisse aus einem zugeord­neten Arbeits­buch oder Kurs (rechts in der Toolbar).

student results

Nach Anwendung eines Filters werden alle verfüg­baren Aus­wer­tungen für ein ausge­wähltes Arbeit­sbuch oder einen Kurs neben dem Namen des Schülers ange­zeigt. Wenn du mehr ins Detail gehen möchtest, navi­giere zu bestimmten Modulen oder sogar zu einer bestimmten Lektion, um die Ergeb­nisse deiner Schüler zu ver­gleichen. Du kannst auch auf den Namen eines Schülers doppel­klicken, um eine detail­lierte Liste der Ergeb­nisse für jeden einzelnen Versuch zu sehen.

EarMaster-Lehrer-Tools: Ergebnisse aus der Übung Akkorde erkennen


Über Resultate und Versuche

In EarMaster stellt ein Modul ein ganzes Set an Lektionen dar. Im Screenshot unten besteht das Modul 4 z. B. aus den Lektionen 4.1, 4.2, 4.3 und 4.4.

Der Wert Resultat in der Titelzeile eines jeden Moduls zeigt den Durch­schnitts­wert aus den besten Ergeb­nisse aller absol­vierten Lektionen in diesem Modul an.

In der Spalte Resultat einer jeden Lektion wird das beste Ergeb­nis einer voll­stänid beant­worteten Lektion doku­mentiert. Willst du dir die Ergeb­nisse aller Versuche in dieser Lektion anzeigen lassen, klicke auf den kleinen Pfeil links neben dem Lektionen-Titel. In dieser detail­lierten Ansicht wird das beste erzielte Ergebnis zusätz­lick mit einem "Daumen hoch"-Icon markiert.

EarMaster-Lehrer-Tools: Resultate und Versuche


Resultate exportieren

Du kannst die ange­zeigten Resul­tate der Schüler-Ergebnis­übersicht als druck­fähige HTML-Datei oder als CSV-Datei zur Verwen­dung z. B. in einem Tabellen-Kalku­lations­programm expor­tieren. Um dies zu tun, nutze zunächst die Filter, um die gewünschte Aus­wahl an Ergeb­nissen zu erhalten. Rufe anschließend im Menü Optionen den Befehl Bericht-Generator auf. Du kannst auch auf die ent­sprechende Taste in der Toolbar klicken.

EarMaster-Lehrer-Tools: Bericht-Generator

 

Hinweis: Ergebnisse, die von Benutzern in Maß­geschnei­derten Lektionen erzielt werden, werden nicht in die EarMaster Cloud hoch­geladen. Bei diesen indivi­duell anpass­baren Übungen handelt es sich quasi um einen Frei­raum für Schüler, in welchem sie ohne Kontrolle durch die Lehr­person trai­nieren können.


Etwas ist nicht mehr sychnron

Synchronisierungs­probleme können durch einen veralteten lokalen Cloud-Cache verur­sacht werden. Glücklicher­weise tritt dieses Problem nur sehr selten auf. Wenn die EarMaster Cloud-Synchroni­sierung dennoch einmal nicht richtig funktio­niert, befolge bitte folgenden Lösungs­ansatz.

Eine Fehler­meldung besagt, dass der Benutzer nicht existiert

Sollte diese Fehler­meldung erscheinen, rufe die Schüler-Ergebnis­übersicht auf und klicke auf die Erneuern-Taste in der Toolbar. Halte dabei die ALT-Taste auf deiner Computer­tastatur gedrückt.;

EarMaster-Lehrer-Tools: Anzeige erneuern

Sollte die Methode mit ALT- und Erneuern-Taste nicht zum gewünschten Ergebnis führen, sollte der Cloud-Cache ent­leert werden. Befolge dazu die nach­folgende Anleitung.


Benutzerdaten und Benutzer­resultate sind nicht mehr synchron

Wenn die Daten von Schülern und/oder deren Resultate bei der Dar­stellung in der Ergebnis­übersicht des Lehrers nicht mehr mit den Daten in der Cloud über­ein­stimmen, empfiehlt es sich, den Cloud-Cache in der lokalen EarMaster-Anwendung zu ent­leeren. Das Problem kann z. B. auf­treten, wenn Benutzer im EarMaster Cloud-Admin-Portal gelöscht oder neu hinzug­efügt wurden.

Beim Entleeren des lokalen Cloud-Cache wird die installierte Software bzw. App dazu "gezwungen", die neuesten Daten nochmals aus der EarMaster Cloud zu laden.

Der Vorgang ist einfach und sicher und kann in wenigen Schritten aus­geführt werden:

    1. Öffne die EarMaster-App. Wenn du eingeloggt bist, melde dich über das Cloud-Icon ab.
    2. Öffe die Programmeinstellungen (Icon links unten auf dem Start­bild­schirm)
    3. Wähle im Menü links den Befehl App zurücksetzen. Du kannst diesen Schritt bedenken­los aus­führen, da noch nichts passieren wird.
    4. Klicke auf Lösche Cloud-Zwischen­speicher.
    5. Gehe zurück zum Start­bild­schirm und logge dich ein.

Alle Daten und Schüler­ergbnisse sollten nun auf dem neuesten Stand sein.

 

Strategien für den Unterricht

Für die Einbe­ziehung von EarMaster in den eigenen Unter­richt gibt es eine Viel­zahl mög­licher Ansatz­punkte und Strate­gien. Wir möchten auf dieser Seite einige davon vor­stelllen:

Strategien für den Einsatz von EarMaster im Unterricht

Ein Arbeitsbuch pro Woche/Monat/Semester

Es empfiehlt sich generell, jeder Klasse ein Arbeits­buch für einen festen Zeit­raum zuzu­weisen. Dieser Zeit­raum kann eine Woche, einen Monat oder ein ganzes Schul­halb­jahr oder Semester um­fassen. Während das eine Arbeits­buch aktiv im Unter­richt und von den Schülern/Studenten verwendet wird, bleiben Zeit und Muße, um das nächste Arbeits­buch zu erstellen, es lokal zu speichern, zu testen oder auch, um an einem Master-Arbeit­sbuch zu arbeiten (siehe weiter unten).

Sobald die Klasse zum nächsten Arbeits­buch wechseln soll, änderst du im Zuordnungs­manager von EarMaster einfach die Arbeits­buch-Zuord­nung für diese Klasse. Der neue Lern­inhalt wird dann umgehend und auto­matisch in den Programmen und Apps der Schüler/Studenten geladen und ange­zeigt.

Ein Arbeitsbuch pro Disziplin

Erstelle im EarMaster Cloud-Admin-Portal (https://cloud.earmaster.com) pro Disziplin deines Lehr­plans (z. B. Gehör­bildung, Harmonie­lehre, Vom-Blatt-Singen etc.) eine eigene Klasse. Ordne dann alle deine Schüler/Studenten zu diesen neu erstellten Klassen zu. Diese Vorgehens­weise macht es möglich, dass die Klasse gleich­zeitig mit mehreren, inhalt­lich unter­schied­lichen Arbeits­büchern arbeiten kann.

Bitte bedenke, dass sich diese Lösung eher für kleinere EarMaster Cloud-Accounts mit einer über­sicht­lichen Anzahl an Benutzern eignet. Wenn du mehrere Kurse und Klassen mit sehr vielen Schülern/Studenten betreust und unter­richtest, kann die oben beschrie­bene Vorgehens­weise möglicher­weise zu Mehr­arbeit führen.

Ein "Master-Arbeitsbuch" für alles

Wenn du den gesamten Lehr­plan, Unterrichts­inhalte sowie Übungen eines ganzen Jahres in nur einem Arbeits­buch zusammen­fassen willst, dann solltest du dieses Master-Arbeits­buch lokal auf deinem Computer belassen und es nach und nach durch Hinzu­fügen weiterer Übungen wachsen lassen. Willst du deinen Schülern/Studenten im laufenden Schul­jahr oder Semester Übungen aus diesem Master-Arbeits­buch zuweisen, dann erstelle jeweils kleiner Arbeits­bücher, indem du aus dem Master-Arbeits­buch einfach die benötigten Lektionen und Module impor­tierst. Dazu rufst im Kurs­editor einfach die Funktion Übungen aus Arbeits­buch impor­tieren aus dem Menü Optionen auf.

Wenn das Jahr dann beendet ist, verfügst du über ein Master-Arbeits­buch, dass den Lehr­plan ein ganzen Jahres abdeckt und in den Folge­jahren bequem wieder­verwendet werden kann.

 


Registriere dich für den EarMaster-Newsletter für Lehrkräfte

Melde dch für unseren Newsletter für Lehrkräfte an, um über neue Versionen, neue Funktionen, Tipps zum Einsatz von EarMaster im Unterricht, Werbeangebote, Webinare und vieles mehr informiert zu werden.
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